Walt Disney: Who was Walt? (Part 1 of 2)

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A cherished American icon, Disney has become much more than a corporation, or a collection of cartoons, theme parks, and childhood memories–Disney has become (and really always has been) a carefully orchestrated web of archetypal symbolism derived from the Ancient Mystery traditions of Egypt, and stimulated by the elitist mentality of the American Surveillance State.

Since Marc Eliot’s research novel, Walt Disney: Hollywood’s Dark Prince came out in the late ’90’s (without the authorization of the Disney family or corporation) conspiracy theories about Walt Disney have ranged from his documented relationship with J. Edgar Hoover and the Communist “Witch hunt” of the Cold War era; his relationship to both Freemasonry and Rosicrucianism; the incredible amount of esoteric symbolism that was put into Disney’s media that persists now more than ever; his neurotic, obsessive-compulsive tendencies that he reportedly self medicated with narcotics and alcohol; and, his known sympathies with the Nazi regime, his anti-semitism, and a reported sexism in the workplace. Some of these claims even reach into more speculative grounds, such as Disney’s ties to pedophilia, and even the mafia. This article will serve as a brief, open-source investigation into the claims of the man behind the facade of the Disney Public-Relations funds–the true face of the “imagineer,” the man seeking to capture the imaginations of America’s youth, Walter Elias Disney.

Walt himself had a lonely upbringing, lacking what he felt to be a meaningful relationship with his parents. His mother reportedly was quite cold to him, and Walt’s self-proclaimed love for animals over humans was said to have stemmed from this sense of isolation as a child. Presumably because of this type of upbringing, as a child Walt excelled in the Freemason-affiliated “Order of the DeMolay” which is an international masonic organization for young men at the ages of 12 to 21. The title “DeMolay” is derived from the last Grand Master of the Knights Templar, Jacques DeMolay.

As an adult, Walt joined the “Ancient Mystical Order of Rosae Crucis” (AMORC) which is the largest known organization of Rosicrucianism, and also boasts the membership of people like Star Trek creator, Gene Roddenberry–among so many other noteworthy names. For those unaware, Rosicrucianism is a surviving occult school of thought that primarily studies the Ancient Mystery teachings promoted by Egypt (dating much earlier than the Egyptians, however) through the lens of more traditional Western symbolism. Generally, it is considered a form of esoteric Christian mysticism. While this may paint a certain measure of nobility around Walt Disney, there is a great deal of evidence to show that he was a deeply troubled individual that suffered a degree of gender-identity confusion which resulted in ambiguous attractions that caused troubles in his marriage. There are also reports of Walt Disney cross-dressing, which raises the question of whether he and J Edgar Hoover ever had any fully “dressed” classified meetings.

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In regards to this esoteric symbolism, anyone readily attempting to dispute Disney’s occult symbolism is either in denial, or hasn’t actually seen any Disney cartoons: from Bambi, Dumbo, and Pinocchio, to more overt occult references like Sword in the Stone, Alice in Wonderland, Sleeping Beauty, Snow White, The Little Mermaid, Aladdin, even Fantasia–the list goes on and on. Witches, wizards, genies, alchemy and magical spells galore, Disney was not coy at all when using his inspiration from the ancient Mystery teachings. This not only survives to this day, but has become even more blatant with the purchasing of both LucasFilms and Marvel Comics, and now Disney is creating science-fiction wars with extra-dimensional entities and uniting ancient Norse gods with the Military Surveillance State and weapons-contractor billionaires.

Speaking of science-fiction wars with extra-dimensional entities, in The Avengers, the Tesseract of the first movie is the direct name and symbolism of occult philosophy, especially Freemasonry and the Mystery Teachings. However, it should be stated that these symbols are not “demonic/satanic/evil” in and of themselves, and are not evidence to condemn Walt Disney, yet the more ominous claims are yet to come. In consideration to Walt Disney’s ties to freemasonry, it is likely that he was considered an honorary 33rd degree by at least one lodge or another, but some Freemasons deny this claim. Walt excelled in the DeMolay as a young man, and even originally made Mickey Mouse a member of the DeMolay as well. Since Rosicrucianism and Freemasonry often go hand-in-hand, it seems that his specific title as a mason is perhaps an overall moot point that is still being debated.

Walt Disney was said to be a man of high-energy, with awkward social tendencies, neurotic personal habits, and even questionable moral fiber as a father and overall human being. If Walt really was a practicing Rosicrucian, its hard to consider that he was also a pedophile unless this Rosicrucianism was a facade for deeper, black-magick ritualism (which is a documented thread of research when dealing with the upper echelons of Elitist Society). While this remains the most speculative of the claims, there does appear to be preliminary evidence for it–especially considering the continuing threads of the Disney corporation’s relationship with the surviving Project: MKULTRA that inherently deal with trauma-based mind control that is largely based on black magick from the Egyptian “Pyramid Texts”.

A primary MKULTRA derivative, slang-titled Project: MONARCH, has intrinsic ties to pedophilia as well, and is said to have connections to common scandals like Jerry Sandusky, Larry King and Boystown (not the talk-show host), the Vatican’s whole string of events, Bohemian Grove rituals and onward. And yes, Disney is continuously found in the equation, at least from the social-propaganda standpoint. Unfortunately, for those readers still looking to salvage some humanity out of Walt Disney from this read, there are certainly specific accusations of Disney himself participating in pedophilia. A research novel  written by Darwin Porter, entitled Hollywood Babylon Strikes Again, illustrates the many different sex scandals of the Hollywood elite that were completely buried by Public Relations campaigns, and highlights Walt Disney in the process. Said to have a strong attraction to young star, Bobby Driscoll (voice of Peter Pan), the book even alleges that Disney owned a Los Angeles apartment for the sole purpose of meeting up with young boys that he paid to sleep with.

What can be more concretely stated about Walt Disney is the elitist social mentality that is often slipped in between the lines of Freemasonry and esoteric societies. The symbolism behind masonry is inherently meant to be recognized as the responsibility to “build” all things in their life with spiritual alchemy–transmuting the baser elements of existence into “gold,” whether it be within themselves, their business, their community, et cetera. This is obviously not an inherently negative concept, but when this idea of “hidden knowledge” meant to “build” society was met with Sigmund Freud and his nephew, Edward Bernays’ Rockefeller/Rothschild funded Public Relations media revolution, a serious and narcissistic convolution of esoteric tradition can be noted by the Elitist bloodlines of western society.

Instead of being the keepers of esoteric tradition, it became a closely guarded secret that was kept from the general public, and given to them in “proper doses” of esoteric symbolism and mystery traditions throughout the various media outlets. This is obviously, very heavily reminiscent of the Eleusinian Mysteries in ancient Greece, and how these Mystery traditions played a direct role in the theater and art media of the culture, as well as the politics.

Considering Walt Disney, there are two more crucial points worth addressing: his documented relationship to J. Edgar Hoover and Joseph McCarthy’s Communist “Witch hunt” of the Cold War era, and an assessment of his role in the Mainstream Media’s Globalist agenda, streamlined during the propaganda of the two World Wars, continuing with full force today. Due to the Freedom of Information Act, formerly-classified FBI documents reveal Walt’s deep-seated relationship with J. Edgar Hoover and his bureau, even dating back to the original construction of the Disney World theme park.

Hoover, known for his own connections to secret societies and extensive neurotic tendencies that were similar to Disney’s, clearly forged a type of cordial friendship with Walt. Walt, working as a sort of FBI-agent “contact” during the Cold War communist scare, was helping the FBI feel that they were covering their bases and gaining Walt a very strong pro-American image among the Elite. This even allowed him certain privileges at the FBI, such as certain levels of lower FBI classification clearances when it was requested. However, not only were Disney’s accusations against individuals for communism questionable, but they were often (if not always) ill-founded, stemming from neurotic tendencies. For brevity, a general analysis of the declassified information appears to demonstrate that “communism” was a tool used by Disney to justify his social neurosis and his ideas of social elitism. Whether it was conscious or not, Disney used the idea of communism to demonize the people he did not enjoy; to demonize them in a way that put him in the good graces of people like Hoover. Two birds with one stone. The entire portfolio of Disney-related FBI documents can be viewed here.

While the specific details of the dark history of the Disney family may still not be flushed out, there is enough damning information here to show that Walt Disney was indeed heavily participating in the globalization elitist agenda. Even if he was not a pedophile with connections to high-level criminals, he was a neurotic bigot with massive social inferiority that he subsequently sought to project into the minds of countless children and generations to come. Disney was deeply fascinated with esoteric Mystery teachings and clearly understood this in relationship to archetypes and the collective consciousness.

Another open-end of the research includes further speculation into who Walt Disney’s true parents may have been, since this was a notion that recurred to haunt him throughout his life until he finally found that he had been adopted; and some have even correlated this to a certain amount of blackmail that Disney may have received from the FBI, concerning Walt’s true origins. However, these seem to be speculation at this point in time. Additional final notes include that he was known to have a strong distaste for Jews, which Walt interestingly said had been harbored because Jews had monopolized a stranglehold on the media, and because of this, he had a known affinity for the Nazi regime; Project Paperclip being something that Walt truly reveled in. Werner Von Braun went on to have a prominent role in both NASA and Disney’s Tomorrowland Public Relations, and a great deal of his word went into a Tomorrowland TV documentary (aired in the 1960’s) that explained the probability of being able to colonize Mars in the near future.

Still, all of this clearly remains a bit of surface level investigation, and there are still a great many interesting avenues of research that have completely ripened for the picking in the Alternative News community; fruit that will hopefully be plucked and shared with the rest before too much longer. In any case, Disney obviously had a hot streak of elitist mentality where he felt it a philosophical, even metaphysical responsibility to give esoteric fodder to the imaginations of American children.

From witches, magic potions and Nazis, to government espionage, propaganda, drugs, and sexual perversion that may have teetered into pedophilia, Walt Disney was truly the Dark Prince of Hollywood, whichever way one decides to slice this pie.

Article by Anthony Tyler

Plantation Retreats- Black Degradation and White Depravity

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Those who have loved and dated across the color line have to negotiate the realities of race in our society, and by extension, its impact on their relationships. For many, this is done through explicit conversations. For others, these dialogues come implicitly, through gestures, and taken for granted shared assumptions.

But how many folks actually talk about how race impacts their own sexuality, attraction, physicality, or notions of the erotic?
We live in a society that is structured around many different hierarchies of power, authority, and difference. As Foucault brilliantly observed, Power is not sitting out there in the ether, an abstraction that we just talk about in philosophy classes. Power acts through and upon bodies. Certain people are racialized in American society for example. Their bodies are locations of power–and yes resistance. Likewise, certain types of bodies are marked as “normal,” while others are deemed “different” or “abnormal.”
The “popular” imagination holds many assumptions about particular types of bodies. The black male body is something to be policed, controlled, and feared. It is both envied and despised. The Asian female body is “erotic” and “submissive.” The black female body alternates between being fecund, always available, and out of control, while simultaneously being marked as “masculine,” asexual, and unattractive. Latinas are “hot” and “sexy.” White bodies of a certain type are taken as the baseline for what is considered “beautiful” or “normal.”
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Ironically, the bodies of black and brown people which are considered beautiful or attractive by the white gaze are judged as such either by how “different” they are from white norms (the exotic or savage) or how close these racialized bodies–almost like impostors or stand-ins–are to the normalized white body.
The very language we use to discuss race, the physical, and the sexual, is a quotidian example of Power in action. But, how are matters complicated when a significant part of a given person’s sexuality, and sense of the erotic, is centered on playing around with the dynamics surrounding dominance and submission?
Consider the following passage from the Colorlines article “Playing with Race”:
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Contrary to popular notions, BDSM is not about abuse. It’s consensual and trusting and people refer to it as “play” (as in “I want to play with you”). The point of BDSM is not sexual intercourse. In fact, when Williams recalls her first experience as a masochist seven years ago, she says she met her partner, a white man, at a bar and “fell in love at first sight.” They made their way back to his hotel. “For the first time I felt someone could see who I really was.” And that was someone who found it erotic to be a submissive to her partner.

In recent years, Williams has added another element to her repertoire as a masochist. She’s begun to engage in what is called “race play” or “racial play”—that is getting aroused by intentionally using racial epithets like the word “nigger” or racist scenarios like a slave auction.

Race play is being enjoyed in the privacy of bedrooms and publicly at BDSM parties, and it’s far from just black and white. It also includes “playing out” Nazi interrogations of Jews or Latino-on-black racism, and the players can be of any racial background and paired up in a number of ways (including a black man calling his black girlfriend a “nigger bitch”). White master seeking black slave, however, seems the more popular of the combinations.

I could not engage is such types of role-playing. My personal politics would not allow it; my libido would not respond.

That is my choice. I do not deny others their pleasure.

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However, as someone interested in the relationship between race, politics, and racial ideologies, I am fascinated by how individuals negotiate white supremacy and Power.

Are people like Williams or Mollena more “evolved” and “progressive” than those of us who cannot decouple the realities and burdens of race from their bodies and psyches in the present? Alternatively, could this deep sense of both owning and living in a racialized body, be turned into a location for pleasure and catharsis:

Vi Johnson, the black matriarch of BDSM, has presented on race play at kinky conferences and she believes the appeal is different for each person. “When you’re being sexually stimulated, you’re not thinking that what’s stimulating you is a racist image, ” she says. “You’re just getting turned on.”

So, for some, she says, race play is about playing with authority and for others, it might be humiliation.

Well-known sexuality and SM educator Midori, who is Japanese and German, often presents her theory that humiliation in BDSM is linked to self-esteem. Take the woman who likes it when her boyfriend calls her a “slut,” Midori says. Perhaps the woman internalized the idea that “good girls don’t,” but she enjoys her sexuality. Because the boyfriend sees her in all her complexity, Midori says, when he calls her a slut, “he is freeing her of the social expectations of having to be modest.”

That’s different than having some stranger (and jerk) calling you a slut. The stranger doesn’t see the full woman. It’s similar with race play, Midori says. By focusing, for example, on a black man’s body, while he’s bound as a slave, she’s bolstering his own perception of himself as strong and powerful…

Her workshop demonstrations have included full auction scenes mimicking those of the Old South. In them, she is the plantation mistress inspecting a black man for “purchase.” He’s in shackles and “I slap him on his face and push him down on the ground, make him lick my shoes,” she says, emphasizing that she only does the demonstration after the “psychological” talk.

In the interest of transparency, I am a sex positive person (at least according to the survey on yourmorals.org). In many ways, I am also a bit of a libertine and a hedonist who is comfortable in both exclusive and open relationships. I also have certain predilections and tastes that more “vanilla” folks could find “kinky” or “different.” Ultimately, I am just myself, and do not know how to pretend to be anyone else.
I am also full of contradictions and complications as sexuality and the erotic are not neatly bounded constructs (for example, I do not like watching interracial porn where white men have aggressive sex with black women as chattel slavery looms too large in my mind; however, I have no problems watching black men have aggressive sex with white women). I have also dated many women from a range of racial backgrounds: I love women; I love variety.
I share those details not to titillate; rather, because while I am rendering a judgement of sorts, I would not want to sound “judgmental.” The difference is a subtle, but nonetheless, an important one.
One of the questions I will be asking Viola Johnson from the Carter Johnson Leather Library when I interview her in the next few weeks (fingers crossed) is how do we separate more “healthy” types of race play from those encounters that are rooted in disdain for the Other and white supremacy. Are these just inter-personal contracts or do these types of sexual relationships gain power (and are made erotic) precisely because of how they signal to larger societal taboos?
If the website Fetlife is any indication, there is apparently a not insubstantial number of people who engage in sexual roleplaying and BDSM using the motif of chattel slavery in the antebellum South. A cursory review of the member profiles suggests that many of these people are white supremacists. This is apparently not a deterrent to the black men and women who want to “serve” these white masters.
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Here a white “slave owning” master offers some insight on race play and “plantation retreats”:

My major kink-interest is in chattel slave-ownership in today’s world but following the historical models of 8,000 years of historical slave-ownership tradition (from Greek-Roman through modern day)…along with everything that might relate to it (which sometimes can go pretty far into the realm of BDSM activities, depending on the partner). I’m very knowlegble in the field of historical slavery.

Some of my other non-kink interests include history and philosophy, classic cars, music, science, singing and writing lyrics, architecture, comparative culture, language, reading and counseling..

I get a lot of questions about “Plantation Retreat”…so here are some basic facts:

My goal in creating and hosting Plantation Retreat is to provide a safe and welcoming, private place (and opportunity) for White Masters and plantation slaves/niggers to meet and explore their mutual fantasies. I get a lot of questions and answer many individual questions. To simplify things…here is some general basic information:

The gathering lasts for up to 2 weeks this year, with the main gathering around the 4th of July…folks can stay as long or as short a time as they want (some stay even longer). Masters can stay at the compound here or in a hotel if they want to (as can any personal slaves that they bring with them or any other slave that is ordered to do so).

Slaves arriving on their own stay here and are considered (and protected) as property of the plantation or my personal property.

Slaves sign up for a specific length of service. Slaves can specify what their limits are or that they will serve in any way the Master/guests desire. Sex is not required, but depends on individual choice (as do other activities). Most Masters desire to use slaves sexually in addition to normal domestic services. Some slaves are used only for hard labor. A slave’s assignments and duties are based on its experience and ability-level (some require whipping or punishment). Masters have their own king or queen bed (up to 5 available); slaves sleep where they are told to sleep (unless they are ordered into a Master’s bed and allowed to sleep there). Normally a slave sleeps at the foot of a Master’s bed, but some can be chained or caged elsewhere.

The minimum requirement for slaves is that they be obedient and respectful of all Masters and work to give the Masters and enjoyable time. This can be anything from preparing and serving drinks and meals, doing housework or yard work, to providing sexual relief on demand, to hard labor in the compound (depending on the slave’s previously-stated limitations). Slaves should expect Masters to be totally comfortable and free in using humiliating or degrading racist speech in referring to or speaking to mud-slaves. It’s not all punishment and misery for slaves…there is plenty of time for camaraderie and playful fun also. Some slaves even form a brotherly bond with the other slaves that serve with them. Masters also form lasting bonds and friendships based on their mutual interests and sharing slaves.

It’s just a small friendly gathering of White Masters at my house/compound….being served by mud-slaves as might have been in a modern version of slave-days. one might call it a situation of consensual non-consent/slavery. Slaves can set their limits and the time they will be in service as slaves in advance…. and also what they expect to learn and experience from the experience. The more that a slave lets me know about itself in advance, the better I can guide its growth from the experience.

Backstage racism mates with BDSM, the eroticization of the black body, and finds a place online through a variant of cyber-racism. Amazing. We do in fact live in interesting times.

White supremacy is a mental illness. Western (and global) society is sick with it. All of us, across the color line, have been impacted by white supremacy and white racism. But who are we to judge how adults in a consensual relationship decide to work through its pain and ugliness?
As is per our tradition at WARN, here are some concluding questions.
Have any of you engaged in race play? For those of you in inter-racial relationships, how do you negotiate these bigger questions of race and the erotic? If our kinks and sexual predilections are in some way a function of life experience, trauma, early childhood experiences, etc. what happened in the life of a black person who is willing to play a slave for the pleasures of white racists?
Article by chaunceydevega

European Antics: Episode 9(Genderbread Person)

The video speaks for itself. Genderbread Person???  What the hell is this?  This is what they are teaching children nowadays.  And they want to teach this in the schools.  Not just in America but worldwide.  They want this type of “knowledge” to be everywhere.  And you wonder why so many children are confused about sexual identity.

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European Antics: Episode 7(Transgender Child)

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This little white boy is nine year old  Avery Jackson. He/she has made history. Avery is the first transgender child on the cover of National Geographic. He has lived as an openly transgender girl since age five. This is very unsettling to see.  This proves that European culture wants to permanently damage the minds of children.  This is not normal behavior.

This is sexual perversion at it’s finest.  This video(above) is proof. This is just more European antics.

Moonlight-Gay Propaganda Film

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The film Moonlight came out back in October.  I meant to do a post about it and never got around to it.  But I heard that it was getting rave reviews by white film critics.  Some were calling it “powerful” and “best film of the year”. When I heard it had a black cast it peaked my interest. But  I knew that if white critics loved it the film must have some type of black degradation in it.  It has to promote one of the following: black criminals, black whores,drug addiction,interracial sex,lesbians,homosexuality and black self destruction.  It’s always a pattern with black films promoted by the white media.  Just like the horrible film Precious that promoted nothing but black death and destruction.  So when I saw the trailer….I knew I was right. This is more black pathology. I saw this morning on the news that Moonlight got six Golden Globe nominations. This should not be surprising at all. The film is directed by Barry Jenkins.  I’m sure he will become the  “new Lee Daniels”.  Here is the synopsis from the website:

“A timeless story of human connection and self-discovery, MOONLIGHT chronicles the life of a young black man from childhood to adulthood as he struggles to find his place in the world while growing up in a rough neighborhood of Miami.At once a vital portrait of contemporary African American life and an intensely personal and poetic meditation on identity, family, friendship, and love, MOONLIGHT is a groundbreaking piece of cinema that reverberates with deep compassion and universal truths. Anchored by extraordinary performances from a tremendous ensemble cast, Jenkins’s staggering, singular vision is profoundly moving in its portrayal of the moments, people, and unknowable forces that shape our lives and make us who we are.”

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The video(above) is with one of the actors in the film,Andre Holland. He plays a homosexual in the film.  In this interview he explains there are “different shades to masculinity and black manhood”.  And I think that’s the motive of films like this.  This film is nothing but a “black gay coming of age” film. The racist white media promotes these type of films and give them awards because it supports THEIR agenda.  They want to redefine black manhood and masculinity.  They want to reshape us from being warriors and protectors of our neighborhood…into being homosexuals,queers and cross dressers.  White actors play mostly heroes and saviors while black men are given awards for playing homosexuals????Hmmmmm…..something is wrong with that picture.  These type of films are an insult to our intelligence.  Also the films stars Mahershala Ali,Naomie Harris,Janelle Monae and Ashton Sanders.  And Naomie Harris plays the crack addicted mother.  You know the drug abuse always has to be there in a black film right?  This is just more Hollywood propaganda.  In the next few weeks you’ll be hearing a lot about this film.  But don’t fall for it.  I’m asking all my subscribers do NOT support this film.  Save your damn money. This is more anti-black,pro-gay,pro-black death and black self destruction.  Black actors will always be rewarded for this type of homophile filth.  Peace brothers and sisters and always stay vigilant!

PizzaGate: Pedophiles,politicians and propaganda

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I’m not sure if many of you have been following the Pizzagate story.  It’s been all over social media.   To be honest I wasn’t even going to do a post about this.  But I had a few subscribers ask me to do a post about it.  I hadn’t really been following the story too much.  But apparently the mainstream media is saying this story about a secret child sex ring is “fake news”.  They say that anyone that believes this story is a crazy conspiracy nut.  I find it funny because the mainstream news is always putting out fake news stories that people believe are true.  Anyway the video(above) breaks the basic synopsis of Pizzagate. I personally believe that many powerful people are sick pedophiles whether they made up this story or not.  It’s just another way of confusing the masses.  They put out the TRUTH but then tell you it’s a LIE.  Just more mind manipulation and a way of controlling your consciousness.

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Here’s a comment by Dr Phil Valentine.  He gives a little insight on the Pizzagate scandal.

“You may be wondering why I referred to these maggots earlier on as the “Pizzaphilia Elite”. Well, that’s based on Wikileaks outing and exposing the child-abuse/child-sacrificing/pederast/cannibal cult that John “Podesta-tha-Molesta”, his brother, the Clintons (i.e.; the video made by the Mossad of Bill allegedly raping a 13 yr old girl on Jeffrey Epstein’s “Orgy Island”, flown there numerous times via his shuttle plane dubbed “The Lolita Express”), and a whole HOST of other sick-f**k “elites” belong to. The exposure of Podesta’s emails and their contents intimating his and others’ involvement in the cult has been dubbed “Pizza-Gate”.

Briefly…here’s why.

To overstanding the meaning of what follows, you have to overstand that there is an underground community of dyed-in-the-wool, “grade A”, EVIL mutha-fukkas who are so steeped in debauchery and the vilest of practice, that NOTHING you could HOPE to conjure up in your WILDEST most horrific nightmares would adequately define them. From the sacrifice and consumption of infants (while other children are forced to watch); the deflowering of girls as young as 4, 5 and 6 years, and the rape of boys the same age; to children being forced to eat their own feces, their own aborted fetuses; actual “Snuff film” rituals being conducted by children…where emptied swimming pools were used as “kill-stations” for human sacrifice because blood could more easily be hosed down and washed away…; and other inhuman atrocities too numerous to articulate here – THESE are the “underground entertainment” choices open to those “initiated” into their blood-and-gut eating cult.

And Podesta’s emails were said to have been the smoking gun that brought this filth to light. In them were written the coded language by which these demons clothed in human form communicated (“off the semantic grid”), their desires and “accomplishments” to one another. Since I am certain those of you reading this are NOT (I sincerely hope not) members of this fetid, bubbling morass of low-life vermin, we were never meant to know what certain “familiar” words meant when placed into contexts that appeared “strange” and even “ridiculous” to us. But that which seems “ridiculous” to us, exemplified what was all-too real to their victims…!

Here are the alleged “Pizza-Gate” code words now used by the “Pizzaphilia Elite” to communicate and brag about their blood and sacrificial exploits to one another. However, because they are being exposed on a daily basis, we can be sure they will be revising their “dictionary of debauchery” in no time. For now, with reference to their child-victims, the follow definitions are alleged to be true…;

1. Pizza = Girl
2. Hot Dog = Boy
3. Cheese = A very young girl
4. Pasta = A very young boy
5. Ice Cream = A Male Prostitute
6. Walnut = (a) Black Boy or Girl (b) Young girl’s genitals
7. Map = Semen
8. Handkerchief = (a) Black = Sado-Masochism
(b) White = Masturbation (?)
9. Pillow = Prostitute
10. Dominos (Domino’s “Pizza”) = Domination
11. Chicken = Young boy

There are many others, but I am not yet aware. Perhaps someone from the Family could add to this list.

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Now; Concerning the symbol and number seen on Podesta’s hands, (above pic) there are a number of plausible theories floating around the web as to their meanings, all of them good, given the fact that these sickos may have their own perverted meanings, such as seen articulated above. Based on my “metaphysical upbringing”, I think these symbols may be best noted as follows.

Briefly, the number “14”, in Kabbalistic terms, represents “love” and “fear”…the 2 most prominent emotions we are supposed to feel while in the “presence” of “God”. However, in THIS sick fuck’s case, I interpret it to mean (in “Satanic”) the “love” OF “fear” … that perverted feeling of “love” he gets from listening to the blood-curdling screams of children suffering in absolute, crippling “fear”. At the point of his committing the blood-ritual, the fear he enlists in the child is the most potent energy he could release and feed on, because HE is “GOD”!

And since it’s all about sexual perversion with these maggots, the number “14” could also signify “Valentine’s Day” – a day used by Satanists to ritualize unbridled sexual lust – the “14th” actually celebrating the 13th day after the “Feast of Imbolg” (Feb. 1st) – 13 representing the Satanic number of “Extreme Rebellion”.

(Incidentally, The moon-th of February is said to have been named after the Roman goddess “Februa” and “St. Febroina” (from the word Febis = “the fever of love”). Or it could just mean that we’re in for some chaotic shit on or around the 14th of this month up to the 14th of next month.

The “Fish” in his other hand could simply be a fish…or more likely, a penis head, the sun, the full moon, with the waning moon as its “tail”.

However, it could also represent the “HAND OF GLORY”…!! (see pic)

In ritual magic, the “Hand of Glory” was actually the hand of a convicted murderer that was severed after his execution, and turned into a talisman of protection that allegedly “froze” or incapacitated anyone, and placed them under your complete control. The hand severed was actually “the hand that committed the murder”, or, “did the deed”.

Judging by Podesta’s hands, he’s been doing the “Spirit Cooking” and “Pain-Eating” ritual (cutting his fingers and or palms to “eat” the pain that ensues, as professed by witch-queen Marina Abramović – see her pic with Jay-Z), while his fish-hand (Hand of Glory) “selfie” is symbolic of him having murdered many (most likely children; perhaps young boys, being that the “fish” is also symbolic of sperm – and the “14” on his other hand being the number of boys killed) and communicating (bragging) which hand he used to “do the deeds”.

There are other hypotheses that I have contemplated, but I will leave it here for now. I’ve worn your eyes out enough. Needless to say, we are witnessing the emergence of a foul, noxious, malodorous stench emanating from the leporic ooze that is the substance of this Parasite’s politics, and we’d better be prepared for what’s coming down the pike. ‘Cause if these demons can achieve orgasms from the screams of terrified children as they torture, murder, and consume these innocents, there is no humanity in them since they are not human. They are the wretched filth regurgitated from some white man’s twisted interpretation of Hell visiting their truest nature upon us; and in time, we too may have to “become as death” to send these bastards back into that hyper-dimensional abyss from whence they emerged…!

Guard well your children beloved family. The “BCW” and other such agencies AROUND THE WORLD were primarily created to supply a steady flow of innocent blood to their sacrificial altars. This they do by manipulation legislation for the sole purpose of destroying families, separating children from their parents, and placing them into the hands of these wretched creatures.”

So is this real?  Are there powerful elites raping children?  Is the story designed to mislead us? The media says it’s fake news.  Keep in mind that the media tells us stories they know are fabricated  and present them as REAL,but also tell us real news and tell us it’s FAKE. Use critical thinking,do your research and come to your own conclusion. Peace.