Are White people our psychological parents?

Diff'rent Strokes

I remember when I was younger there was the sitcom Different Strokes(1978-1986).  It starred Gary Coleman,Todd Bridges,Conrad Bain and Dana Plato.  Coleman and Bridges played two black brothers from Harlem. When their mother passed away they were adopted by white wealthy businessman Phillip Drummond. Even back then they were giving us the “white savior” propaganda. Hollywood is known for giving us this type of garbage.

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Different Strokes was a huge success in the eighties. So of course Hollywood tried to duplicate it again.  They created the show Webster(1983-1989).  The show starred child actor Emmanuel Lewis. The plot was about a little black boy who lost his parents in a car crash.  They even used the same plot as Different Strokes.  They couldn’t even be creative and come up with a different storyline.  Don’t be fooled by these shows.  They were not just sweet and innocent sitcoms.  They had an agenda. It’s obvious these sitcoms were geared towards black people.  They were designed to make us believe that whites are our saviors and we should look to them for guidance and acceptance. They want us to forget that they lynched us,raped us and enslaved us for hundreds of years and was never paid back even after we were “freed”. During slavery we lost our language,customs and cultural identity.  We were treated less then humans.  Dogs get more respect than black people. Which is why sitcoms like this are so dangerous.  It makes us believe the fallacy that our oppressors are our friends. Now we emulate Europeans in every way.  Television and films have a way of altering black consciousness. We speak English or Spanish,dress like them,wear the same clothes they do and eat the same food.  This puts European in a parental  position. And after years of social engineering they have become our psychological parents. When black men dress and talk like white men he is imitating a white man. If he thinks black women are ugly and worthless he is imitating a white man. If he beats up black women he’s imitating white men. When a black woman wears a blonde weave and blue contacts she’s imitating a white woman. When a black woman feels all black men are useless losers she has the mind of a white woman. It reminds me of a quote by the great Pan African/psychologist Amos Wilson once said.  Wilson said that every one has a biological father and psychological father.  Wilson also mentioned that even when black men get involved with crime he is imitating his criminal white father.

Amos Wilson summed it up best:

“As long as the “black man” is involved in “black-on-black violence and crime” (unwarranted internal conflict: “gang turf battles,” “civil wars” and otherwise), he, then, will not have time to engage in what must be his true mission: THE OVERTHROW OF EUROPEAN DOMINATION! As I’ve often said, our attention must be diverted . As I said, once in a psychology class, why do so many “black men” kill other “black men?” Is because they have not yet decided to kill white men. THAT IS THE ULTIMATE TRUTH! THAT IS THE ULTIMATE TRUTH! The cowardly black man has not yet decided to really deal with his true enemy! And, he displaces his frustration and his cowardice upon his own people. He attacks and uses his own, and he abuses his women and uses his children, and terrorizes his community (nation). He is great and bold to take out a gun (his army) to blow away another black man’s brain , but he has yet to take up the gun (use his army) and blow out the brain of his true enemy (stop alien exploitation, domination, encroachment, etc.).

He would march around the world and shoot some other man, but he won’t take up the arms against his true enemy. He can only, then, prove his “boldness” by an attack on his own, and by the destruction of his own. I do not see a common black criminal as a revolutionary. Because the common black criminal  have the same motivation as the white ruling and middle classes. The white ruling and middle classes got a BMW, he wants a BMW. So if it means selling poison to our children, he sells poison to our children. If it means terrorizing the African community (robbing the coffers of African nations) to get the BMW (white/alien men’s status symbols), he’s going to do it. In other words, he approaches his world thieving, killing, etc., the same way his psychological father approaches the world: thieving, killing, etc. Everywhere this white man has stepped in the world there have been thieving, killing, etc.

The black criminal  is but an imitator of his “psychological white father”. Therefore, we have “black-on-black crime and violence,” and “black-on-black crime and violence” is a necessity (assures politico-socioeconomic destabilization) for European power. It’s not the intention for whites to remove crime in the African community (end internal conflicts in African nations), it is their intentions to contain crime to the African community. You talk about the corruption of the police: it’s easy to corrupt a police man/woman when he/she is guarding a people that they do not care about (identify with). And when the corruption of those people he/she is guarding ultimately…MAINTAINS THE POWER POSITION!

Walt Disney: Who was Walt? (Part 1 of 2)

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A cherished American icon, Disney has become much more than a corporation, or a collection of cartoons, theme parks, and childhood memories–Disney has become (and really always has been) a carefully orchestrated web of archetypal symbolism derived from the Ancient Mystery traditions of Egypt, and stimulated by the elitist mentality of the American Surveillance State.

Since Marc Eliot’s research novel, Walt Disney: Hollywood’s Dark Prince came out in the late ’90’s (without the authorization of the Disney family or corporation) conspiracy theories about Walt Disney have ranged from his documented relationship with J. Edgar Hoover and the Communist “Witch hunt” of the Cold War era; his relationship to both Freemasonry and Rosicrucianism; the incredible amount of esoteric symbolism that was put into Disney’s media that persists now more than ever; his neurotic, obsessive-compulsive tendencies that he reportedly self medicated with narcotics and alcohol; and, his known sympathies with the Nazi regime, his anti-semitism, and a reported sexism in the workplace. Some of these claims even reach into more speculative grounds, such as Disney’s ties to pedophilia, and even the mafia. This article will serve as a brief, open-source investigation into the claims of the man behind the facade of the Disney Public-Relations funds–the true face of the “imagineer,” the man seeking to capture the imaginations of America’s youth, Walter Elias Disney.

Walt himself had a lonely upbringing, lacking what he felt to be a meaningful relationship with his parents. His mother reportedly was quite cold to him, and Walt’s self-proclaimed love for animals over humans was said to have stemmed from this sense of isolation as a child. Presumably because of this type of upbringing, as a child Walt excelled in the Freemason-affiliated “Order of the DeMolay” which is an international masonic organization for young men at the ages of 12 to 21. The title “DeMolay” is derived from the last Grand Master of the Knights Templar, Jacques DeMolay.

As an adult, Walt joined the “Ancient Mystical Order of Rosae Crucis” (AMORC) which is the largest known organization of Rosicrucianism, and also boasts the membership of people like Star Trek creator, Gene Roddenberry–among so many other noteworthy names. For those unaware, Rosicrucianism is a surviving occult school of thought that primarily studies the Ancient Mystery teachings promoted by Egypt (dating much earlier than the Egyptians, however) through the lens of more traditional Western symbolism. Generally, it is considered a form of esoteric Christian mysticism. While this may paint a certain measure of nobility around Walt Disney, there is a great deal of evidence to show that he was a deeply troubled individual that suffered a degree of gender-identity confusion which resulted in ambiguous attractions that caused troubles in his marriage. There are also reports of Walt Disney cross-dressing, which raises the question of whether he and J Edgar Hoover ever had any fully “dressed” classified meetings.

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In regards to this esoteric symbolism, anyone readily attempting to dispute Disney’s occult symbolism is either in denial, or hasn’t actually seen any Disney cartoons: from Bambi, Dumbo, and Pinocchio, to more overt occult references like Sword in the Stone, Alice in Wonderland, Sleeping Beauty, Snow White, The Little Mermaid, Aladdin, even Fantasia–the list goes on and on. Witches, wizards, genies, alchemy and magical spells galore, Disney was not coy at all when using his inspiration from the ancient Mystery teachings. This not only survives to this day, but has become even more blatant with the purchasing of both LucasFilms and Marvel Comics, and now Disney is creating science-fiction wars with extra-dimensional entities and uniting ancient Norse gods with the Military Surveillance State and weapons-contractor billionaires.

Speaking of science-fiction wars with extra-dimensional entities, in The Avengers, the Tesseract of the first movie is the direct name and symbolism of occult philosophy, especially Freemasonry and the Mystery Teachings. However, it should be stated that these symbols are not “demonic/satanic/evil” in and of themselves, and are not evidence to condemn Walt Disney, yet the more ominous claims are yet to come. In consideration to Walt Disney’s ties to freemasonry, it is likely that he was considered an honorary 33rd degree by at least one lodge or another, but some Freemasons deny this claim. Walt excelled in the DeMolay as a young man, and even originally made Mickey Mouse a member of the DeMolay as well. Since Rosicrucianism and Freemasonry often go hand-in-hand, it seems that his specific title as a mason is perhaps an overall moot point that is still being debated.

Walt Disney was said to be a man of high-energy, with awkward social tendencies, neurotic personal habits, and even questionable moral fiber as a father and overall human being. If Walt really was a practicing Rosicrucian, its hard to consider that he was also a pedophile unless this Rosicrucianism was a facade for deeper, black-magick ritualism (which is a documented thread of research when dealing with the upper echelons of Elitist Society). While this remains the most speculative of the claims, there does appear to be preliminary evidence for it–especially considering the continuing threads of the Disney corporation’s relationship with the surviving Project: MKULTRA that inherently deal with trauma-based mind control that is largely based on black magick from the Egyptian “Pyramid Texts”.

A primary MKULTRA derivative, slang-titled Project: MONARCH, has intrinsic ties to pedophilia as well, and is said to have connections to common scandals like Jerry Sandusky, Larry King and Boystown (not the talk-show host), the Vatican’s whole string of events, Bohemian Grove rituals and onward. And yes, Disney is continuously found in the equation, at least from the social-propaganda standpoint. Unfortunately, for those readers still looking to salvage some humanity out of Walt Disney from this read, there are certainly specific accusations of Disney himself participating in pedophilia. A research novel  written by Darwin Porter, entitled Hollywood Babylon Strikes Again, illustrates the many different sex scandals of the Hollywood elite that were completely buried by Public Relations campaigns, and highlights Walt Disney in the process. Said to have a strong attraction to young star, Bobby Driscoll (voice of Peter Pan), the book even alleges that Disney owned a Los Angeles apartment for the sole purpose of meeting up with young boys that he paid to sleep with.

What can be more concretely stated about Walt Disney is the elitist social mentality that is often slipped in between the lines of Freemasonry and esoteric societies. The symbolism behind masonry is inherently meant to be recognized as the responsibility to “build” all things in their life with spiritual alchemy–transmuting the baser elements of existence into “gold,” whether it be within themselves, their business, their community, et cetera. This is obviously not an inherently negative concept, but when this idea of “hidden knowledge” meant to “build” society was met with Sigmund Freud and his nephew, Edward Bernays’ Rockefeller/Rothschild funded Public Relations media revolution, a serious and narcissistic convolution of esoteric tradition can be noted by the Elitist bloodlines of western society.

Instead of being the keepers of esoteric tradition, it became a closely guarded secret that was kept from the general public, and given to them in “proper doses” of esoteric symbolism and mystery traditions throughout the various media outlets. This is obviously, very heavily reminiscent of the Eleusinian Mysteries in ancient Greece, and how these Mystery traditions played a direct role in the theater and art media of the culture, as well as the politics.

Considering Walt Disney, there are two more crucial points worth addressing: his documented relationship to J. Edgar Hoover and Joseph McCarthy’s Communist “Witch hunt” of the Cold War era, and an assessment of his role in the Mainstream Media’s Globalist agenda, streamlined during the propaganda of the two World Wars, continuing with full force today. Due to the Freedom of Information Act, formerly-classified FBI documents reveal Walt’s deep-seated relationship with J. Edgar Hoover and his bureau, even dating back to the original construction of the Disney World theme park.

Hoover, known for his own connections to secret societies and extensive neurotic tendencies that were similar to Disney’s, clearly forged a type of cordial friendship with Walt. Walt, working as a sort of FBI-agent “contact” during the Cold War communist scare, was helping the FBI feel that they were covering their bases and gaining Walt a very strong pro-American image among the Elite. This even allowed him certain privileges at the FBI, such as certain levels of lower FBI classification clearances when it was requested. However, not only were Disney’s accusations against individuals for communism questionable, but they were often (if not always) ill-founded, stemming from neurotic tendencies. For brevity, a general analysis of the declassified information appears to demonstrate that “communism” was a tool used by Disney to justify his social neurosis and his ideas of social elitism. Whether it was conscious or not, Disney used the idea of communism to demonize the people he did not enjoy; to demonize them in a way that put him in the good graces of people like Hoover. Two birds with one stone. The entire portfolio of Disney-related FBI documents can be viewed here.

While the specific details of the dark history of the Disney family may still not be flushed out, there is enough damning information here to show that Walt Disney was indeed heavily participating in the globalization elitist agenda. Even if he was not a pedophile with connections to high-level criminals, he was a neurotic bigot with massive social inferiority that he subsequently sought to project into the minds of countless children and generations to come. Disney was deeply fascinated with esoteric Mystery teachings and clearly understood this in relationship to archetypes and the collective consciousness.

Another open-end of the research includes further speculation into who Walt Disney’s true parents may have been, since this was a notion that recurred to haunt him throughout his life until he finally found that he had been adopted; and some have even correlated this to a certain amount of blackmail that Disney may have received from the FBI, concerning Walt’s true origins. However, these seem to be speculation at this point in time. Additional final notes include that he was known to have a strong distaste for Jews, which Walt interestingly said had been harbored because Jews had monopolized a stranglehold on the media, and because of this, he had a known affinity for the Nazi regime; Project Paperclip being something that Walt truly reveled in. Werner Von Braun went on to have a prominent role in both NASA and Disney’s Tomorrowland Public Relations, and a great deal of his word went into a Tomorrowland TV documentary (aired in the 1960’s) that explained the probability of being able to colonize Mars in the near future.

Still, all of this clearly remains a bit of surface level investigation, and there are still a great many interesting avenues of research that have completely ripened for the picking in the Alternative News community; fruit that will hopefully be plucked and shared with the rest before too much longer. In any case, Disney obviously had a hot streak of elitist mentality where he felt it a philosophical, even metaphysical responsibility to give esoteric fodder to the imaginations of American children.

From witches, magic potions and Nazis, to government espionage, propaganda, drugs, and sexual perversion that may have teetered into pedophilia, Walt Disney was truly the Dark Prince of Hollywood, whichever way one decides to slice this pie.

Article by Anthony Tyler

All Sistas hate Black men..and other lies

They tell me it’s Black History month.  Shortest month of the year of course.  But it’s Black history month every month on this blog.  So before the month is out I thought I’d end the month on a high note. They say that most black women hated black men nowadays.  Don’t the young black women today despise black men? Not judging by this video.  This video doesn’t even have 1,000 views.  Not very surprising though.  The media wants us to believe that ALL black hate black men with a passion.  The racist media does all it can to keep us divided and hating each other.  If this video was about bashing black men it would have thousands of views in a matter of days.  And anti-black women videos are also overrepresented as well.  These videos help to destroy black consciousness,black love and unity. I know many black men that love black women and vice versa.

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I know the Uncle Toms,bed wenches,self haters and swirlers will hate this video.lol  They hate black love. This video destroys their perception of the world. But don’t fall for the propaganda. These are the videos that don’t go viral.  And with good reason.  They don’t want us to love and respect each other.  Black love is a threat to white supremacy. But I applaud these black women in the video. It’s always good to have words of encouragement.  I want the sistas to know that we love and appreciate you too. Much respect and Kushite approved!

A United Kingdom-Interracial propaganda Film

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Looks like Hollywood has the perfect film just in time for their Greco-Roman, pagan,orgy-inspired holiday known as Valentine’s Day.  The interracial propaganda is relentless.  When President Obama was in office there a big increase in interracial couples in television dramas,sitcoms and films.  By him being biracial,he was used as a symbol of some type of racial harmony. Of course we know this is nonsense. There can be no racial harmony when one racial group has more power than another group.  This is where the propaganda comes in. I   have covered  this subject many times in the past.  And it looks like I’ll have to continue to do as long as they keep putting these films out.  Now we have the film A United Kingdom. The basic synopsis :

“The film is based on a true story. Seretse Khama (David Oyelowo) is the Prince of Bechuanaland (now Botswana). In 1948 he meets and falls in love with London office worker Ruth Williams (Rosamund Pike). But their interracial relationship is not approved of by either of their families, nor by the British and South African governments. Seretse and Ruth must defy family, apartheid and the British empire to return from an imposed exile to their African kingdom, and assume power after independence.”

This trailer(above) is very hard to watch.  Here you have an African prince and he wants to marry a white woman??  This is total insanity.  This is self hatred to the fullest!  I don’t want to hear any crap about color blind love.  This is nothing but propaganda to make us love our oppressors.  A white woman as a queen in an African nation is blasphemous! This is a slap in the face to black love.   Seretse Khama is a disgrace to African people. Khama sold out his nation.  He is no prince!  Isn’t it interesting that Hollywood can find money to make this film but not about real African heroes.  There were African men and women that did great things in the past.  What about a film about Thomas Sankara?  Patrice Lumumba? Yaa Asantewaa? Queen Tiye? Marcus Garvey? Haitian revolution?  Queen Nzinga? Nope!  Instead they give a stupid ass love story between a brain dead Negro who gives his fortune away to a common white woman.  This film is stupid  and insulting on so many levels.

This is a very interesting interview with the stars David Oyelowo and Rosamund Pike. Pike says that the film tackles racial prejudice from both sides.  She says that it’s about two people that are color blind.  Give me a break!  This white woman is lying through her teeth.  She knows damn well no one is color blind.  And our society is nowhere near that.  The world is comprised of racial groups.  Color blindness is a myth. Then Oyewolo goes on to say that the way to “unite a kingdom” is through love. And that Botswana has control of “most” of it’s resources.  How did they lose some of their resources?  How took them? I think you know the answer. And he says that Botswana sees itself has post-racial.  This is man is insane! How can Africa be post-racial when you got Europeans trying to steal land and resources?  He also says that his white wife has a small part in the film.  She plays a…..racist!  How fitting is that.  You can’t make this stuff up. Black love and black unity is the way to fight white racism.  The answer is not marrying and making babies with your oppressor.  This film is designed to confuse black people about racism.

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This picture(above) is  of Amma Asante and her husband.  She is a screenwriter and director. She is the director of A United Kingdom. Why would a black woman do an interracial love story?   Well that’s an easy answer.  Just look  at her husband and  it’s easy to see why this so-called universal love story is close to her heart.

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Amma Asante is a very sick woman!  This black woman has lost her damn mind.You don’t think so?  Well check out the picture(above).  That is a photo of the upcoming film When Hands Touch.  It’s a World War 2 “love story”. It stars Amandla Stenberg who plays a biracial girl who falls in love with a Nazi youth.  What the hell??  Even though Stenberg is biracial in this racial context she will be seen as just a black girl.  I will cover the problem of biracial women representing black women in a later post.  But anyway this film has taken “love they enemy” to a whole different level!  They want us to love Nazi’s now???  What’s next?  A  love story with Adolf Hitler and Angela Bassett?   Or maybe Denzel Washington falling in love with a female skinhead?  I wouldn’t put it pass Hollywood at this point. Amma Asante has sold her sold for the chance to corrupt the minds of black people.  She is a female version of Lee Daniels.

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I understand better now why  David Oyelowo was chosen for the lead role.  In Hollywood he’s the go-to Negro at the moment.  He’s been in other anti-black propaganda films like The Butler,Red Tails and The Help.  And judging by the pic(above) of Oyelowo and his family,I think he was perfect for the role.  Oyelowo and Asante are one in the same.  They are both from the United Kingdom.  And neither one of them believes in  black love or black unity.  They believe the way to defeat racism,oppression, and colonization is to just love your oppressor.  Both of them are brain dead swirlers. But whatever you do,don’t support this film.  Save your money and stay far away from this garbage of a film.

The Hidden Message of Hidden Figures

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It seems most fitting to begin this piece by stating that mathematician Katherine Johnson is a genius. Thus, a movie celebrating black brilliance sounds progressive, however the actual portrayal renders Johnson a “hidden figure” in a supposed commemoration of her legacy.

The film briefly shows audiences a young Katherine, whose academic ability foments opportunity despite the obvious oppression of the early 20th century. The film attempts to inspire audiences though depicting Johnson’s contribution to launching the first American body into space. However, in actuality Hidden Figures illustrates that black brilliance yields white advancement.

Audiences watch Johnson put in long hours, travel forty minutes to use the bathroom and endure a segregated coffee machine. Subversively, the film suggests that the only place for  a black intellect is in a white world. This conflict is not exclusive to this film, but extended to all encompassed by the phrase “the first black (fill in the blank)” While this phrasing appears complimentary, it shifts the focus away from the individual of African descent to the white vessel who “accepts” them.

In Hidden Figures, this white vessel is Al Harrison, played by Kevin Costner. Perhaps one of the most noteworthy scenes is Costner breaking down the segregated restroom signs. The scene received zealous plaudits from a stadium sized theatre. This applause undoubtedly erupted due to the mostly white audience’s attempt to overtly align themselves with Harrison’s seemingly integrative initiative. For me, this scene provoked an adverse reaction.

Watching this scene brought me back to a Dr. Carr lecture I attended almost a decade ago. During this lecture, Dr. Carr said that “nothing has been done for blacks that did not benefit others.” Namely, these segregated signs existed at NASA although there were no no black individuals worked in this particular wing. Thus, the signs served no direct purpose but to remind those who cleaned the facilities that they were good enough to scrub toilets but not sit on them. Thus, Harrison’s acts are not commendable—they’re selfish. This very deed exposes the fault in integration. The segregated bathroom only becomes an issue when it deterred white initiative. Namely, only when segregation proved an obstacle to his advancement and reputation was it taken down. It is this selfishness, not ideas of equality or unity, that continues to fuel black inclusion in traditionally white spaces.

Before concluding this article, I would like to state that my criticism is not to take away from Mrs. Katherine Johnson’s legacy. This article does function to state that this film is not an accurate depiction of this legacy. I would love to have learned more about her life pre-Nasa, the parents who raised her, her experience at school, how she balanced motherhood and work, and the strength it took to raise three young kids as a young widow. Hidden Figures abbreviates Mrs. Johnson’s life, making her a largely enigmatic figure in a film that is seemingly about her. Johnson’s hidden figure status in her own film suggests that all black excellence yields hidden figure status in a white supremacist society. In veiling sentiments of deprived visibility, the film highlights how imperative it is that we as black tell “our story” and not his-story. For the moral of the story is not Johnson’s greatness, but what history continually tells in in films like 42, The Blind Side and The Help, which is simply that blacks can do anything if whites think they are special.

Article by C.C. Saunders

PizzaGate: Pedophiles,politicians and propaganda

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I’m not sure if many of you have been following the Pizzagate story.  It’s been all over social media.   To be honest I wasn’t even going to do a post about this.  But I had a few subscribers ask me to do a post about it.  I hadn’t really been following the story too much.  But apparently the mainstream media is saying this story about a secret child sex ring is “fake news”.  They say that anyone that believes this story is a crazy conspiracy nut.  I find it funny because the mainstream news is always putting out fake news stories that people believe are true.  Anyway the video(above) breaks the basic synopsis of Pizzagate. I personally believe that many powerful people are sick pedophiles whether they made up this story or not.  It’s just another way of confusing the masses.  They put out the TRUTH but then tell you it’s a LIE.  Just more mind manipulation and a way of controlling your consciousness.

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Here’s a comment by Dr Phil Valentine.  He gives a little insight on the Pizzagate scandal.

“You may be wondering why I referred to these maggots earlier on as the “Pizzaphilia Elite”. Well, that’s based on Wikileaks outing and exposing the child-abuse/child-sacrificing/pederast/cannibal cult that John “Podesta-tha-Molesta”, his brother, the Clintons (i.e.; the video made by the Mossad of Bill allegedly raping a 13 yr old girl on Jeffrey Epstein’s “Orgy Island”, flown there numerous times via his shuttle plane dubbed “The Lolita Express”), and a whole HOST of other sick-f**k “elites” belong to. The exposure of Podesta’s emails and their contents intimating his and others’ involvement in the cult has been dubbed “Pizza-Gate”.

Briefly…here’s why.

To overstanding the meaning of what follows, you have to overstand that there is an underground community of dyed-in-the-wool, “grade A”, EVIL mutha-fukkas who are so steeped in debauchery and the vilest of practice, that NOTHING you could HOPE to conjure up in your WILDEST most horrific nightmares would adequately define them. From the sacrifice and consumption of infants (while other children are forced to watch); the deflowering of girls as young as 4, 5 and 6 years, and the rape of boys the same age; to children being forced to eat their own feces, their own aborted fetuses; actual “Snuff film” rituals being conducted by children…where emptied swimming pools were used as “kill-stations” for human sacrifice because blood could more easily be hosed down and washed away…; and other inhuman atrocities too numerous to articulate here – THESE are the “underground entertainment” choices open to those “initiated” into their blood-and-gut eating cult.

And Podesta’s emails were said to have been the smoking gun that brought this filth to light. In them were written the coded language by which these demons clothed in human form communicated (“off the semantic grid”), their desires and “accomplishments” to one another. Since I am certain those of you reading this are NOT (I sincerely hope not) members of this fetid, bubbling morass of low-life vermin, we were never meant to know what certain “familiar” words meant when placed into contexts that appeared “strange” and even “ridiculous” to us. But that which seems “ridiculous” to us, exemplified what was all-too real to their victims…!

Here are the alleged “Pizza-Gate” code words now used by the “Pizzaphilia Elite” to communicate and brag about their blood and sacrificial exploits to one another. However, because they are being exposed on a daily basis, we can be sure they will be revising their “dictionary of debauchery” in no time. For now, with reference to their child-victims, the follow definitions are alleged to be true…;

1. Pizza = Girl
2. Hot Dog = Boy
3. Cheese = A very young girl
4. Pasta = A very young boy
5. Ice Cream = A Male Prostitute
6. Walnut = (a) Black Boy or Girl (b) Young girl’s genitals
7. Map = Semen
8. Handkerchief = (a) Black = Sado-Masochism
(b) White = Masturbation (?)
9. Pillow = Prostitute
10. Dominos (Domino’s “Pizza”) = Domination
11. Chicken = Young boy

There are many others, but I am not yet aware. Perhaps someone from the Family could add to this list.

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Now; Concerning the symbol and number seen on Podesta’s hands, (above pic) there are a number of plausible theories floating around the web as to their meanings, all of them good, given the fact that these sickos may have their own perverted meanings, such as seen articulated above. Based on my “metaphysical upbringing”, I think these symbols may be best noted as follows.

Briefly, the number “14”, in Kabbalistic terms, represents “love” and “fear”…the 2 most prominent emotions we are supposed to feel while in the “presence” of “God”. However, in THIS sick fuck’s case, I interpret it to mean (in “Satanic”) the “love” OF “fear” … that perverted feeling of “love” he gets from listening to the blood-curdling screams of children suffering in absolute, crippling “fear”. At the point of his committing the blood-ritual, the fear he enlists in the child is the most potent energy he could release and feed on, because HE is “GOD”!

And since it’s all about sexual perversion with these maggots, the number “14” could also signify “Valentine’s Day” – a day used by Satanists to ritualize unbridled sexual lust – the “14th” actually celebrating the 13th day after the “Feast of Imbolg” (Feb. 1st) – 13 representing the Satanic number of “Extreme Rebellion”.

(Incidentally, The moon-th of February is said to have been named after the Roman goddess “Februa” and “St. Febroina” (from the word Febis = “the fever of love”). Or it could just mean that we’re in for some chaotic shit on or around the 14th of this month up to the 14th of next month.

The “Fish” in his other hand could simply be a fish…or more likely, a penis head, the sun, the full moon, with the waning moon as its “tail”.

However, it could also represent the “HAND OF GLORY”…!! (see pic)

In ritual magic, the “Hand of Glory” was actually the hand of a convicted murderer that was severed after his execution, and turned into a talisman of protection that allegedly “froze” or incapacitated anyone, and placed them under your complete control. The hand severed was actually “the hand that committed the murder”, or, “did the deed”.

Judging by Podesta’s hands, he’s been doing the “Spirit Cooking” and “Pain-Eating” ritual (cutting his fingers and or palms to “eat” the pain that ensues, as professed by witch-queen Marina Abramović – see her pic with Jay-Z), while his fish-hand (Hand of Glory) “selfie” is symbolic of him having murdered many (most likely children; perhaps young boys, being that the “fish” is also symbolic of sperm – and the “14” on his other hand being the number of boys killed) and communicating (bragging) which hand he used to “do the deeds”.

There are other hypotheses that I have contemplated, but I will leave it here for now. I’ve worn your eyes out enough. Needless to say, we are witnessing the emergence of a foul, noxious, malodorous stench emanating from the leporic ooze that is the substance of this Parasite’s politics, and we’d better be prepared for what’s coming down the pike. ‘Cause if these demons can achieve orgasms from the screams of terrified children as they torture, murder, and consume these innocents, there is no humanity in them since they are not human. They are the wretched filth regurgitated from some white man’s twisted interpretation of Hell visiting their truest nature upon us; and in time, we too may have to “become as death” to send these bastards back into that hyper-dimensional abyss from whence they emerged…!

Guard well your children beloved family. The “BCW” and other such agencies AROUND THE WORLD were primarily created to supply a steady flow of innocent blood to their sacrificial altars. This they do by manipulation legislation for the sole purpose of destroying families, separating children from their parents, and placing them into the hands of these wretched creatures.”

So is this real?  Are there powerful elites raping children?  Is the story designed to mislead us? The media says it’s fake news.  Keep in mind that the media tells us stories they know are fabricated  and present them as REAL,but also tell us real news and tell us it’s FAKE. Use critical thinking,do your research and come to your own conclusion. Peace.