A United Kingdom-Interracial propaganda Film

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Looks like Hollywood has the perfect film just in time for their Greco-Roman, pagan,orgy-inspired holiday known as Valentine’s Day.  The interracial propaganda is relentless.  When President Obama was in office there a big increase in interracial couples in television dramas,sitcoms and films.  By him being biracial,he was used as a symbol of some type of racial harmony. Of course we know this is nonsense. There can be no racial harmony when one racial group has more power than another group.  This is where the propaganda comes in. I   have covered  this subject many times in the past.  And it looks like I’ll have to continue to do as long as they keep putting these films out.  Now we have the film A United Kingdom. The basic synopsis :

“The film is based on a true story. Seretse Khama (David Oyelowo) is the Prince of Bechuanaland (now Botswana). In 1948 he meets and falls in love with London office worker Ruth Williams (Rosamund Pike). But their interracial relationship is not approved of by either of their families, nor by the British and South African governments. Seretse and Ruth must defy family, apartheid and the British empire to return from an imposed exile to their African kingdom, and assume power after independence.”

This trailer(above) is very hard to watch.  Here you have an African prince and he wants to marry a white woman??  This is total insanity.  This is self hatred to the fullest!  I don’t want to hear any crap about color blind love.  This is nothing but propaganda to make us love our oppressors.  A white woman as a queen in an African nation is blasphemous! This is a slap in the face to black love.   Seretse Khama is a disgrace to African people. Khama sold out his nation.  He is no prince!  Isn’t it interesting that Hollywood can find money to make this film but not about real African heroes.  There were African men and women that did great things in the past.  What about a film about Thomas Sankara?  Patrice Lumumba? Yaa Asantewaa? Queen Tiye? Marcus Garvey? Haitian revolution?  Queen Nzinga? Nope!  Instead they give a stupid ass love story between a brain dead Negro who gives his fortune away to a common white woman.  This film is stupid  and insulting on so many levels.

This is a very interesting interview with the stars David Oyelowo and Rosamund Pike. Pike says that the film tackles racial prejudice from both sides.  She says that it’s about two people that are color blind.  Give me a break!  This white woman is lying through her teeth.  She knows damn well no one is color blind.  And our society is nowhere near that.  The world is comprised of racial groups.  Color blindness is a myth. Then Oyewolo goes on to say that the way to “unite a kingdom” is through love. And that Botswana has control of “most” of it’s resources.  How did they lose some of their resources?  How took them? I think you know the answer. And he says that Botswana sees itself has post-racial.  This is man is insane! How can Africa be post-racial when you got Europeans trying to steal land and resources?  He also says that his white wife has a small part in the film.  She plays a…..racist!  How fitting is that.  You can’t make this stuff up. Black love and black unity is the way to fight white racism.  The answer is not marrying and making babies with your oppressor.  This film is designed to confuse black people about racism.

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This picture(above) is  of Amma Asante and her husband.  She is a screenwriter and director. She is the director of A United Kingdom. Why would a black woman do an interracial love story?   Well that’s an easy answer.  Just look  at her husband and  it’s easy to see why this so-called universal love story is close to her heart.

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Amma Asante is a very sick woman!  This black woman has lost her damn mind.You don’t think so?  Well check out the picture(above).  That is a photo of the upcoming film When Hands Touch.  It’s a World War 2 “love story”. It stars Amandla Stenberg who plays a biracial girl who falls in love with a Nazi youth.  What the hell??  Even though Stenberg is biracial in this racial context she will be seen as just a black girl.  I will cover the problem of biracial women representing black women in a later post.  But anyway this film has taken “love they enemy” to a whole different level!  They want us to love Nazi’s now???  What’s next?  A  love story with Adolf Hitler and Angela Bassett?   Or maybe Denzel Washington falling in love with a female skinhead?  I wouldn’t put it pass Hollywood at this point. Amma Asante has sold her sold for the chance to corrupt the minds of black people.  She is a female version of Lee Daniels.

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I understand better now why  David Oyelowo was chosen for the lead role.  In Hollywood he’s the go-to Negro at the moment.  He’s been in other anti-black propaganda films like The Butler,Red Tails and The Help.  And judging by the pic(above) of Oyelowo and his family,I think he was perfect for the role.  Oyelowo and Asante are one in the same.  They are both from the United Kingdom.  And neither one of them believes in  black love or black unity.  They believe the way to defeat racism,oppression, and colonization is to just love your oppressor.  Both of them are brain dead swirlers. But whatever you do,don’t support this film.  Save your money and stay far away from this garbage of a film.

The Hidden Message of Hidden Figures

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It seems most fitting to begin this piece by stating that mathematician Katherine Johnson is a genius. Thus, a movie celebrating black brilliance sounds progressive, however the actual portrayal renders Johnson a “hidden figure” in a supposed commemoration of her legacy.

The film briefly shows audiences a young Katherine, whose academic ability foments opportunity despite the obvious oppression of the early 20th century. The film attempts to inspire audiences though depicting Johnson’s contribution to launching the first American body into space. However, in actuality Hidden Figures illustrates that black brilliance yields white advancement.

Audiences watch Johnson put in long hours, travel forty minutes to use the bathroom and endure a segregated coffee machine. Subversively, the film suggests that the only place for  a black intellect is in a white world. This conflict is not exclusive to this film, but extended to all encompassed by the phrase “the first black (fill in the blank)” While this phrasing appears complimentary, it shifts the focus away from the individual of African descent to the white vessel who “accepts” them.

In Hidden Figures, this white vessel is Al Harrison, played by Kevin Costner. Perhaps one of the most noteworthy scenes is Costner breaking down the segregated restroom signs. The scene received zealous plaudits from a stadium sized theatre. This applause undoubtedly erupted due to the mostly white audience’s attempt to overtly align themselves with Harrison’s seemingly integrative initiative. For me, this scene provoked an adverse reaction.

Watching this scene brought me back to a Dr. Carr lecture I attended almost a decade ago. During this lecture, Dr. Carr said that “nothing has been done for blacks that did not benefit others.” Namely, these segregated signs existed at NASA although there were no no black individuals worked in this particular wing. Thus, the signs served no direct purpose but to remind those who cleaned the facilities that they were good enough to scrub toilets but not sit on them. Thus, Harrison’s acts are not commendable—they’re selfish. This very deed exposes the fault in integration. The segregated bathroom only becomes an issue when it deterred white initiative. Namely, only when segregation proved an obstacle to his advancement and reputation was it taken down. It is this selfishness, not ideas of equality or unity, that continues to fuel black inclusion in traditionally white spaces.

Before concluding this article, I would like to state that my criticism is not to take away from Mrs. Katherine Johnson’s legacy. This article does function to state that this film is not an accurate depiction of this legacy. I would love to have learned more about her life pre-Nasa, the parents who raised her, her experience at school, how she balanced motherhood and work, and the strength it took to raise three young kids as a young widow. Hidden Figures abbreviates Mrs. Johnson’s life, making her a largely enigmatic figure in a film that is seemingly about her. Johnson’s hidden figure status in her own film suggests that all black excellence yields hidden figure status in a white supremacist society. In veiling sentiments of deprived visibility, the film highlights how imperative it is that we as black tell “our story” and not his-story. For the moral of the story is not Johnson’s greatness, but what history continually tells in in films like 42, The Blind Side and The Help, which is simply that blacks can do anything if whites think they are special.

Article by C.C. Saunders

Moonlight-Gay Propaganda Film

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The film Moonlight came out back in October.  I meant to do a post about it and never got around to it.  But I heard that it was getting rave reviews by white film critics.  Some were calling it “powerful” and “best film of the year”. When I heard it had a black cast it peaked my interest. But  I knew that if white critics loved it the film must have some type of black degradation in it.  It has to promote one of the following: black criminals, black whores,drug addiction,interracial sex,lesbians,homosexuality and black self destruction.  It’s always a pattern with black films promoted by the white media.  Just like the horrible film Precious that promoted nothing but black death and destruction.  So when I saw the trailer….I knew I was right. This is more black pathology. I saw this morning on the news that Moonlight got six Golden Globe nominations. This should not be surprising at all. The film is directed by Barry Jenkins.  I’m sure he will become the  “new Lee Daniels”.  Here is the synopsis from the website:

“A timeless story of human connection and self-discovery, MOONLIGHT chronicles the life of a young black man from childhood to adulthood as he struggles to find his place in the world while growing up in a rough neighborhood of Miami.At once a vital portrait of contemporary African American life and an intensely personal and poetic meditation on identity, family, friendship, and love, MOONLIGHT is a groundbreaking piece of cinema that reverberates with deep compassion and universal truths. Anchored by extraordinary performances from a tremendous ensemble cast, Jenkins’s staggering, singular vision is profoundly moving in its portrayal of the moments, people, and unknowable forces that shape our lives and make us who we are.”

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The video(above) is with one of the actors in the film,Andre Holland. He plays a homosexual in the film.  In this interview he explains there are “different shades to masculinity and black manhood”.  And I think that’s the motive of films like this.  This film is nothing but a “black gay coming of age” film. The racist white media promotes these type of films and give them awards because it supports THEIR agenda.  They want to redefine black manhood and masculinity.  They want to reshape us from being warriors and protectors of our neighborhood…into being homosexuals,queers and cross dressers.  White actors play mostly heroes and saviors while black men are given awards for playing homosexuals????Hmmmmm…..something is wrong with that picture.  These type of films are an insult to our intelligence.  Also the films stars Mahershala Ali,Naomie Harris,Janelle Monae and Ashton Sanders.  And Naomie Harris plays the crack addicted mother.  You know the drug abuse always has to be there in a black film right?  This is just more Hollywood propaganda.  In the next few weeks you’ll be hearing a lot about this film.  But don’t fall for it.  I’m asking all my subscribers do NOT support this film.  Save your damn money. This is more anti-black,pro-gay,pro-black death and black self destruction.  Black actors will always be rewarded for this type of homophile filth.  Peace brothers and sisters and always stay vigilant!

Nat Turner was a real Black SuperHeru!

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Nat Turner was definitely a real superhero.  Or should I say Heru?  He had the strength and power of his great African ancestors running through his bloodline. He wanted to see his people get true freedom and was willing to sacrifice his own life in the process.  Superman,Batman,Thor…all fictional!  Nat was a real person.  He loved his people enough to give them the inspiration to know they can fight against their enemies and there’s no need to be scared.

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Yes I know the film The Birth of a Nation comes out today. I know it’s an important story to be told. But don’t be fooled by actors in films.  Many of these actors are fake ass negroes. There are also books out there spreading lies and disinformation about our brother.  Nat was not a degenerate homosexual and never lusted after white women.  These are all LIES!

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So forget about fake ass heroes like Luke Cage.  The racist media likes to give you sellout coons to portray our heroes.  Don’t fall for this trickery.  Just know that Nat was the REAL DEAL.  Thank you Nat for your sacrifice.  You will never be forgotten for what you did for your people.  Your legacy will live on. May you Rest in Power brother. Ashe’

Luke Cage: Hero for Black boys?

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Last week I heard some co-workers talking about a new Netflix show,Luke Cage. It was two black co-workers going on about how it’s a show with a black superhero kicking ass.  I already knew about the character because I used to read the Luke cage comic book as a kid. I don’t have Netflix but I’ve seen the show advertised on television a few times. For those that don’t know,Luke Cage first appeared in Marvel Comics back in 1972. He was also known as Power Man. The basic story on him is he is a black man living in Harlem.  He was  wrongly convicted and unjustly imprisoned, was altered in a failed prison experiment that granted him unbreakable skin and superhuman strength. His skin can resist high-caliber bullets, puncture wounds, corrosives, biological attacks, and extreme temperatures and pressures without sustaining damage. With his street smarts, and unending determination to do right.  Luke was also a member of The Avengers and the Leader of Thunderbolts for a time.

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I’ve always said that white superheroes were an extension of white supremacy.  Which is why white Hollywood finds it important to give the masses heroes like Superman,Batman,Iron Man,Captain America and Thor.  They all represent white power and authority.  Which is why they always win in the end.  It’s also to show white dominance over other races.  So as teenager I liked reading comic books like the Black Panther and Luke Cage.  Most children like to see an image of themselves in a strong and powerful position.  But we have to be mindful of the image that Hollywood gives us of black people. There’s a few reasons why I don’t think this is a positive character for little black boys to admire.

The  show stars actor Mike Colter as Luke Cage.  As well as actors Alfre Woodard,Mahershala Ali,Rosario Dawson and Simone Missick.  The trailer looks pretty good.  It has some nice action scenes and a cool hip hop soundtrack. But one of the things that always disturbed me was Luke Cage was always fighting in the hood.  That’s nice that he was fighting all the drug dealers and gang leaders.  But he was using all that super strength and bullet proof melanin skin against other black people.  Why not use all that power against the racist power structure?  Why not expose the racist cops that kill black men,women and children?  I know that drug abuse and crime is a problem in many of our neighborhoods.  But it seems like they’re giving us an image of a powerful black man but he doesn’t really use it to free his people from racism and oppression.  It’s almost like he’s just doing the dirty work for the powers that be but doing nothing for his people in a poor community.

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And of course he must have a white girlfriend right?  I will admit they did keep it true to the comic book.  In the comic book his girlfriend is superhero Jessica Jones. They have a daughter together. She has her own show on Netflix as well. Jones is played by actress Krysten Ritter.  Many of the sex scenes between them  are quite graphic. But this theme goes in line with the Hollywood agenda I have covered many times before.  Hollywood is scared of black love. They don’t like to promote it at all.  They rather show a big strong dark skinned black man race mixing with a white woman and make biracial babies.  The thought of two black people procreating scares the hell out of the white power elite.  The want us to dilute our beautiful melanin and black genetics. It’s obvious with by all the rap music in the soundtrack they want to market this to young black boys.  But this is not a show for black children.   We want black superheroes that are proud of their African heritage and culture.  We want heroes that marry black women and use their powers to protect their communities.  What good is all that power if it’s not used for the good of your people? It would be better if Luke Cage went after  people like Donald Trump,Hillary Clinton or Bill Gates.  Or used his power to fight the European and Asian power groups.  Taking out small time drug dealers is not making a big impact.   A black superhero should represent Black Power.

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But we shouldn’t be surprised after  looking at Mike Colter’s real life wife(above).  I guess that’s why he was perfect for the role.  It shows the type of mentality he already has. Black people are so desperate for a hero many will accept a hero in any form. It doesn’t matter if the image or message is not productive for our people. The bottom line is this show is giving us the same old big Black Buck stereotype.  Just a Buck for hire.  Nothing more…nothing less.  I would advise black boys to go read about real black heroes like Nat Turner,Marcus Garvey or Malcolm X.  This show has nothing to offer you.

Will you go see Birth of a Nation?

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I know this might not be a popular viewpoint so let me state that this is simply my position. I do not condone, nor can I excuse the actions of Nate Parker when he was a younger man. As a survivor of sexual assault I understand first hand that it leaves scares that one must learn to live with. I can only hope that he has learned how devastating his behavior was, and become an advocate against sexual assault. I must say my concern is that personal issue with Parker threatens to take away from a film that we need to see. Too many of us have supported people that have done very terrible things in the name of being entertained. However, this isn’t just about entertainment but a story that needs to be told.

I personally find the timing of the Nate Parker story interesting. It came and caused some to say I won’t see the film because I refuse to support Parker. I truly believe this was the overall agenda of the media. Think about it… how many films do we have that depict the enslavement periods? We have quite a few, varying in accurately, but how many depict uprising? To many say we should move on from this period because it is in the past. We need to put slavery behind us we are told.

However, no one tells Holocaust survivors and descendants to move on. Yet the bottom line is there is plenty of accepted open dialog on the Holocaust. Germany has had to reckon with that history. Truth be told… the reason we can’t just move on is because America has never reckoned with the enslavement of black people. It has never been dealt with. Yes, we are aware it happened but the ramifications of it have never been dealt with.

Right now we have schools trying to rewrite history in an attempt to erase the evil of Americans past. Instead of facing where we have been as a nation… we are trying to wash it away. That is simply impossible. We need the arts (film, literature, art, music) to tell our story. It’s important that it be told all of the enslaved did not accept their condition lying down. It’s important for the very psyche of American born blacks to know yes we did fight back. The depiction of us in the world is not always accurate. It’s important that other people of color, as well as our African brothers and sisters, know our plight. It needs to be our story told by us.

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This film is bigger than Nate Parker, and its need is great. I don’t condone his behavior as a man, yet I appreciate his courage to make such a film. As one who majored in English, and History, I will be going see this film at least twice. I will view it once for myself, and once to write a review. I support the telling of our stories. The voices of our ancestors have been silenced from us for far too long. We need to feel their strength and understand their sacrifice. I’m going see Birth of a Nation, and I hope many of us will be in the theatre to support the telling of our history… by us. Birth of a Nation releases in theaters nationwide October 7, 2016.

Article written by Christian Starr