Liberating the minds of Black Children-Bobby E. Wright

Black image....

We must be about the business of liberating the minds of Black
children. In order for that to occur, the minds of all Blacks who
interact with them must also be liberated. There is no other way.
It is relatively easy to educate Black children, even about their
Africanity. But, it is extremely difficult to reinforce the
education. Therefore, even sitting in the same classroom, white
children will be ‘educated’ and Black children will be ‘trained.’
The white child will be taught how to rule and the Black child
trained to be ruled. ‘Training’ is defined as teaching a group what
to think rather than how to think, making them dependent rather than
assisting in developing skills which could be used for independent
activity, rewarding behavior that operates against their group’s
interest, promoting individual rather than group achievement, and
instilling negative self-concepts and low self-esteem. The opposite
of the above mentacidal process (training) is education in which the
learning process becomes a liberating force.
Black independent schools are important not only for how they
teach but for what is taught. Their purpose of instilling within
Black children an ‘Afrikan Worldview’ is the most important activity
those children will ever experience. Black parents whose children
are not in independent schools should at a minimum expose them to a
well-structured supplemental Black educational program. Some of the
most dangerous Blacks in the world are many of those brothers and
sisters who finished graduate school ‘with honors’ and yet operate
against the interest of Blacks because of their eurocentric
orientation. The writer does not mean to imply that Blacks should
not attempt to achieve high levels of ‘training’ in white
institutions, but should be aware that it is not ‘education’ they
are receiving.”

Get Out- Interracial/Horror Film(Hidden truths)

get-out-poster

Jordan Peele’s directorial debut Get Out proves a fascinating engagement with the racial truths of the contemporary world. The film centers on interracial couple Chris and Rose who are traveling to meet Rose’s parents in a New York City Suburb.

Prior to their visit, Chris asks Rose if she told her parents that he is black. Rose makes a mockery of this query, a query that encompasses the film’s many acts of foreshadow and dramatic irony. Get Out proceeds to illustrate that it is Chris’ blackness that makes him Rose’s prey. The couple’s visit to meet Rose’s parents proves a sick and calculated effort to abduct black bodies and re-appropriate them as a means to enhance the lives of a white counterpart. In short, the film’s resonance lies not in the images themselves but what lies beneath.

1.White Liberal

One of the most demonstrative illustrations in the film is its portrayal of the “white liberal.” Rose, Chris’s girlfriend not only dates a black man but defends him in the face of overt discrimination. Chris is racially profiled by a police officer on the way to meet Rose’s parents. The policeman asks Chris for his identification, to which they receive Rose’s wrath. After the incident, she states that she won’t let anyone “F%ck with her man.” But little does Chris know, Rose is merely protecting Chris the object and not Chris the person. This objectification becomes clear in the silent auction that takes place in Rose’s parent’s garden. What they disguise as “Bingo” is an auction where interested white buyers place bids for the black body Rose brings home. So questions like “Is it better?” referencing black male sexual performance, is the query of a prospective buyer desiring a worthy investment.

Rose portrays a physical embodiment to the phrase “every shut eye ain’t sleep and every goodbye ain’t gone.” An assumed ally can very well bear oppressive feelings towards a marginalized body. Assumed allies often veil self-interest in seemingly supportive gestures. Namely, Rose does not verbalize her prejudices yet is not any different or better than her parents or their “garden party” guests.

2. The Poisonous Apple

Get Out depicts Chris, a black man,  as an Eve-like figure and Rose, a white woman, as the poisonous apple that exploits his vulnerabilities and renders a series of irreversible consequences. The film intertwines physical hypnosis to induce black acquiescence to a  new identity. Rose acts as a form of hypnosis in her pursuit and pseudo-love for the black male. In seeking to consummate white acceptance and assimilation in his romantic relations with white women,  the black male body enters a vulnerable state exploited by his “prize.” Thus, Rose uses her external appeal to sink her thorns deep into the black male psyche. Just as their love seems to bloom, it is not Rose who dies, but her black lover–illustrating the measure of a rose’s beauty is the ability to distract admirers from its thorns sinking into their flesh.

get-out3

3. Science and black experimentation

The Armitage family abducts blacks, hypnotizes them, and uses the black body to improve white quality of life. The procedure leaves a small portion of the black brain but replaces the majority with a white brain. Thus, the black person becomes “a passenger” in his own body. This procedure seems synonymous to the abduction of African bodies and displacing them onto indigenous soil. This displacement renders the black body a passenger in the western experience as each generation proves more distant relationship to their African origins. While the African brain may not be physically extracted, it becomes westernized so that descendants of abducted Africans feel more American than African–making the black body a commuter in their own oppression.

Interestingly, upon first meeting, Chris and Rose disclose that they hit a deer on their way up. In response, Rose’s father remarks that they “did a service” by hitting and ultimately killing the deer. It is this same ideology that prompts the white conservative to seek out black bodies to dismember for their own personal benefit. In their minds, the Armitage family does a service to blacks abducted for their procedure, as their procedure affords the black body a purpose believed to not exist outside of serving whites. Prior to preparing Chris for the procedure, Mr. Armitage asks him “What is your purpose, Chris?” To pose this question prior to their intended procedure suggests that their use of his body incites a purpose otherwise non-existent.

It is this same ideology that prompted white doctors and scientists to use black bodies to test out medical procedures. Henrietta Lacks’ doctor felt entitled to the contents of her vagina, so much so that he did not even consult her next of kin prior to abducting her cells. The pearl-like substances that killed her would acquire purpose in the lives Lacks would come to save following her death. Thus, just as the Armitage family deems the black body purposeful in servicing whites,  Henrietta Lacks’ story similarly illustrates the black body as purposeful solely when appropriated for western motives.

Slavery and the contemporary world implement a similar ideology as the most celebrated black figures: athletes, entertainers, and actresses all serve whites. Thus, the television, radio and even the education system all act as an informal hypnosis implemented as a means to control black bodies and place them on a dead end path to white servitude.

Film Review Get Out

4. The unassumed intellect

Get Out channels Charles Chestnut’s “The Goophered Grapevine” and “Dave’s Neckliss” in illustrating the unassumed intellect in Chris’ TSA friend, Rod Williams. For those unfamiliar with Chestnut or these stories, a prevalent style of Chestnut is to implement a character who due to their vernacular speech prompts most to assume that he is intellectually deficient. The unassumed intellect uses these preconceived notions to his advantage and deceives his “intelligent” counterparts by the story’s conclusion.

Similarly, Williams provides comedic relief to audiences in his delivery. Yet the dramatic irony evokes laughter from some and frustration from others as audiences know that Williams is the sole party in the film that knows the truth. This depiction functions positively, as it evokes a caricatured black image as a means to exploit presumed western conceptualizing of black intellect. In a perfect world, caricatured imaging of blacks would disappear completely. However, it is an act of advancement to include stereotypes in a way that prompts contemplation, or that performs in a way to challenge western predilection for the compartmentalized black body.

The Final Verdict

The most resounding part of the film for me is when the black male body reappropriated as the Artimage grandfather, snaps out of his hypnosis and not only shoots Rose but shoots himself. This depiction illustrates black detachment from a controlled identity as a necessary component to disabling mental enslavement. Furthermore,  blacks not only have to rid themselves from physical obstacles but the part of ourselves that encompasses these harmful ideologies.

My least favorite component of the film was the means in which the hypnotized black body reverts back to semi-consciousness. Although the black body is held hostage by a white brain, it a flash or white light that snaps them back into consciousness. Thus, although it is a black man who physically saves himself from his pending imprisonment–it is a stroke of white light that enables his escape.

Thus, while seemingly a cautionary tale to interracial dating, or to the black body trusting whites in any capacity–the film evokes a white savior in representation rather than form. At surface level, the film seems to evoke the separatist ideology implemented by civil rights leaders like the late Malcolm X. However, the authorship of said movie makes this close reading impossible to take seriously. For this reason, Get Out reminds me a lot of Birth of Nation.

After viewing both Birth of a Nation and Get Out, I left the theater somewhat content. These feelings faded almost instantaneously as I realized that these movies while depicting the complexities of the historical and contemporary black experience can only resonate but so deeply. Namely, both Peele and Parker write and produce movies that should be revolutionary, but are not.

Jordan Peele and Nate Parker both conclude their films in the same manner. Specifically,   Birth of a Nation and Get Out end with all central white characters are murdered by blacks. While fatalities at the hands of blacks substantiate black bestiality, it also functions to depict white bodies as factors that must be eliminated to free blacks from an oppressive state. Like Birth of a Nation, Get Out is authored and directed by a black male married to a white woman. This dynamic casts said black authors as significantly less harmful and least likely to actually eliminate the white demographic because to do so would be to not only murder their wives but the mother of their children. Furthermore, with their interracial unions, the black male writer and director assumes a non-threatening stance in which the murder of fictive white characters seems an artistic choice rather than a means to uplift the black collective.

While the western world attaches a taboo labeling to interracial unions, these unions function favorably to foment white supremacy. The strongest black leaders are strong not because of what they say but because of what they do. Thus, these films are noteworthy, not revolutionary, as it is not enough to implement images that suggest an ideology disconnected from the thought and action of the author.

Writer and producer Jordan Peele also complicates the ability to take Get Out seriously with his comedic background. Thus, his depiction of a white family who abducts blacks and uses their bodies for their own benefit—becomes a well-executed joke rather than reflective of a past and present horror not limited to a New York City suburb.

Article by C.C. Saunders

 

Menticide: Conversations in Black Self Hatred

Menticide2..

“The controllers of this society have made use of psychological warfare to erode and destroy the will and mind of Black people. This is menticide pure and simple. Once the victims discover the truth, we are forced to change our lives. But, the victim fears change because the victim doesn’t know where that change will take him or her. Indeed we fear the unknown. The victim seeks to deny but denial of this reality is problematic because the victim is reminded everyday. The victim is caught in an internal double bind, damned if they don’t, damned if they do.”- Olomenji, From an essay entitled Mentacide, Genocide and National Vision: The Crossroads for the Blacks of America.

dark-skins1

A few weeks ago I was talking with a friend of mine about self hatred. She told me that she has heard anti-black comments from family and friends.  I  have also heard comments from family as well as co-workers that reek of self hatred.  So I decided I would share some cooments I’ve heard over the last ten years.   I’ve heard some really ignorant comments from black co-workers. These are just a few short conversations I’ve had.

Example #1

I was eating lunch in the break room with  a black male co-worker. There’s no one else in the room but us two.

Co-worker:  Hey man,you ever screw a white girl?

Kushite:  No I haven’t.  I don’t really like them.

Co-worker: What??  That’s crazy man! You got to try a white girl at least once. I get tired of black women. Change it up a bit. It feels good giving  it to these white girls! (laughing)

Kushite:  No I’m good.  They’re not my thing.  I’m more attracted to black women. White girls do nothing for me. But you do what you want.( He just looked at me and shook his head in disbelief)

Self Hatred1..

 

Example #2

During a break I was talking with an African(Nigerian) co-worker.  I noticed a magazine on the desk.  As I flip through the magazine I see a picture of actress Lupita Nyongo.

Kushite: Now this is a beautiful woman!  She is truly stunning…don’t you think?

African woman:  Yes she’s kind of cute…not bad.  But you know where there are beautiful woman?  Have you heard of the Hausa tribe?

Kushite:  Yes I believe so.  Aren’t they a tribe in West Africa?

African woman:  Yes they are.  Many of them are so beautiful.  Many are very light skinned with thin lips.

Kushite:  So you’re saying they look white? Come on now!

African woman:  (very defensive)  No No!  Not what I meant.  I just mean they are very beautiful.  Light skinned with pointy noses and thin lips,you know?  That is all I meant.

Dark Skin...

 

Example #3

Two  co-workers (black men) were by a cubicle and talking.  I was a few feet away behind them.  They couldn’t see me. An African woman co-worker walked by them.  She was a very dark skinned woman.

Black man #1- Did you see how dark she was?

Black man #2- Good Lord! She was dark as night! (laughing)

Black man #1- Yeah she was left in the toaster oven too long! That’s too black!(laughing)

Black man #2-  Burnt to a crisp! (both men laughing)

As a side note,Black man #1 has a biracial daughter with a white woman. And is currently dating a Mexican woman.  He doesn’t even look at black women.  Black man #2 as a daughter with a black woman although they have since broken up.  He told me he is currently engaged to a mixed woman.  Mixed with what??  He told me she mixed with white and Mexican.  He even showed me a picture of this below average looking woman.  She looks pretty white to me.  Both of these “men” are pathetic examples of the black race.

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mental-slavery

These are just a few examples that come to mind.  Can you name an instance of black self hatred?  Or maybe a comment that someone may have made that sounds anti-black? Something insulting about nappy hair?  Or something degrading about skin color?  I’m sure you’ve heard these comments before.   I’d love to read your examples.

 

Knowledge is Power (My Library part 2)

Book Collection3..

I got a really great response when I did a post called My Library back in May.  I had a few people ask me what other books I had.  So I thought I’d list some of the books I have.  This is a list..but not all the books I own.  I’d also like my subscribers to list what books they have in their library. And also any books they would recommend for good reading.

Book Collection5..

Library1..

Book Collection6.

  1. The Destruction of Black Civilization-Chancellor Williams
  2. Black Athena- Martin Bernal
  3. Solutions for Black America-Jawanza Kunjufu
  4. Blueprint for Black Power- Amos Wilson
  5. Black on Black Violence- Amos Wilson
  6. Falsification of Afrikan Consciousness-Amos Wilson
  7. African Centered Consciousnes vs New World Order- Amos Wilson
  8. Awakening the Natural Genius of Black Children-Amos Wilson
  9. Rock My Soul-bell hooks
  10. Killing Rage- bell hooks
  11. When We Ruled-Robin Walker
  12. Color Blind-Ellis Cose
  13. Dirty Little Secrets-Claud Anderson
  14. The Isis Papers- Frances Cress Welsing
  15. Black Man of The Nile-Dr Yosef Ben-Jochannan
  16. From Babylon to Timbuktu- Rudolph R. Windsor
  17. Conspiracy to Destroy Black Women- Michael Porter
  18. Egypt:Child of Africa- Ivan Van Sertima
  19. Blacks in Science-Ivan Van Sertima
  20. Golden Age of The Moor-Ivan Van Sertima
  21. $40 Million Slaves-William C. Rhoden
  22. Race Code War- Khari Enahora
  23. We Who are Dark-Tommie Shelby
  24. White Man Can’t Hump(Vol 1. & 2)- Todd Wooten
  25. Ready for Revolution-Ekwuene Michael Thelwell
  26. Black Planet-David Shields
  27. Civilization or Barbarism-Cheikh Anta Diop
  28. African Origin of Civilization- Cheikh Anta Diop
  29. Precolonial Black Africa- Cheikh Anta Diop
  30. The Cultural Unity of Black Africa-Cheikh Anta Diop
  31. Assata(biography)- Assata Shakur
  32. Racism without Racists- Eduardo Bonilla-Silva
  33. White Logic,White Methods- Eduardo Bonilla-Silva
  34. Who is White?- George Yancey
  35. African People & European Holidays-Ishakamusa Barashango
  36. Afrikan Woman the Original Guardian Angel- Ishakamusa Barashango
  37. 100 Years of Lynchings- Ralph Ginzburg
  38. White Whores & Black Whoremongers- Marsha Stewart
  39. The Interracial Con Game-Umoja & Trojan Pam
  40. Death of a Dark Nation- Anon & Trojan Pam
  41. Black Love is a Revolutionary Act- Umoja
  42. The Beauty Con Game- Umoja
  43. Blacked Out Through Whitewash- Dr. Suzar
  44. The Great Black Mamma of Creation- Dr. Suzar
  45. Drugs Masquerading as Foods- Dr. Suzar
  46.  How to Hustle & Win- Supreme Understanding
  47. The Hood Health Handbook Vol.1 & 2- Supreme Understanding
  48. Black God-Supreme Understanding
  49. When the World was Black Vol.1 &2-Supreme Understanding
  50. Knowledge of Self- Supreme Understanding
  51. The Wounded Womb- Dr. Phil Valentine
  52. Dismantling The Matrix- Baz Moreno
  53.  Essential Warrior- Shana Mfundishi Maasi
  54. The Afrikan Warriors Bible- Balogun Ojetade
  55. Igbo Dictionary & Phrasebook- Onyekachi Wambu
  56. Hip Hop Matters-  S. Craig Watkins
  57. How White Folks Got So Rich
  58. Debating Race- Michael Eric Dyson
  59.  Working toward Whiteness- David R. Roediger
  60. Presumed Alliance- Nicolas C. Vaca
  61. Makes me wanna Holler- Nathan McCall
  62. n*gger- Randall Kennedy
  63. Fire and Blood(a History of Mexico)-T.R. Fehrenbach
  64. Who’s gonna take the weight- Kevin Powell
  65. Behold a Pale Horse- William Cooper
  66. The Color Complex- Kathy Russell
  67. Skin Deep- Cedric Herring
  68.  We Aint no N*ggas- N. Quamere Cincere
  69.  The Book they never Wanted You to Read- Che’ Nazzerith
  70. The Liberation of the African Mind- Adisa Franklin
  71. The Sankofa Movement- Kwame Agyei & Akua Nson Akoto
  72. Christopher Columbus and the Afrikan Holocaust- Dr. John Henrik Clarke
  73. Nutricide- Dr. Llaila Afrika
  74. Melanin:What makes Black people Black- Dr. Llaila Afrika
  75. African Holistic Health- Dr. Llaila Afrika
  76.  An Afrocentric Guide to a Spiritual Union- Ra Un Nefer Amen
  77. Metu Neter Vol.1- Ra Un Neter Amen
  78. Maat,The 11 Laws of God- Ra Un Neter Amen
  79. From N*ggas to Gods- Akil
  80. Radical Ways of Ancient Days- Okeba Ra Auset
  81. Nile Valley Contributions to Civilizations- Anthony Browder
  82. Survival Strategies for Africans in America- Anthony Browder
  83. What they Never Told You in History Class- Indus Khamit Kush
  84. Revolutionary Suicide- Huey P. Newton
  85. Marcus Garvey,Life and Lessons- Robert Hill
  86. Mentacide- Mwalimu Baruti
  87. Excuses,Excuses- Mwalimu Baruti
  88. Homosexuality and the Effeminization of Afrikan Males- Mwalimu Baruti
  89. The Sex Imperative- Mwalimu Baruti
  90. War on the Horizon:Black Resistance to the White Sex Assault- Irritated Genie
  91. Yurugu- Marimba Ani
  92. The Rebirth of African Civiization- Chancellor Williams
  93. Autobiography of Malcolm X
  94. Spiritual Warriors are Healers- Mfundishi Jhutyms Ka N Heru
  95. Niggers,Negroes,Black People & Africans- Paul Grant
  96. The Philosphy of Maat Kemetic Soulism- Maaxeru  Tep
  97. We are Heirs of the World’s Revolutions- Thomas Sankara
  98. Supreme Mathematic African Maat Magic- African Creation Energy
  99. Modern Guide to Non Hybrid & Wild Foods- Chef Ahki
  100. Psycho-Academic Holocaust- Umar Johnson

Colorism by BlackmyStory

Skin tone1...

Colorism is a prejudice or discrimination against individuals with a dark skin tone, typically among people of the same ethnic or racial group. Many have noted that “colorism within the black community has been a serious emotional and psychological battle”.
Colorism is a practice of discrimination by which those with lighter skin are treated more favorably than those with darker skin. In the African community of amurdikkka our existence under white pathology, has traditionally played out the skin game via the paper bag test. Those lighter than the standard paper lunch bag were allowed entry into fraternities, sororities and other realms of black upper class life, while dark-skinned blacks were excluded.
Jesse....
More than anything, what the whole fall out around the Jesse Williams scripted Black Lives Matter speech tells me, is that colorism is still a formidable force plaguing us still.
More than the response of his detractors, who have dismissed the speech’s wide acceptance based on him being a half breed, are his supporters who behave way more retarded. For the supporters it wasn’t just about his speech either, but how they reacted to a LIGHT SKINDED, male who WAS making that speech.
The females and surely some undercover fags, almost orgasmic reaction to his looks and his eyes, went beyond just appreciating his speech, as they pretend to.
I was struck to pen this post due to this latest spectacle, as well as the increasing proliferation of images of black people…some as dark as righteousness, with shockingly blue eyes.
A while back another image of black children from the Solomon Island, sporting blond afros, circulated excessively for a time. Many of them also sporting blue eyes as well. They straw that was grasped was that these show the Afrikan woman can produce all types of looks.
Despite the narrative that many of the look of the Solomon islanders were the product of colonial rape and or fall out from decades of French nuclear testing in that region, or a genetic mutation naturally occurring, the “we are the world” set, continue to promote their color struck view of nature.
Blue eyes...
Some have pointed to Albinos as another example of this black woman’s ability to produce the white race. For your information, the albino is not white. He or she is an Afrikan who through a DEFECT of birth, come out devoid of the deep dermal melanin afforded their more fortunate brothers and sisters. And just like in the animal kingdom, the albino was considered an anomaly and weak. Not expected to survive. This is why many develop serious skin cancer, whether in the sun extensively or not. But of course the common man never gets the whole story. There is a very dangerous approach by the modern kneegrows on the continent of Afrika, who slaughter or maim the Albinos for some supposed magic they believe exists in the Albino’s bodies. This is a primitive and savage belief that has a religious connotation derived from the original savage’s spreading of the white skin as magical and superior. I mentioned the Albino because for the discerning among us, their conditions and presence have been older and more wide spread than the Solomon Islanders and these other images of dark skinned blue eyed people.
Sometimes back, I had studied iridology and though I don’t practice it as a profession, one thing that stayed with me was that the Afrikan’s cornea is not only thicker, but more melanated than the European. In fact…the melanin content scale of the European’s cornea and iris goes from the high of the dark brown, to green to the blue. Blue being the weakest and indicative of much more toxicity. Some even have very pale almost white eyes. Almost like a ghoul.
The kneegrows love with light eyes is something that gets lost in the debate over the light skin. Yet when we see deep dark people sporting multicolor lense, we should know they don’t overstand how horrific they look. This is not the fashion attire of a confident person who feels attractive. It is the fashion attire of a low self esteem having person, who feels very unattractive. I overstand that through blood mixing some of us do come out with light eyes. And the rare ones who produce sets of eyes like that are also a product of genetic defect.
Mixed girl...
This is nothing a person can just change. But the way light eyes are pursued, at one time the escape of the kneegress, seem to be catching on by the kneegrow. Now both genders look the damn fool. Have we forgotten how we look pursuing light skin? And ended up bleaching off our whole skin and creating pools of hideous looking zombies?
Unless you can show me a whole village, town or even family with deep coal dark skin, with blue eyes, then your love for the one off, is more pathetic and unfortunate than those born with that weakness. And no…Vanessa Williams and Jesse Williams are not the example I am looking for. I am talking about groups of Manute Bol’s running around with blue eyes.
The language we use to describe the light eyes is also very instructive. High color, browning, sexy…etc. This is what the pathology of colorism looks like. It is a pathology because instead of saying or implying that that light skin man or woman is attractive, they should be saying that man or woman is attractive. Because to say it any other way is stating that the man or woman is attractive because they have light skin.  A twist of words goes a long way in how we express ourselves, but we must first eliminate that twist in our perception of what is beauty, else our objectivity is questioned.
Colorism! One of the worst kind of infection, because we don’t see it, nor are we aware that we are infected by it. Even as it kills our Afrikan soul and Afrikan self love.
This article is written by BlackmyStory