R. Kelly: Sexual Predator or Scapegoat?

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I anticipate that this post will be unpopular. I acknowledge the contention that my assertions will certainly prompt and welcome the scathing comments in the section below. With that being said, I still very must feel that my perspective is worthy of articulation and exposure to those that care to listen.

Singer and R&B legend R.Kelly made headlines this week for allegedly assembling a sex cult consisting of underaged girls. These allegations bear a disturbing connection to R. Kelly’s previous trouble with the law, portraying Kelly as a an OJ-like figure–a haughty  recidivist who finagled through the loopholes of the American legal system.
I feel obliged to state that I have no respect for R. Kelly as a man. I do however, respect his talent. I perceive the ‘Pied Piper’ as an enslaved black who used America’s need to hyper sexualize the black man as a means to foment his career. While Kelly defiantly made family friendly songs like “Step in The Name of Love” and inspirational songs like “I Believe I Can Fly” and “The World’s Greatest” most of Kelly’s hits are sexualized slow jams to which I’m sure proved background music to the conception of many post millennials. His sexualized image fueled a career spanning over two decades with a plethora of adoring black female fans.

These fans remained loyal to Kelly even after a video surfaced of the singer issuing a golden shower to a then-fifteen year old girl. The charges were eventually dropped and buried in the past of a musician who was still able to maintain his mogul stature despite dramatic changes in the music industry.
While my argument is not to pardon R. Kelly from blame, it is that he is not the primary cause of the hyper-sexualized black female body that faces violation without consequence. R. Kelly was relieved of any legal responsibility in previous allegations of sexually violating a black female teen simply because the black female body bears no significance to the Western world outside of monetary gain. Consider how quickly the western world kills and incarcerates the black body.  The reason why Kelly was not susceptible to these consequences is not because of his riches, but because his “crimes” served an integral purpose in maintaining white supremacy. Moreover, the world was and is more interested in portraying Kelly and his victim as sexual beasts than to upholding the integrity of those they do not see as a human let alone bearing the presumed innocence of femininity or childhood.
To the western gaze, the hyper sexuality of the young black female body violently seduces Kelly. To this same gaze, Kelly is a sexualized being unable to resist the callings of his bestial urges. Together, these caricatured images of black sexuality function assemble the historical narrative of blacks as primitive and underdeveloped beings worthy of the death and incarceration that befalls them.

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Kelly, a melanated individual who believes his conventional success consummates his transition to whiteness, feels as entitled to young bodies as the white man did and does to young black females. Kelly, is a symbol of what happens when a morally impoverished black youth offsets a journey to acquire physical wealth and not a collective consciousness. As members of an oppressed collective, it is essential that we proceed with consciousness. To proceed without it, is to inevitably mirror our oppressors in thought and action.

There is also a large possibility that this ordeal is entirely fictional, and yet another means to lynch a black man by the rope of hyper sexuality. But the verity of these accusations does little to supersede its societal function. The scenario depicts how the black man and women are commonly pitted against one another and how the black male is villanized for implementing what he was nurtured to idolize—white male ideology.

The teachings of white supremacy are second nature to anyone not possessing a conscious gaze. I read The Bluest Eye by Toni Morrison, a few years back and was mortified at what Pecola’s father does to her on the kitchen floor. I resented Morrison for years, holding her in contempt for depicting the black man as indifferently robbing his child of her innocence.

It took me several strides into consciousness to realize that the father was a man systemized and nurtured to become an animal, a subjugate human who performs the dirty work of his master in his oppressed state. This is not an excuse, as his actions are detestable and hard to read, yet even more difficult to process as a factual fate rendered to so many blacks throughout the diaspora silent in the shame of their systemic violation.

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Kelly symbolically stands in the same image of this fictional black man who encompasses the factual narrative of so many other black males castrated by earthly demons who program the black body to inflict white evil onto their own people.

Kelly’s actions function to lure black women from blackness into the arms of feminism–yet example of society’s dedication to turning racist issues into sexist issues to further the cyclical disenfranchisement of blacks by hurling our struggle into oblivion. A second offense by a black praised for his prodigious talent, serves another blow to our collective identity alongside similar allegations afforded to other black greats like the late Michael Jackson, Bill Cosby, Kobe Bryant, amongst others. These allegations function to fuel white esteem and denigrate black collective worth in staining the black psyche with portraits of themselves that seemingly lack a moral compass.

So, to those quick to compartmentalize a black man as a sexual villain— I would like to redirect your attention to the words of the late and great Malcolm X:

“If you’re not careful, the newspapers will have you hating the people who are being oppressed, and loving the people who are doing the oppressing.”

To what contempt will you hold a system that upholds the systemic soiling of black female bodies?

To reiterate I am in no way excusing Kelly, but evoking a sense of nationalism to assert that we as a collective have been wronged by a system that lures us to incessantly blame ourselves but seldom confront the  true villain and sole benefactor of global racism.

In closing, the power of blackness lies largely in realizing if and when we are being played. So while we may not be playing chess, our systemized state as blacks bears a close resemblance to a king being used to seize the most powerful piece of the game–his queen.

Article by CC Saunders

Walt Disney: Who was Walt? (Part 1 of 2)

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A cherished American icon, Disney has become much more than a corporation, or a collection of cartoons, theme parks, and childhood memories–Disney has become (and really always has been) a carefully orchestrated web of archetypal symbolism derived from the Ancient Mystery traditions of Egypt, and stimulated by the elitist mentality of the American Surveillance State.

Since Marc Eliot’s research novel, Walt Disney: Hollywood’s Dark Prince came out in the late ’90’s (without the authorization of the Disney family or corporation) conspiracy theories about Walt Disney have ranged from his documented relationship with J. Edgar Hoover and the Communist “Witch hunt” of the Cold War era; his relationship to both Freemasonry and Rosicrucianism; the incredible amount of esoteric symbolism that was put into Disney’s media that persists now more than ever; his neurotic, obsessive-compulsive tendencies that he reportedly self medicated with narcotics and alcohol; and, his known sympathies with the Nazi regime, his anti-semitism, and a reported sexism in the workplace. Some of these claims even reach into more speculative grounds, such as Disney’s ties to pedophilia, and even the mafia. This article will serve as a brief, open-source investigation into the claims of the man behind the facade of the Disney Public-Relations funds–the true face of the “imagineer,” the man seeking to capture the imaginations of America’s youth, Walter Elias Disney.

Walt himself had a lonely upbringing, lacking what he felt to be a meaningful relationship with his parents. His mother reportedly was quite cold to him, and Walt’s self-proclaimed love for animals over humans was said to have stemmed from this sense of isolation as a child. Presumably because of this type of upbringing, as a child Walt excelled in the Freemason-affiliated “Order of the DeMolay” which is an international masonic organization for young men at the ages of 12 to 21. The title “DeMolay” is derived from the last Grand Master of the Knights Templar, Jacques DeMolay.

As an adult, Walt joined the “Ancient Mystical Order of Rosae Crucis” (AMORC) which is the largest known organization of Rosicrucianism, and also boasts the membership of people like Star Trek creator, Gene Roddenberry–among so many other noteworthy names. For those unaware, Rosicrucianism is a surviving occult school of thought that primarily studies the Ancient Mystery teachings promoted by Egypt (dating much earlier than the Egyptians, however) through the lens of more traditional Western symbolism. Generally, it is considered a form of esoteric Christian mysticism. While this may paint a certain measure of nobility around Walt Disney, there is a great deal of evidence to show that he was a deeply troubled individual that suffered a degree of gender-identity confusion which resulted in ambiguous attractions that caused troubles in his marriage. There are also reports of Walt Disney cross-dressing, which raises the question of whether he and J Edgar Hoover ever had any fully “dressed” classified meetings.

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In regards to this esoteric symbolism, anyone readily attempting to dispute Disney’s occult symbolism is either in denial, or hasn’t actually seen any Disney cartoons: from Bambi, Dumbo, and Pinocchio, to more overt occult references like Sword in the Stone, Alice in Wonderland, Sleeping Beauty, Snow White, The Little Mermaid, Aladdin, even Fantasia–the list goes on and on. Witches, wizards, genies, alchemy and magical spells galore, Disney was not coy at all when using his inspiration from the ancient Mystery teachings. This not only survives to this day, but has become even more blatant with the purchasing of both LucasFilms and Marvel Comics, and now Disney is creating science-fiction wars with extra-dimensional entities and uniting ancient Norse gods with the Military Surveillance State and weapons-contractor billionaires.

Speaking of science-fiction wars with extra-dimensional entities, in The Avengers, the Tesseract of the first movie is the direct name and symbolism of occult philosophy, especially Freemasonry and the Mystery Teachings. However, it should be stated that these symbols are not “demonic/satanic/evil” in and of themselves, and are not evidence to condemn Walt Disney, yet the more ominous claims are yet to come. In consideration to Walt Disney’s ties to freemasonry, it is likely that he was considered an honorary 33rd degree by at least one lodge or another, but some Freemasons deny this claim. Walt excelled in the DeMolay as a young man, and even originally made Mickey Mouse a member of the DeMolay as well. Since Rosicrucianism and Freemasonry often go hand-in-hand, it seems that his specific title as a mason is perhaps an overall moot point that is still being debated.

Walt Disney was said to be a man of high-energy, with awkward social tendencies, neurotic personal habits, and even questionable moral fiber as a father and overall human being. If Walt really was a practicing Rosicrucian, its hard to consider that he was also a pedophile unless this Rosicrucianism was a facade for deeper, black-magick ritualism (which is a documented thread of research when dealing with the upper echelons of Elitist Society). While this remains the most speculative of the claims, there does appear to be preliminary evidence for it–especially considering the continuing threads of the Disney corporation’s relationship with the surviving Project: MKULTRA that inherently deal with trauma-based mind control that is largely based on black magick from the Egyptian “Pyramid Texts”.

A primary MKULTRA derivative, slang-titled Project: MONARCH, has intrinsic ties to pedophilia as well, and is said to have connections to common scandals like Jerry Sandusky, Larry King and Boystown (not the talk-show host), the Vatican’s whole string of events, Bohemian Grove rituals and onward. And yes, Disney is continuously found in the equation, at least from the social-propaganda standpoint. Unfortunately, for those readers still looking to salvage some humanity out of Walt Disney from this read, there are certainly specific accusations of Disney himself participating in pedophilia. A research novel  written by Darwin Porter, entitled Hollywood Babylon Strikes Again, illustrates the many different sex scandals of the Hollywood elite that were completely buried by Public Relations campaigns, and highlights Walt Disney in the process. Said to have a strong attraction to young star, Bobby Driscoll (voice of Peter Pan), the book even alleges that Disney owned a Los Angeles apartment for the sole purpose of meeting up with young boys that he paid to sleep with.

What can be more concretely stated about Walt Disney is the elitist social mentality that is often slipped in between the lines of Freemasonry and esoteric societies. The symbolism behind masonry is inherently meant to be recognized as the responsibility to “build” all things in their life with spiritual alchemy–transmuting the baser elements of existence into “gold,” whether it be within themselves, their business, their community, et cetera. This is obviously not an inherently negative concept, but when this idea of “hidden knowledge” meant to “build” society was met with Sigmund Freud and his nephew, Edward Bernays’ Rockefeller/Rothschild funded Public Relations media revolution, a serious and narcissistic convolution of esoteric tradition can be noted by the Elitist bloodlines of western society.

Instead of being the keepers of esoteric tradition, it became a closely guarded secret that was kept from the general public, and given to them in “proper doses” of esoteric symbolism and mystery traditions throughout the various media outlets. This is obviously, very heavily reminiscent of the Eleusinian Mysteries in ancient Greece, and how these Mystery traditions played a direct role in the theater and art media of the culture, as well as the politics.

Considering Walt Disney, there are two more crucial points worth addressing: his documented relationship to J. Edgar Hoover and Joseph McCarthy’s Communist “Witch hunt” of the Cold War era, and an assessment of his role in the Mainstream Media’s Globalist agenda, streamlined during the propaganda of the two World Wars, continuing with full force today. Due to the Freedom of Information Act, formerly-classified FBI documents reveal Walt’s deep-seated relationship with J. Edgar Hoover and his bureau, even dating back to the original construction of the Disney World theme park.

Hoover, known for his own connections to secret societies and extensive neurotic tendencies that were similar to Disney’s, clearly forged a type of cordial friendship with Walt. Walt, working as a sort of FBI-agent “contact” during the Cold War communist scare, was helping the FBI feel that they were covering their bases and gaining Walt a very strong pro-American image among the Elite. This even allowed him certain privileges at the FBI, such as certain levels of lower FBI classification clearances when it was requested. However, not only were Disney’s accusations against individuals for communism questionable, but they were often (if not always) ill-founded, stemming from neurotic tendencies. For brevity, a general analysis of the declassified information appears to demonstrate that “communism” was a tool used by Disney to justify his social neurosis and his ideas of social elitism. Whether it was conscious or not, Disney used the idea of communism to demonize the people he did not enjoy; to demonize them in a way that put him in the good graces of people like Hoover. Two birds with one stone. The entire portfolio of Disney-related FBI documents can be viewed here.

While the specific details of the dark history of the Disney family may still not be flushed out, there is enough damning information here to show that Walt Disney was indeed heavily participating in the globalization elitist agenda. Even if he was not a pedophile with connections to high-level criminals, he was a neurotic bigot with massive social inferiority that he subsequently sought to project into the minds of countless children and generations to come. Disney was deeply fascinated with esoteric Mystery teachings and clearly understood this in relationship to archetypes and the collective consciousness.

Another open-end of the research includes further speculation into who Walt Disney’s true parents may have been, since this was a notion that recurred to haunt him throughout his life until he finally found that he had been adopted; and some have even correlated this to a certain amount of blackmail that Disney may have received from the FBI, concerning Walt’s true origins. However, these seem to be speculation at this point in time. Additional final notes include that he was known to have a strong distaste for Jews, which Walt interestingly said had been harbored because Jews had monopolized a stranglehold on the media, and because of this, he had a known affinity for the Nazi regime; Project Paperclip being something that Walt truly reveled in. Werner Von Braun went on to have a prominent role in both NASA and Disney’s Tomorrowland Public Relations, and a great deal of his word went into a Tomorrowland TV documentary (aired in the 1960’s) that explained the probability of being able to colonize Mars in the near future.

Still, all of this clearly remains a bit of surface level investigation, and there are still a great many interesting avenues of research that have completely ripened for the picking in the Alternative News community; fruit that will hopefully be plucked and shared with the rest before too much longer. In any case, Disney obviously had a hot streak of elitist mentality where he felt it a philosophical, even metaphysical responsibility to give esoteric fodder to the imaginations of American children.

From witches, magic potions and Nazis, to government espionage, propaganda, drugs, and sexual perversion that may have teetered into pedophilia, Walt Disney was truly the Dark Prince of Hollywood, whichever way one decides to slice this pie.

Article by Anthony Tyler

Is Donald Trump a pedophile rapist?

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I remember when the WikiLeaks scandal came out there wasn’t much mention of Donald Trump.  He is good friends with rich pedophile Jeffrey Epstein.  Trump was mentioned in those emails they found.  But the mainstream media didn’t seem to mention it.  Epstein is also buddies with the Clintons as well.  I also find it interesting that the media talks about Trump being a racist,sexist and insensitive man…BUT… many haven’t talked about his race case.  I have asked people about it and most don’t know a woman accused him of raping her when she was 13 years old.  The woman said that Trump tied her to a bed and raped her.  She also says that Trump’s buddy Jeffrey Epstein also raped her that night. The federal lawsuit has since been dropped.  Here’s an article about it.

Just a little food for thought.

Zionist Jews wanted Donald Trump all along!

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Well the election is over now.  I don’t want black people to get too upset.  I told you before we never had a dog in this race. Killary Clinton is a warmonger,feminist,racist witch.  And Trump is a racist,sexist,self absorbed buffoon.  He may be a good businessman but a buffoon nonetheless.  But he is also a puppet for the Zionist Jews.  Clinton is a covert racist.  She panders to black people by going to black churches and pretending to be down with our struggle.  Trump didn’t do all that.  He spoke directly to poor whites who felt disenfranchised.  White people who felt they were not represented in the last eight years.  His whole platform was a softer version of white nationalism.  And white folks ran out in droves at the polls!  I can’t say I’m surprised.  Trump can’t be any worse than Obama.  Obama did more for Hispanics and homosexuals than blacks. What did Obama do for the black collective? Go ahead I’ll wait……………….

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But I believe the elite always wanted Trump in office.  Clinton thought he was so racist and sexist that she couldn’t lose.  She thought it made her look better by comparison. Well she thought wrong.  Who knows…maybe some of his policies will help black people indirectly.  Obama was too scared to do anything for black people.  Or he wasn’t allowed to.  So lets see what happens in the Trump era.  We are filling up the prisons.  Black families are falling apart. Millions of black people are unemployed. Unarmed black people are killed by the police.  Can it get any worse??