Heru,Lion King,Black Panther(African Mythology)

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It seems Hollywood doesn’t have any original ideas.  They keep telling the same stories over and over again.  And I’ve noticed over the years they love to tell stories with African origins,legends and mythology.  I remember years ago when I saw the film Lion King by Disney.  It was obvious the story of Simba the young lion cub came from the Kemetic story of Heru.  The entire film is based off of the story of Ausar(Osiris),Auset(Isis) and Heru(Horus).   The exact same story is in the Black Panther as well.  They all deal with African spirituality in some way.  You can see the same theme in the Star Wars films too.  Hollywood just makes the characters cartoons and superheroes to disguise the true origin.  But like I said they have no originality in Hollywood.  And the formula seems to work….so why change it up.  Nothing new under the sun!

Lee Daniels new film….PIMP(Interracial Lesbian Propaganda)

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Looks like Director Lee Daniels is at it again.  Hollywood’s favorite black homosexual director is back with a new film.  The man who made black servitude look good(The Butler) and made black degeneracy look artsy(Precious,Empire). He also has a show called Star on FOX.  A show that promotes homosexuals,interracial sex, transgenders and cross-dressers.  I’ve watched the show twice and could barely stomach the filth promoted on that show.  But now he’s take it to another level.  He has an upcoming film called Pimp. Daniels is the executive producer of the film.  The actual director is white lesbian Christine Crokos.

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Written and directed by Christine Crokos, the love story stars Keke Palmer (Akeelah and the Bee), Haley Ramm (The Originals), Aunjanue Ellis (The Help), Vanessa Morgan (Finding Carter), Mike E. Winfield (Conversations in L.A.), Edi Cathegi (Twilight) and DMX.

Pimp marks the first movie that Daniels — the writer-director-producer behind such TV and film hits as Empire, Star, Precious and The Butler — has executive produced. The impetus for his involvement stemmed from wanting to support a new generation of filmmakers with authentic voices and a unique approach to storytelling.

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Pimp is set on the rough streets of the Bronx and centers on Wednesday (Palmer), who is born into the gritty world of hustling, where she learns the game from her dad. Once he’s gone, she is left to look out for her mother (Ellis) and her girlfriend Nikki (Ramm). In need of more money, Nikki decides to hit the streets for Wednesday for a dream at a better life. In a ferocious battle of survival, Wednesday comes face to face with a pimp (Gathegi) who runs a more dangerous game, leaving Wednesday to fight for love and risk all to save Nikki.

Alexis Varouxakis of 1821 Pictures and Adrenaline Entertainment is producing the pic alongside Victoria Bousis and Christine Crokos. Paris Kasidokostas-Latsis, Terry Dougas, Roys Poyiadjis, Nick Garyfallos, Michael J. Mailis, Corey Large, Gary Ousdahl, Michael Cline, Bader Alghanim, Gina Dwyer, Ali Jazayeri, Viviana Zarragoitia and John Krokidas also are executive producing.

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Daniels’ Precious (2009) received six Academy Award nominations, including for best director, and took home two Oscars. In 2012, Daniels directed the historical fiction drama The Butler, which became a box-office hit, holding the No. 1 spot for three weeks. He is also the co-creator and executive producer of the TV series Empire and Star.

I’ve always liked Keke Palmer.  I always thought she was a beautiful and talented black actress.  I thought she might be someone young black girls could look up.  But I was wrong.  Just like many young black adults in Hollyweird they fall victim to the agendas.  The know they must promote homosexuality,lesbians,queers,interraical sex and transgenders if they want to take their careers to another level.  These sick European demons in Hollywood want to corrupt the minds of black youth.  And they get these sellout black devils like Lee Daniels to destroy the minds of their own people.  Many of the powerful people in Hollywood are satanic and greedy bastards.  And we have to be careful not to follow people just because they have melanin like we do.  We must accept the fact that there are white devils….but black devils as well.  Do black children need to see a black female pimp?  And a lesbian one at that!  Do black children need to see an interracial lesbian affair? Is this inspiring to the youth??  Hell NO!  They are grooming the minds of black children to see this filth as normal.  This is more psychological warfare.  Not to mention the film as bloody violence,murder and all types of black degeneracy. Just more promotion of black people as pimps,whores,hustlers and gangsters.  Haven’t we moved past this? This is why homosexuals like Lee Daniels are rewarded so much in Hollywood. The film is coming out November 9,2018.  Be sure to NOT support this film!  Do not give these sick bastards one red cent! Let me know your thoughts on propaganda films of this nature.

Is the violence in Chicago the Purge films come to life?

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Have you seen the latest Purge film?  It’s being called the First Purge.  It’s the fourth film in the series.  The film is about pushing the crime rate below one percent. It’s supposed to be a test of the sociological theory that vents aggression for one night in one isolated community.  This version takes place in New York.  In a mostly black area that has black people killing each other. When there isn’t enough killing to their liking the government sends in hired gunmen to kill citizens. But…this could never happen right?

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Or has it already happened before? Sometimes I wonder if it’s art imitating life?

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Well in this radio interview(above)  Umar Johnson believes that the Purge films represent what’s going on in Chicago right now.  He says that’s why you have all these unsolved murders throughout the city.  After listening to the interview I must admit he presents a strong case.  Take a listen and let me know what you think.  I’d love to hear your thoughts.

 

Degenerate Sexual Practices of Europeans(Sexbots and Animals)

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The sexual degeneracy of Europeans goes way back to Greek and Roman times. I’ve done a lot of research on what Europeans did back then.  And through white supremacy they want all races to see the world through their eyes.  Homosexuality,lesbianism,pedophilia and bestiality are nothing new to their culture.  But theses are not the ways of African people.  Black people should reject all of these sick practices.  They are anti-life and go against nature.  It is disrespectful to your ancestors to engage in any of this depraved behavior. We are totally different than them.  Their ways are not our ways. Make sure your children know this. We are hue-mans and they are mankind(kind of man) That’s why over the years they have subtly been pushing these sexual practices in the media.  I have seen these practices in television sitcoms,commercials and motion picture films.  Also many of these white social scientists are pushing the idea of transhumanism. Basically transhumanism is the belief that mankind has reached the limits of evolution.  And the only way mankind can keep evolving is through science and technology.  You see many Europeans believe they evolved from monkeys and apes.  Most black people know this is a silly theory.  Most black people in a Creator or a higher spiritual Being.  We have the power of melanin and dominant genetics on our side.  Our melanin gives us the power to reach a higher spiritual level than Europeans.  Since they have a lack of melanin they can not ascend to a higher realm of consciousness. White people have reached their physical and mental limitations.  Which is why they keep searching for the next big thing to turn them on sexually. Africans believe in working with mother nature and the ecosystem.  Europeans see nature has something to be controlled or dominated.  But this is why they are building sexbots. What type of man or woman would have sex with a robot?  They would have to be a very lonely and pitiful person. This is why there is such a disconnect to hue-manity.  All this obsession with cellphones,iPads,iPods and computers has gotten way out of hand.  All I know is that anyone that attempts to have  sex with an animal or robot is very sick!  I say attempt because this behavior is anti-sexual.   Sex is between a man and woman. There is NO other definition of sex.  Don’t let these white social scientists mislead you into thinking otherwise. This is abnormal,perverted,immoral and deviant!  Nothing but pure debauchery! These are very sexually confused people. But this is the type of depraved and disgusting practices these Europeans are pushing on the masses.  Be sure to check out the two videos(above) and let me know what you think.   But stay vigilant and always be aware of this wicked demonic  system.

The Hidden Message of Hidden Figures

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It seems most fitting to begin this piece by stating that mathematician Katherine Johnson is a genius. Thus, a movie celebrating black brilliance sounds progressive, however the actual portrayal renders Johnson a “hidden figure” in a supposed commemoration of her legacy.

The film briefly shows audiences a young Katherine, whose academic ability foments opportunity despite the obvious oppression of the early 20th century. The film attempts to inspire audiences though depicting Johnson’s contribution to launching the first American body into space. However, in actuality Hidden Figures illustrates that black brilliance yields white advancement.

Audiences watch Johnson put in long hours, travel forty minutes to use the bathroom and endure a segregated coffee machine. Subversively, the film suggests that the only place for  a black intellect is in a white world. This conflict is not exclusive to this film, but extended to all encompassed by the phrase “the first black (fill in the blank)” While this phrasing appears complimentary, it shifts the focus away from the individual of African descent to the white vessel who “accepts” them.

In Hidden Figures, this white vessel is Al Harrison, played by Kevin Costner. Perhaps one of the most noteworthy scenes is Costner breaking down the segregated restroom signs. The scene received zealous plaudits from a stadium sized theatre. This applause undoubtedly erupted due to the mostly white audience’s attempt to overtly align themselves with Harrison’s seemingly integrative initiative. For me, this scene provoked an adverse reaction.

Watching this scene brought me back to a Dr. Carr lecture I attended almost a decade ago. During this lecture, Dr. Carr said that “nothing has been done for blacks that did not benefit others.” Namely, these segregated signs existed at NASA although there were no no black individuals worked in this particular wing. Thus, the signs served no direct purpose but to remind those who cleaned the facilities that they were good enough to scrub toilets but not sit on them. Thus, Harrison’s acts are not commendable—they’re selfish. This very deed exposes the fault in integration. The segregated bathroom only becomes an issue when it deterred white initiative. Namely, only when segregation proved an obstacle to his advancement and reputation was it taken down. It is this selfishness, not ideas of equality or unity, that continues to fuel black inclusion in traditionally white spaces.

Before concluding this article, I would like to state that my criticism is not to take away from Mrs. Katherine Johnson’s legacy. This article does function to state that this film is not an accurate depiction of this legacy. I would love to have learned more about her life pre-Nasa, the parents who raised her, her experience at school, how she balanced motherhood and work, and the strength it took to raise three young kids as a young widow. Hidden Figures abbreviates Mrs. Johnson’s life, making her a largely enigmatic figure in a film that is seemingly about her. Johnson’s hidden figure status in her own film suggests that all black excellence yields hidden figure status in a white supremacist society. In veiling sentiments of deprived visibility, the film highlights how imperative it is that we as black tell “our story” and not his-story. For the moral of the story is not Johnson’s greatness, but what history continually tells in in films like 42, The Blind Side and The Help, which is simply that blacks can do anything if whites think they are special.

Article by C.C. Saunders