Hypocritical racist Trump going after Assata!

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Donald Trump crying over some cop who has killed a long time ago and trying to get Cuba who has given her refuge to hand them over so she can be prosecuted is pathetic and cowardly. Especially, since Cops who murder African people in the United States of America are routinely found not guilty and left alone to resume their lives.
What kind of man seeks out to bring arrest a 70-year-old woman but allows a War criminal like George W. Bush to roam around freely when he has led to the death of thousands of people. The life of Assata Shakur is worth far more than any police officer.
Whatever happened to Trump’s promise to arrest Hillary Clinton for her crimes against the United States of America. Or how about arresting war criminal George W. Bush. The fact that George W. Bush one of the greatest war criminals in the history of the world is roaming free in the United States proves the ICC and other White institutions are comical.

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Donald Trump call to Cuba to illegal detain free Cuban citizen Assata Shakur show lack of respect for the sovereignty of Cuba and undermines global peace. If anything Assata Shakur should be given a Presidential Medal of Freedom for standing up against one of the most racist institutions in the World the USA legal system.

Article by Amos Magazine

Halos and Horns- Paul Ifayomi Grant

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I have been thinking about how to conceptualise an idea that I think most of you will be aware of, either consciously or subconsciously, but which I sense that a large proportion of the younger generations have not grasped. Now, I should make it clear that I think this lack of awareness is not the fault of the under 30s but is attributable to my generation’s failure to adequately teach them about how racism works, as well as the very skilled way in which Europeans continuously adapt and refine the way they express and operationalise the ideology of white supremacy.

I have previously written about why the idea of ‘Black Firsts’ seems to be so important to Afrikan people and long ago came to conclusion that it is because of the heartfelt, deepseated, aching desire of so many Afrikans to be/feel accepted by Europeans as their ‘equals’. The underlying thinking is that each ‘Black First’ proves to Europeans that we are capable of performing some task; or performing in some arena of life, as competently as Europeans and hence they should abandon their ideology of racial superiority. Of course this theory has been tested to destruction and proven to be utterly without merit, as the ultimate Black First, the election (twice) of Barack Obama proved.

The reason that Black Firsts don’t change they way Afrikans are viewed, no matter how talented the ‘Firstee’ is; or how conspicous their achievement, is because it is an idea that runs completely counter to the fundamental nature of racism.  Racism is an irrational philosophy/ideology/religion, hence its operation is not impacted by evidence or rational arguments. Paradoxically, as well as being irrational racism is also  rational in the sense that it is instrumental, which is to say that it helps Europeans to achieve their primary group goal; which is to exercise power and domination over groups they classify as nonwhite.  Put these two things together and you can understand why Black Firsts never stood a chance as a tactic or strategy to defeat racism.

Angel2...
The above image, from an infamous Benetton advert, almost perfectly depicts the idea I am seeking to convey.
The easiest way to conceptualise halos and horns is to understand that viewed through the lens of the religion/philosophy/ideology called white supremacy; every Afrikan child is metaphorically born with a pair of horns and every European child is born with a halo above their head. In other words all Afrikans are born guilty until proven innocent and all Europeans are born innocent until proven guilty. The practical ramifications of this are that an Afrikan can make one slip in an otherwise blameless life and be condemned to unforgiveable, irredeemable guilt, whereas as European can live a life of exploitative abuse, and except in the most extreme cases, always have the possibility of redemption.

What this means is that the positive things you do can only help yourself whilst the negative things you do will damage other Afrikans. That is to say that your positive deeds and achievements are never generalised to the wider group by Europeans – except in areas of stereotypical Afrikan achievement such as sport and music – however your negative deeds or failures can be; and are, attributed to being part of a group that is designated as inferior.

I will illustrate the above with a real life story. I have changed some of the details to protect people’s identities.
Once upon a time there was an intelligent young Afrikan woman named Adeola who wanted to be a solicitor. She grew up in humble financial circumstances and went to a very poor school, however she overcame these barriers as well as the ubiquitous racism and graduated well from University. She then had the task of securing a contract with a firm of solicitors to undertake her articles and after a relatively short period she was successful in this task. As was her wont she worked hard and qualified as a solicitor. She had been made aware by her boss that she was the first Afrikan trainee solicitor that the firm had ever recruited and thus felt a bit of added pressure in the sense that she did not want to ‘let the side down’. Anyway her boss was very pleased with her performance and two years after she was recruited, and just as she was qualifying, the firm recruited Femi, another hard working young Afrikan. Adeola gave Femi the ‘don’t let the side down’ pep talk and sure enough Femi prospered and qualified without any hiccups. Adeola’s line manager was pleased with both her and Femi and the following year recruited Tunde, who was not quite so focused and methodical as his predecessors. Tunde was not terrible but he was definitely not good and one day, after he had made a bit of a cock up, Adeola’s line manager turned to her in exasperation and said “If I had recruited Tunde first I would never have recruited another black trainee solicitor”. She thought it was a compliment to Adeola, however Adeola had an epiphany; and started to understand the subtleties of how racism works. She saw that whilst the halo is not transferable the horns definitely are!

The above story took place some years ago and of course in 2017 no white manager would be as honest as the manager in the above scenario. However just because someone does not say something does not mean they are not thinking it or acting upon it.

The moral of this story; and this article, is that our achievements should be motivated by the desire to help ourselves, our families and our community. Trying to get Europeans, as  a collective, to respect our humanity, intelligence etc. is a waste of time and psychological energy. The first respect is self-respect as an Afrikan and the ironic thing is that even those people who don’t like you will respect you if you have commitment and integrity. Remember, people can like you without respecting you whilst they can respect you without liking you and the latter is always preferable to the former, although in an ideal world most of us would choose to be both liked and respected. These are the things we need to teach our young people to prepare them for an anti-Afrikan world.

Article by Paul Ifayomi Grant

Why I will not be seeing Wonder Woman

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I almost did it. I selected a theatre and even looked up showtimes. As I began to mentally assemble my outfit and rework my schedule to accommodate viewing the film, I realized that I was all too familiar with this story.

Wonder Woman is yet another page in the consistent white female narrative designed to portray white beauty intertwined with an earthly anglicism. I need not see this film to know that it will portray the white Woman as the catalyst for all things good in a “bad” world.

Contrary to the ideally nurtured in the western world, the bad is seldom blatant. Both the individual and the collective have a fair chance at combatting that which they can see. The true “bad” in the world lies in Wonder Woman-like figures, whose embedded message seeks to uplift through depicting the very exclusivity that dominates the western hemisphere.

Wonder Women debuts in a climate that veils this exclusivity with the implication of “change.” Seemingly every film and television series has adopted the feminist agenda, avidly if not aggressively, feeding this fictive utopia to the masses. The film exists to promote feminism as the cure to all worldly evils, omitting of course that feminism is a worldly evil. Clad in a form-fitting costume with long and silky dark hair, Wonder Woman encompasses the conventional sexiness of a blonde with the rarity of a red head to project feminism as the height of femininity. Wonder Woman is a dark haired, dark- eyed white Woman–the pseudo “every woman” in seeming to encompass lightness and darkness simultaneously. What the casual gaze may fail to see, is that Wonder Woman resembles her target audience, and encompasses all her acquired audience wishes to become.  Her dark hair provides a strategic contrast to her fair skin, painting the “Wonder” of wonder woman as encompassing the figurative light to societal conflict or darkness.

The wonder in Wonder Woman is that she embodies the antidote to all the world’s problems. She’s Helen of Troy mixed with Hilary Clinton–a savior to white women but a mortal enemy to the woman of a darker hue.

Cinderella.....

Western childhood functions similar to this film, painting the white Woman as Wonder Woman in far less attractive variants. From the abundant white female school teachers, to the tooth fairy, Mrs. Claus, every princess from Cinderella to Snow White, the white female body is a consistent figure of humanity to the western gaze.  These figures function to embed into the black female psyche what “Superman” and “Batman” seek to implement into the general western psyche–that if you are white, anything is possible.

But as the young girl who reads these stories, attends these schools and watches these figures on television grows up, the fantasy of Wonder Woman vanishes into reality.  Instead the harsh world eventually prompts the once naive black body to wonder what was ever wonderful about these pristine figures of their childhood. Although portrayed as the hero in fictive and real scenarios, the white woman is gradually unveiled as an inevitable villain to the black female body.

So, as a black woman, I know this film functions as erasure. I know this film functions to seduce me into a amnesiac state where I falsely separate white female action and intention from white male supremacists. From the white women who chase our black men than scream rape when it goes sour, or objectify our wealthy black men as cash registers, or reduce the quotidian black man to his genitals, to the white women who abrasively target black women at work, back to the very white women who tormented the black female slaves—this movie functions to force the black psyche to accept a white hero, despite centuries of white female villainy.

White heroes, whether male, female, trans, or what have you, are never capable of saving anyone but themselves. For healing is incompatible to the autocrat, who decorates their lives with the blood of the oppressed.

Wonder Woman

Therefore, the true wonder woman will never occupy a leading role in mainstream film. She probably will never make six figures and is unlikely to rouse a shallow gaze on the street.

The true wonder woman has probably yet to arrive home from her twelve-hour work-day, her twenty-four hour job as a mother, or full- time victim of white supremacy. The true Wonder Woman sleeps at night with a six-figure debt heavy on her conscious from daring to dream outside of the confines of systemic oppression. She walks through a neighborhood of businesses owned by any and everyone but those who look like her. She faces ridicule for her skin tone, her nose, and curvy body and faces countless queries if her beauty or attributes are deemed outside the scope of blackness.  The true wonder woman is literally and figuratively raped, never respected, or rewarded. She is frozen in time, pieces of her flesh still floating throughout the Atlantic Ocean, or concealed in an unmarked grave beneath a skyscraper. She is dismembered by a system who uses her limbs to assemble their privilege and writes their laws in her blood.

She is the unspoken gospel of this poached land—the original statue of liberty—the feminine mold to which every race, ethnicity, and creed stealthy covets.

The Wonder Woman film exists to place the “wonder” into the woman concept. As a being excluded from this concept, I replace wonder with “black.” For the black woman does not need wonder, she is wonder. Furthermore, members of the black female collective need not go to the movies to view this fictive wonder woman—they must simply look in the mirror.

Article by CC Saunders

If we’re the criminals for fighting back….

Criminals for fighting back....