Lee Daniels new film….PIMP(Interracial Lesbian Propaganda)

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Looks like Director Lee Daniels is at it again.  Hollywood’s favorite black homosexual director is back with a new film.  The man who made black servitude look good(The Butler) and made black degeneracy look artsy(Precious,Empire). He also has a show called Star on FOX.  A show that promotes homosexuals,interracial sex, transgenders and cross-dressers.  I’ve watched the show twice and could barely stomach the filth promoted on that show.  But now he’s take it to another level.  He has an upcoming film called Pimp. Daniels is the executive producer of the film.  The actual director is white lesbian Christine Crokos.

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Written and directed by Christine Crokos, the love story stars Keke Palmer (Akeelah and the Bee), Haley Ramm (The Originals), Aunjanue Ellis (The Help), Vanessa Morgan (Finding Carter), Mike E. Winfield (Conversations in L.A.), Edi Cathegi (Twilight) and DMX.

Pimp marks the first movie that Daniels — the writer-director-producer behind such TV and film hits as Empire, Star, Precious and The Butler — has executive produced. The impetus for his involvement stemmed from wanting to support a new generation of filmmakers with authentic voices and a unique approach to storytelling.

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Pimp is set on the rough streets of the Bronx and centers on Wednesday (Palmer), who is born into the gritty world of hustling, where she learns the game from her dad. Once he’s gone, she is left to look out for her mother (Ellis) and her girlfriend Nikki (Ramm). In need of more money, Nikki decides to hit the streets for Wednesday for a dream at a better life. In a ferocious battle of survival, Wednesday comes face to face with a pimp (Gathegi) who runs a more dangerous game, leaving Wednesday to fight for love and risk all to save Nikki.

Alexis Varouxakis of 1821 Pictures and Adrenaline Entertainment is producing the pic alongside Victoria Bousis and Christine Crokos. Paris Kasidokostas-Latsis, Terry Dougas, Roys Poyiadjis, Nick Garyfallos, Michael J. Mailis, Corey Large, Gary Ousdahl, Michael Cline, Bader Alghanim, Gina Dwyer, Ali Jazayeri, Viviana Zarragoitia and John Krokidas also are executive producing.

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Daniels’ Precious (2009) received six Academy Award nominations, including for best director, and took home two Oscars. In 2012, Daniels directed the historical fiction drama The Butler, which became a box-office hit, holding the No. 1 spot for three weeks. He is also the co-creator and executive producer of the TV series Empire and Star.

I’ve always liked Keke Palmer.  I always thought she was a beautiful and talented black actress.  I thought she might be someone young black girls could look up.  But I was wrong.  Just like many young black adults in Hollyweird they fall victim to the agendas.  The know they must promote homosexuality,lesbians,queers,interraical sex and transgenders if they want to take their careers to another level.  These sick European demons in Hollywood want to corrupt the minds of black youth.  And they get these sellout black devils like Lee Daniels to destroy the minds of their own people.  Many of the powerful people in Hollywood are satanic and greedy bastards.  And we have to be careful not to follow people just because they have melanin like we do.  We must accept the fact that there are white devils….but black devils as well.  Do black children need to see a black female pimp?  And a lesbian one at that!  Do black children need to see an interracial lesbian affair? Is this inspiring to the youth??  Hell NO!  They are grooming the minds of black children to see this filth as normal.  This is more psychological warfare.  Not to mention the film as bloody violence,murder and all types of black degeneracy. Just more promotion of black people as pimps,whores,hustlers and gangsters.  Haven’t we moved past this? This is why homosexuals like Lee Daniels are rewarded so much in Hollywood. The film is coming out November 9,2018.  Be sure to NOT support this film!  Do not give these sick bastards one red cent! Let me know your thoughts on propaganda films of this nature.

When Black Gods connect…..

Black Gods...

The powers that be don’t want black people to get along.  They love to see us fight and bicker.  That’s why the mainstream media always puts out negative stereotypes of our people.  They make films that show us as drug dealers,pimps,whores,sellouts and gangsters.  But they are the true murderers,thieves and liars.  They have been throughout history.  They lie and distort history to put themselves in a positive light.  But the TRUTH always comes to light. They fear the black awakening. They know our consciousness is rising.  They can feel the shift happening.  I tell you family,don’t be distracted by the false news,stay away from the GMO foods and the te-LIE- vision that gives you mental pollution.  Don’t pay attention to the manufactured “gender war”. The Black man needs the Black woman. One can’t survive without the other. The evil Europeans/Jews can’t stop what’s coming.  Transformation is under way.  Honor it. Trust it. Cultivate it. Always protect it as well.  Know that you are the Original people of the planet.  You are the Black Gods and Goddesses.  Your African ancestors live within you. If we aren’t the Gods..then who is? The planet is yours. And their time is just about up!  Our unity is growing more and more each day.    Amazing things happen…when Black Gods connect.

Black Mentacide: Accepting Degenerate Ghetto culture

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Last week a friend of mine asked  me what I thought about the ” Do it for The D” challenge.   I wasn’t sure what he was talking about.  He said it’s a rap challenge that had went viral all over social media. It is where you do a rap and talk what you what do to get penis from a man.  There are also an alternative version in which men rap about what they would do get vagina from a woman. I find this pretty sick and disgusting!  Look how far we’ve sunk as a people.  You have rappers and black actors doing this stupid ass challenge.  Hip hop used to be about educating our people with knowledge.  The golden era(1980-90) of hip hop had artists like Public Enemy,X Clan,KRS ONE,Brand Nubian,The Jungle Brothers,A Tribe Called Quest and Queen Latifah.  At least they were either Afrocentric,pro-black and had conscious lyrics.  But ever since the mid-nineties it has hit an all time low.  I remember a few years back Nas dropped a Cd called Hip Hop is Dead.  I think he may be right. Now the culture is just operating on the lowest frequency.  Now they have children talking about shooting each other,acting like gangsters and being promiscuous.  This is nothing but mentacide.  It is the destruction of the black mind.  And it’s being done intentionally.

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And the video(above) shows celebrities like Issa Rae,Regina Hall,Keke Palmer,rapper Tyga,T-Boz, Gabrielle Union and Sanaa Lathan doing the challenge.  It was really disappointing to see Union and Lathan stooping to this garbage.  I have always thought they were beautiful and talented actresses.  They should know better than to do such a degenrate sexual challenge like this.  But the worst had to be Erykah Badu.  She and comedian Michael Blackson did the challenge.  I understand that Blackson is a silly ass comedian that you can’t take seriously.  But Erykah??  I thought she was supposed to be this deeply spiritual,conscious,holistic Afrocentric woman.  This woman is 46 years old with three children.  Is this what she wants her children to see??  Do they want to see their mother doing a “dick challenge”?  This is a new low for Erykah.  She makes good music but she’s not truly conscious in my opinion.  And these other celebrities should know better as well.  They should lead by example.  But the truth is they believe that ghetto ass hoodrat culture is authentic black culture.  They think they’re “keeping it real”.  In a sense they are…keeping it REAL ignorant! These celebrities are paid puppets. They go along whatever their rich white masters tell them to do.  As long as they’re getting paid they don’t care if they’re putting out negative stereotypes or contributing to black mentacide.  Are we niggas and hoodrats?  Do we want our black boys to  view manhood as how many women you can sleep with?  Do we want black girls to see themselves as ghetto hoodrats?  I would think not.  And videos like this show that celebs have no social responsibility.  And we have to protect our children from this madness.  It’s up to us to show a positive examples to our young ones.  This so-called challenge is deplorable in my opinion.

I love this video(above) by Goalden Chyld.  This rapper flipped this disgusting challenge on it’s head.  He did a positive and uplifting video entitled ” For the People Challenge”.  Now others are doing positive videos as well.  I salute this brother!  I hope this type of thing catches on.  But deep down I know it wont be as popular as the “do it for The D” videos.  This proves to me that black people have a serious mental illness.  We have been taught accept disgusting and over the top sexual themes as “authentic blackness”.   This type of mentality needs to change.  We got to do better.

European Antics: Episode 8( Beauty and the Beast)

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The Disney film Beauty and the Beast is coming out soon.  There’s a lot of hype about this film.  I remember seeing the cartoon back in 1991.  I always got the feeling it was a film  covertly about bestiality.  Or at the very least a film about worshipping Satan(Beast).  But I thought I would give you my own version of Beauty and the Beast.  This video is by Whitney Wisconsin.  This white cave woman goes into sexual details about all the different breeds of dogs she has screwed.  This creature is a depraved savage!  She suffers from a serious mental illness.  Or maybe not.  Maybe she is completely sane.  Which means this is normal behavior in her mind.  And she has no shame talking about sex with animals.  Just more European antics.  Check out the video if you can stomach it.

Kanye West: From Consciousness to Coonery

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This post has been a long time coming.  I’ve mentioned in past comments many things I didn’t like about Kanye West. But I’ve never did an actually post about him. I never got around to it.  I could have easily had him in a Tales of Buffoonery post. Well a few followers have told me they’d like to see a post about him,so here goes.  Kanye West released his debut CD on February 10,2004. It was The College Dropout and critics were raving.  He was on Roc-A-Fella records so of course Jay Z made sure he got plenty of press.  many rap fans were excited to hear a new artist drop some socially conscious lyrics.  It was something you don’t hear very often on mainstream radio stations.  He wasn’t exactly Chuck D or KRS ONE but West did sprinkle his music with a few gems that made people think. In the song Murder to Excellence he touched on high murder rates in Chicago. He rapped:

“Is it genocide?
Cause I can still hear his mama cry
Know the family traumatized
Shots left holes in his face about piranha-sized
The old pastor closed the cold casket
And said the church ain’t got enough room for all the tombs
It’s a war going on outside we ain’t safe from
I feel the pain in my city wherever I go
314 soldiers died in Iraq, 509 died in Chicago

In the song Diamonds from Sierra Leone he talked about civil war conflict in African countries.  He said:

“See, a part of me saying: “Keep shining”
How? When I know what a blood diamond is
Though it’s thousands of miles away
Sierra Leone connects to what we go through today
Over here it’s a drug trade, we die from drugs
Over there they die from what we buy from drugs
The diamonds, the chains, the bracelets, the charmses
I thought my Jesus-piece was so harmless
Til I seen a picture of a shorty armless

And over the years he’s touched on subjects like public education,CIA,slavery,cocaine ,Black Panthers and urban violence. And most people remember back in 2005 there was Hurricane Katrina.  During a televised concert for Hurricane relief,Kanye said President Bush doesn’t care about black people. But Kanye is one of those artist that contradict themselves a lot. He us what I call “pseudo-consciousness”.  He makes those who are really Pan-African,Afrocentric and socailly conscious look bad.  He gives us all a bad name that speak out on these issues and want to see real change.He don’t think he’s really genuine when he says it.  He may say things that make you think but it’s designed to make you think he’s deep.  When he’s really far from it.  One of the biggest contradiction is his choice of women.  This man has horrible taste.  It has shown me his slow progression into becoming a self-hating coon.One of his first girlfriend was a black woman named Sumeke Rainey. She was with him years before he became famous.  But has he his career took off he dumped her. Then from (2004-2005) he dated Brooke Crittendon who was a reality show star. She was on the BET show Harlem Heights. That relationship fizzled after awhile.  But what do you expect?  Reality celebs don’t seem that stable to me.  But then again,neither does Kanye.

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In (2006-2008) he started dating interior designer Alexis Phifer. Many insiders say they were truly in love. They really understood each other. She was there to support him when his mother passed away. I guess he thought she was “the one” since he proposed to her. But in the end he called it off.  I noticed that after his mother died his personality changed. He seemed to be withdrawn and in a depressive state.  It all went downhill from there.

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Kanye had really lost his mind when he started dating Amber Rose. Rose is a stripper/model/actress and attention whore.  This racially ambiguous freak is the last thing Kanye needed to be with. But I guess he was in pain and need some comfort. And I’m sure this she-devil was more than willing to give him all he wanted.    They dated from 2008-2010 although it seemed like forever. They were always on social media and gossip columns. Also he helped Rose gain more fame and notoriety.  Which I’m sure was the whole point anway.

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But I knew Kanye had sold his soul to the devil when he married Kim Kardashian.  He had hit rock bottom when he hooked up with this creature. The tramp of all tramps. The modern day whore of Babylon.  Kim is the representation of all that is wrong with this immoral,materilistic and decadent culture.  American culture is filled with debauchery. And Kanye and Kim are the king and queen of degeneracy.  Kanye makes me upset because he fell into the stereotype of the successful black man who ditches black women and gets a white woman.  And yes she’s white. I don’t want to hear any crap about Kim being Armenian. Yes I know they are an ethnic group but I don’t consider her  a “woman of color”.  She’s just a whore that got famous doing a sex tape with a washed up R&B singer Ray J.

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This is not a woman you marry.  Kim is not a woman you bring home to your mother.  Kim is the furthest thing from a virtuous woman.  She’s just an attention whore whos has slept with many black rappers,singers,actors and athletes.  And she’s wears fake braids in her hair and  has a fake booty.  Just a sad imitation of a black woman.  Kanye should’ve just got a real sista in the first place.  There are plenty of beautiful intelligent black women that would be more than happy to get with Kanye.  But he fell for the trap.I had high hopes for Kanye. Many others did as well.  He could’ve been a great voice for his generation.  But he sold out for fame,fortune and white validation.  He doesn’t speak for the oppressed at all.  He is just a sellout puppet. He is useless in the fight for black liberation.  Do not me fooled because he might sprinkle his lyrics with some consciousness now and then.

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This picture(above) says it all.  Kanye is finally truly happy.  He has his father/mother in law Caitlyn Jenner,his white wife and mulatto child.  And not a another black person in sight!  He has finally achieved the Amerikkkan dream. Kanye has showed us what happens when you lose self respect,dignity and racial pride.  The highest level of  coonery!

 

Breaking the Woman like a Horse:Plantation Tales

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The urban legend of Willie Lynch according to some, was and is a fake. However, fake or not, whomever it was that first put that information out into the public realm did touch a raw nerve amongst members of the African family. In the Willie Lynch letter, we gleam the essence of how the devil in tight leggings used criminality and terrorism to manufacture the Knee-grow out of an African. Numerous documentations, slave narratives, first hand accounts by none slaves (which gives them more authenticity I guess) and films have described the various methods used to commit or attempt to commit genocide on African peoples in America Inc.

 

Amongst the issues African people have had to contend with, is the division between the Male and female.  Since people are the base of any cultural imperative, creating a dysfunctional relationship amongst the people has to start with breaking the accord between the African male and female, who together enforces and re-enforces the concept of culture, community, and our story of our existence.

Breaking the horse and the hue-man

 

The various ways to “break” a horse can all be effective, but some ways have unwelcome side-effects, such as influencing the disposition, much like rearing a child with dominance instead of positive communication can make for a violent or submissive adult.

 

“You can buck ’em out, snub ’em up, sack ’em out, throw ’em down, desensitize them, dominate them into submission, use tack-less training, or any of the other systems offered by professional trainers. However, any method that might lead to injury or pain or discomfort can be costly in time or money as well as physical and emotional well-being for horse and/or rider. Other methods also require timing and knowledge that inexperienced people simply do not have. The bottom line should be safety for horse and rider, and maximum comfortableness for both.”

 

This is the essence of what the Willie Lynch letter described as the most ideal for manufacturing a knee-grow. This link details further, the Willie Lynch design for handling a knee-grow and is the basis for how the African male and female act and relate to each other today, and how the female specifically acts and reacts to the world around her. This link is very important because in it one can see where the separation begins. Reading further should bring clarity to our over standing of the methods and means of designing and manufacturing the knee-grow.

African people trying to access the “new” media is the latest path we’ve used for self expression that unfortunately ends up making us look like parodies of our selves. African woman yearn so much to fit into the Anglo-Saxons ideals of beauty and success that they manifest, as a form of “liberation expressions” for African woman, the same neurotic behavior we accuse Anglo-Saxon females of indulging in. The differences are the Anglo-Saxon female’s neurosis is codified within their cultural and social expressions and worldview, while the African woman codifies her neurosis from a foreign cultural platform. This foreign platform with no African foundation, denies the African female the necessary cushion to fall back on when her neurosis is in need of treatment.

 

Sex and the female images

Sarah Baartman

 For the longest time National Geography’s pictorials of indigenous women, bare breasted or naked, except for a strip of cloth over the pubis, has been the average Western (primarily Anglo-Saxon) male’s introduction to non western peoples. Anglo-Saxon women, in seeking to wrestle back their femininity from their paternalist sexual oppressors, misunderstand the “naturalness” of these indigenous women and mislabel it as sexual freedom.  In their eyes, they should be allowed to express their freedom to be scantily clad or naked will these Neanderthal brutes can admire her feminine sexuality without touching her uninvitingly, accept her without wanting to clutch at her and respect her without conditions.

 

This is where the neurosis of the Anglo-Saxon women plays its most dangerous role. On one hand there is a brutish, paternalistic system, based on millennium long belief that the woman is a tool for sexual gratification or breeding. She is then easily cast aside when his interest in her wanes, primarily has she gets older, or another young female comes along.  On the other hand, we have the female, desirous, of being wanted by her companion, wanting to be respected by him as much more than a breeder or a sex object, who uses her body FIRST, to entice and compel her man to respect her and treasure her.  She gladly spreads her legs and shows her ass in literary magazines like Playboy, Hustler and the appropriately named swine.  She exposes her neediness in many forms, primarily as willing sexual objects, yet decries the lack of respect she receives as a thinking intellectual human being.

 

African women, who grew up worshipping the many attributes and ways of the Anglo-Saxon female, see them doing little or no wrong as they embark on what Einstein says is “doing the same thing over and over and expecting a different result.  The African female strives to emulate the Anglo-Saxon female in everything she does.  This includes using sex and the availability of sex to get attention, get a “good catch”, to give a head, to get ahead economically or socially. A part of the learned mainstream American culture is sexism and misogyny. Even though the Caucasian male is the most sexist and misogynistic of his kind, he is savvy enough to dress his anti-female hatred in art.  Whether it be visual, performing or literary, his control of the medium of expression, information and education, makes him the source of all that is, considered desirable.

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Due to our Maafa, creating a new breed of people called the knee-grow, we have a tempered plate on which Willie Lynches metaphorical sons have dragged the African women from her perch as roundly developed being, complementary to her opposite and more importantly …knowing herself from a African specific perspective.

 

A cursory view of images of beauty standards will show examples such as this. The African female after being conditioned by the Willie Lynch methodology, then becomes a scarred victim, emotionally wounded and susceptible to influences from outside herself. This includes the parody of manhood that the African male had become. The African woman is taught to bare her burden silently, to accept her inferior position, while expected to be the backbone of the family, taking care of the children, while her man is out in the cold world foraging for “bread”. The African woman had become that broken horse, unable to resist the influence of a tamed existence, and despite the odd “wild cards” such as Harriet, Mary McLeod Bethune, etc., by the time the late 20th century rolled around, she had become a pliable “material”, to be molded by a succession of outside influences and ready to be “mounted” by who ever wants to.

The numerous influences include the feminist movement, the black power movement, the civil rights movement, affirmative action, welfare, capitalism running amok and religion. The media was and still is the greatest purveyor of negative influence over the African community world wide, none more significant than the so called “standard of beauty” portrayed in this medium.  The standard of beauty is more than just an image per say, but an emotional roller coaster of cultural denial and self-rejection that continues the devastating effect of Willie Lynch’s fabled design.

Entertainment mediums show sex videos and mainstream movies, transmit, promote, and perpetuate negative images of African women as sex objects. Today’s music videos exhibit dancing women wearing bikinis, flashing their body parts to the cameras. These images are shown accompanied by vulgar lyrics that routinely suggest that women are not worth anything more than money. Hollyweird’s depiction of African women range from some of the most vile, cartoonish images of yesterday, to some of the nastiest, cartoonish images we see today. The African women is promoted as being only good for giving up sex, described as whores and good enough to be the consorts of a pimp, power brokers or broke down ghetto queens. The image of the African woman is now glorified as that of prostitutes, while violence is permitted against them. Halle Berry, a talented actress, recently won an Oscar for spreading her legs for the very same rapist Caucasian male, who murdered her husband, yet somebody like Angela Bassett couldn’t win one for her powerful performance as Tina Turner, one of many powerful performances in a brilliant career.

How many of you were aware that knee-grow men and women lobbied the porn industry to include them prominently in that industry?. Claiming that they are being discriminated against through exclusion.  Imagine that!  Porn was created by Caucasian males to satisfy their less than animal urges and we are pissed when we are not included. This is equity misguided.  Today the knee-grow woman proudly shows of her labia in medium such as the now tame sex magazine, to the more raunchy, internet porn. In fact a majority of pornography involving knee-grows, are that of Caucasian men performing all manner of sexual degrading acts on knee-grow women.  You even have this phenomona where groups of Caucasian males would travel around the country, stopping young females and offering them cash, to suck them or have sex with them on video. They have whole productions where different teams of knee-grow and caucasian males, separately pay knee-grow females to whore for cash.

The broken in woman grows at odds with her man, chastising him for a variety of real and imagined reasons, being lazy and good for nothing, all the while her sons and daughters are taking lessons on how a woman is “supposed” to act.

 

Many broken in African women seeking to pick up the pieces of their shattered femininity, becomes a target for the vultures in the feminism movement. They are trained to verbally or psychologically abuse men and call it being strong. When the knee-grow male and female hears “submit to your nature”, both hear a different thing. The male hears “act like a dog”, the female hears, “ submit physically and emotionally to a man”.

Angry couple

Due to the damage done to her psyche, the knee-grow woman had developed a warped understanding of relationships and the type of relationships healthy enough to assist her in her personal goals. It is a woman’s nature to be attracted to the image of a strong powerful male. It is submitting to her nature to want to be taken care of protected by the male. It is her nature to want to nurture and support him. However the lack of cultural transition to adult as a child forces the young females to develop her own understanding of what strong and powerful should be. There’s an old joke , where the woman asked the man, why doesn’t he love her anymore? When he asked why she would say that? She would reply, “well you don’t beat me anymore”, is indicative of the sickness infecting our souls. When young women, fantasize about wanting a thug, looking for thug love and having a thug as her man, she has distorted that need to be protected by a strong powerful male.

Strong Woman..

Allowing herself to be objectified is never a sign of a “strong” woman, neither is acting like the stereotypical “bitch”, man hater or substitute male. The latter two seems to be promoted in the homosexual or business community. From a purely psychological point of view, a man will feel justified in committing physical or psychological violence against women he has objectified. The fact that many of these women co-sign the prevailing attitude in, Hollywood and society in general, embolden these misogynistic louts to continue degrading women. Some of these women co-sign the prevailing attitude by willingly allow themselves to be used as video girls, silver screen ho’s and, as is more popular now, internet ho’s. Dance clubs, back stages of concerts and around the locker room, are flooded with women who express their willingness to do anything sexually with a man to get drinks, money, jewelry, or just to feel privileged and wanted by someone famous.

These types of behaviors have been past down to today’s generation after the breaking in process, during the MAAFA, when African woman were forced to spread their legs, willingly or unwillingly for slave masters and overseers for their animalistic pleasures, and the enslave male for breeding. African women were sometimes used as breeding instruments to produce more human property, and at other times forced to give sex to pay for food, the safety of her children, or to be treated less harshly on a day to day basis. They were “paying” with their bodies as a survival strategy.

Out of this emerged the stereotype of our women as promiscuous and oversexed, and this shaped our women’s sexual morality and the belief by other ethnic groups of our sexual morality. Some started to look at themselves as society viewed them, and some accepted that they had no control over their own bodies. When trying to fit into the Caucasian society, after the Maafa and take on ascribed Anglo-Saxon gender roles. Some knee-grow men wanted the knee-grow women to have a subordinate role in the home while some women wanted men to be the sole economic providers and use their sexual power to receive economic gain from men. They have been, for the most part, unable to meet each other’s expectations. This is why as a youth worker I see young men acting passive while learning to manipulate women by offering money and power to them.

I’ve heard of the metal girls syndrome, where many knee-grow males learning to value economic resources and used these resources as a way to manipulate and control women. In addition, some women learn to negotiate with their bodies for things that they wanted.  In order to gain access to these things and to get the love and attention from men that they want, some women felt they must cater to the exploitative images of what men want and think women should be.Many women define their own worth on what they can do for and get from a man. Some women were willing to take risks with their bodies, minds and hearts hoping to raise their socio-economic status and gain security for their children’s future, and they have learned to use their sexuality to do this. In the end this is the result of the “Willie Lynch” design for the African enslavement by creating the phenomona we call the knee-grow.

The original article can be found here: https://blackmystory.wordpress.com/