Just a week ago I went to a Kwanzaa celebration. It was held at the KRST Unity Center of Afrakan Spiritual Science in Los Angeles. It is ran by Reverend Dr Richard Byrd and his wife Reverend Erica Byrd. The center is dedicated to the principles and practices of MAAT. The event itself was free for all to come. It was nice to see so many black men,women and children having a great time. There was no drama and no fighting . There were black vendors and musicians that performed. There was a candle lighting ceremony that highlighted the principles of Kwanzaa. They explained libation and why our ancestors did it. There was a beautiful poem by poet Tasha Auset. A rap performance by a young man named Jeremiah Berryman. He was a real talented brother. He was dropping positive lyrics with no profanity. There was comedy by Daryl Mooney the son of comedian Paul Mooney. As well as a Kwanzaa play and African dancing. At the intermission the reggae group Fountain of Roots performed. Guest speaker Michael Imhotep from the African History Network had a lecture at the end of the ceremony. I really enjoyed myself. You could feel the love in the place. It’s nice to be around black people that are comfortable in their own skin. Everyone I met was really positive. The vibe was very positive. But I had such a great time I thought I would share some of the pictures and videos of the event.
This brother(above) is Tony B. Conscious. He’s a very talented rapper and spits positive lyrics. I was joking around with him the whole night. He is really cool and a down to earth brother.
This is Tony’s apparel he was selling at the event. He not only raps but makes t-shirts,beanies,hats,jewelry and is a painter. He’s a very talented artist. This brother does it all! I bought a beanie and t-shirt from him.
This beautiful sista is Yendi Serwaa. She is a very talented woman in her own right. She makes all these unique crafts and is also a painter.
These are some of the products(above) she was selling. Yendi is also on the Board of Directors at the KRST Unity Center.
This picture(above) is of Reverend Richard Byrd and Herb Alkhemyst. Byrd is also known as Meri Ka Ra. It was a pleasure to meet the elder. He was a very nice man. The lovely Alkhemyst is a singer/songwriter and herbalist.
Koshana Kweli and Kateria Knows also attended the event. Kweli is a spiritual consultant and child care provider. Kateria is an amazing astrologer and creator of the Real Family Reunion. Kateria spoke at the event about the power of purpose. It was a great speech. They were really cool and down to earth sistas. It was a pleasure to meet them.
This picture(above) is with Herb Alkhemyst and her sister Kateria Knows. They’re pictured with Michael Imhotep. He has a blogtalk radio program called African History Network. Imhotep gave a very powerful lecture at the event. I got a chance to chat with Imhotep for about thirty minutes after the event. I even bought a few of his dvd’s.
This was their first annual Kwanzaa event. They say they will do more in the future. I’ll definitely try to attend the event again. It was just a really nice way to end the year. Black people talking about black unity,black economics,African culture,black history,black relationships,black unity and black love. And those are the things we all need to carry on into 2018. ❤
I was doing some research about ten years ago on symbolism. And I noticed that there were many Freemasonic symbols on the Apple iphones millions of people use. I personally believe that these phones can spy on us at anytime. I believe these freemasons work with the government to spy on it’s citizens. I know for sure that the late Apple inventor Steve Jobs made some type of deal with the government. And in the process he became a billionaire. He sold out the public so that he could get rich. I believe the GPS(Global positioning system) in these phones know where you are at all times. And that they can turn on the microphones and hear the conversations of your family and friends. Many of these symbols are on the iphones and most are not aware of it. They know most people are in the dark about this. They purposely put them in our faces knowing that most people don’t study symbology,the occult,sacred geometry and numerology. This is esoteric knowledge many don’t know about. So I’m going to educate some of you on these symbols you see on your phones.
Most people have seen this one. It’s probably the most obvious one. It’s the App Store logo. We’ve been looking at this one for years. I also thought it was strange that the logo was a bitten apple. I always thought it was a reference to the biblical Garden of Eden. In the Bible the bite signifies the “sin of man” by disobeying God. I always believed it meant they would be using these phones in a sinful manner.
There is the Google Play logo. Google Play is an app in which people can play music,games and movies. The logo looks very much like the masonic pyramid capstone.
This is a very interesting one. The Facebook App looks very much like the masonic Tubal Cain logo. When a Mason reaches the 32nd Degree, that of Master Mason, his codeword, his password, is Tubal-Cain. While this sounds unassuming and “sterile”, the truth is this, Tubal-Cain is of the lineage of Cain, as in Cain who slew Abel in the Book of Genesis.
In Genesis Chapter 4, verse 22, we see where Tubal-Cain is born of Cain, this chapter giving us the “family tree” of Cain’s off-spring. I think the logos look way too similar to be a coincidence. And I’m sure you all know by now that Fakebook…ahem…I mean Facebook collects all your information. It’s stored into a central database so they know who are your family and friends.
The Google GPS app looks eerily like the Eye of Providence. It is a symbol recognized by Freemasons everywhere as a representation of the watchful care of the Supreme Architect. Are they the same symbol? I’ll let you be the judge.
The logo for Google mail(Gmail) is obviously a representation of the Royal Arch apron. The apron looks like the letter M so it fits perfectly. Once you can see the deception it’s quite obvious. Here’s a little information on the apron:
“As we have seen aprons have throughout the ages possessed a religious and symbolic meaning, a fact that is well applied to our own present apron as I will shortly demonstrate. However, there is little doubt that the Masonic apron evolved from those worn by operative masons to protect their clothes from becoming soiled. In medieval times all masons, whether Freemasons or Guild Masons, used aprons when at work, and the former also wore white leather gloves to protect their hands from the lime This type of apron used by the speculatives had changed very little in the middle of the 18th century from those used by the operative counterparts. These aprons were long, coming down to below the knees, with a flap or bib to protect the chest.It was the speculative masons who at some point in the 1750’s began to decorate their aprons with designs, usually painted by the owner’s own hand. A number of these examples can still be seen in the Museum and Library of Grand Lodge, but we must remember that at this time no definite scheme existed and each brother was free to adorn his own apron as he saw fit, usually including all the symbols of all the various degrees he had attained. Therefore, many of these designs included symbolism of such degrees such as the Mark, Chapter and Ark Mariner in addition to those of the Craft. In due course however, certain designs became more popular and more standardized. The two pillars with the letters that represented them, and often the names were even given in full became an accepted model for most aprons. To this central motif were added various other emblems such as squares, ladders and so forth which can be found in the 1st degree Tracing Board and Masonic Certificates issued to all Master Masons advanced to the 3rd degree.”
The Google Chrome logo looks a lot like the Divine King Sign. It can also be represented doing the “okay” sign with your hand.
Rapper Drake(above) is throwing up the sign to let you know who are is masters. There are countless images on the internet of rappers,singers and actors throwing up his sign. A little background on the sign:
“First, we have the circle, indicating the sun deity and the Mason’s never-ending quest for more light. To Freemasonry, the circle also represents the female genitalia, or yoni. In the Hindu religion, the OK sign is a revered mudra (sacred gesture) meaning “infinity” or perfection. It is associated with the female genitalia — thumb and forefinger pressed together at the tips with the other three fingers extended.
In the practice of tantric yoga (sex rituals), the OK sign is a token of ecstasy, spiritual and physical. In ancient Sumeria and Persia, charms and amulets have been discovered of fingers and hands in the modern OK position, joined along with horns implying fertility. The three fingers extended outward are symbolic of ecstatic union with the Goddess, the third member of the pagan trinity.
In Satanism, when making this sign the three fingers not used to make the circle are considered symbolic of the unholy trinity — horned God, Goddess, and offspring (antichrist). Some go so far as to adopt the view that the bent three fingers are shaped as three number six’s, or 666. Thus, we have 666, the sun deity (Lucifer), the Goddess (Mystery, Babylon the Great, Mother of Harlots), and the beast (antichrist, 666), all in one unitary hand sign. Oh what a web of evil wicked men can weave around something seemingly so ordinary and mundane.
In the Illuminist philosophy, the OK sign becomes a sign indicating approval of the Divine King, their coming Lord of Light, whom we as Christians know as antichrist. To them it means, “He approves our undertaking.” This meaning is roughly equivalent to the words in Latin atop the all-seeing eye of Osiris on our U.S. one dollar bill—Annuit Coeptus.”
And last but not least are the logos for the Apple App and Android Product stores. These logos are clearly the same as the square and compass used in Freemasonry. This symbol has been used in secret societies for many years. The square and circle shapes are related in Euclid’s 47th problem of “Squaring The Circle,” said to be the primary goal of the Masonic craft. Squaring the circle, however, does not in this case refer to a mathematical problem: it is a spiritual reference to man’s instinctive quest to harmonize our physical and spiritual natures.Since Antiquity, the square has represented the physical body. The circle, on the other hand, has always represented the soul. So in a nutsehell, he Square & Compasses thus symbolize Man’s state as an eternal soul manifesting in a temporary body. The circle is our spiritual side that cannot be seen.
So I hope you all enjoyed this esoteric series. I hope I was able to educate you on a few things you didn’t know. Let me know your thoughts.
I anticipate that this post will be unpopular. I acknowledge the contention that my assertions will certainly prompt and welcome the scathing comments in the section below. With that being said, I still very must feel that my perspective is worthy of articulation and exposure to those that care to listen.
Singer and R&B legend R.Kelly made headlines this week for allegedly assembling a sex cult consisting of underaged girls. These allegations bear a disturbing connection to R. Kelly’s previous trouble with the law, portraying Kelly as a an OJ-like figure–a haughty recidivist who finagled through the loopholes of the American legal system.
I feel obliged to state that I have no respect for R. Kelly as a man. I do however, respect his talent. I perceive the ‘Pied Piper’ as an enslaved black who used America’s need to hyper sexualize the black man as a means to foment his career. While Kelly defiantly made family friendly songs like “Step in The Name of Love” and inspirational songs like “I Believe I Can Fly” and “The World’s Greatest” most of Kelly’s hits are sexualized slow jams to which I’m sure proved background music to the conception of many post millennials. His sexualized image fueled a career spanning over two decades with a plethora of adoring black female fans.
These fans remained loyal to Kelly even after a video surfaced of the singer issuing a golden shower to a then-fifteen year old girl. The charges were eventually dropped and buried in the past of a musician who was still able to maintain his mogul stature despite dramatic changes in the music industry.
While my argument is not to pardon R. Kelly from blame, it is that he is not the primary cause of the hyper-sexualized black female body that faces violation without consequence. R. Kelly was relieved of any legal responsibility in previous allegations of sexually violating a black female teen simply because the black female body bears no significance to the Western world outside of monetary gain. Consider how quickly the western world kills and incarcerates the black body. The reason why Kelly was not susceptible to these consequences is not because of his riches, but because his “crimes” served an integral purpose in maintaining white supremacy. Moreover, the world was and is more interested in portraying Kelly and his victim as sexual beasts than to upholding the integrity of those they do not see as a human let alone bearing the presumed innocence of femininity or childhood.
To the western gaze, the hyper sexuality of the young black female body violently seduces Kelly. To this same gaze, Kelly is a sexualized being unable to resist the callings of his bestial urges. Together, these caricatured images of black sexuality function assemble the historical narrative of blacks as primitive and underdeveloped beings worthy of the death and incarceration that befalls them.
Kelly, a melanated individual who believes his conventional success consummates his transition to whiteness, feels as entitled to young bodies as the white man did and does to young black females. Kelly, is a symbol of what happens when a morally impoverished black youth offsets a journey to acquire physical wealth and not a collective consciousness. As members of an oppressed collective, it is essential that we proceed with consciousness. To proceed without it, is to inevitably mirror our oppressors in thought and action.
There is also a large possibility that this ordeal is entirely fictional, and yet another means to lynch a black man by the rope of hyper sexuality. But the verity of these accusations does little to supersede its societal function. The scenario depicts how the black man and women are commonly pitted against one another and how the black male is villanized for implementing what he was nurtured to idolize—white male ideology.
The teachings of white supremacy are second nature to anyone not possessing a conscious gaze. I read The Bluest Eye by Toni Morrison, a few years back and was mortified at what Pecola’s father does to her on the kitchen floor. I resented Morrison for years, holding her in contempt for depicting the black man as indifferently robbing his child of her innocence.
It took me several strides into consciousness to realize that the father was a man systemized and nurtured to become an animal, a subjugate human who performs the dirty work of his master in his oppressed state. This is not an excuse, as his actions are detestable and hard to read, yet even more difficult to process as a factual fate rendered to so many blacks throughout the diaspora silent in the shame of their systemic violation.
Kelly symbolically stands in the same image of this fictional black man who encompasses the factual narrative of so many other black males castrated by earthly demons who program the black body to inflict white evil onto their own people.
Kelly’s actions function to lure black women from blackness into the arms of feminism–yet example of society’s dedication to turning racist issues into sexist issues to further the cyclical disenfranchisement of blacks by hurling our struggle into oblivion. A second offense by a black praised for his prodigious talent, serves another blow to our collective identity alongside similar allegations afforded to other black greats like the late Michael Jackson, Bill Cosby, Kobe Bryant, amongst others. These allegations function to fuel white esteem and denigrate black collective worth in staining the black psyche with portraits of themselves that seemingly lack a moral compass.
So, to those quick to compartmentalize a black man as a sexual villain— I would like to redirect your attention to the words of the late and great Malcolm X:
“If you’re not careful, the newspapers will have you hating the people who are being oppressed, and loving the people who are doing the oppressing.”
To what contempt will you hold a system that upholds the systemic soiling of black female bodies?
To reiterate I am in no way excusing Kelly, but evoking a sense of nationalism to assert that we as a collective have been wronged by a system that lures us to incessantly blame ourselves but seldom confront the true villain and sole benefactor of global racism.
In closing, the power of blackness lies largely in realizing if and when we are being played. So while we may not be playing chess, our systemized state as blacks bears a close resemblance to a king being used to seize the most powerful piece of the game–his queen.
Article by CC Saunders
Tiwatope Savage-Balogun was born on February 5, 1980, better known by her stage name Tiwa Savage, is a Nigerian singer, songwriter, performer and actress. She is currently signed to Sony/ATV Music Publishing as a songwriter. Savage signed a recording contract with Mavin Records in 2012. Savage also signed a management and publishing deal with Roc Nation in June 2016, which she later confirmed via Instagram. She co-wrote the track “Collard Greens & Cornbread” off Fantasia Barrino‘s Grammy-nominated album, Back to Me.
Savage was featured on Solar Plexus, a compilation album released by Mavin Records. Her debut studio album, Once Upon a Time, was released on 3 July 2013. It was supported by the singles “Kele Kele Love“, “Love Me (3x)”, “Without My Heart”, “Ife Wa Gbona”, “Folarin”, “Olorun Mi” and “Eminado“. Savage’s second studio album, R.E.D, was released on 19 December 2015. It produced the singles “My Darlin'”, “African Waist” and “If I Start To Talk”. Savage sings in English and Yoruba. As a singer, her achievements include one MTV Africa Music Award, two The Headies Awards, one Channel O Music Video Award, one Nigeria Music Video Award, and two City People Entertainment Awards, among others.