Breaking the Woman like a Horse:Plantation Tales

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The urban legend of Willie Lynch according to some, was and is a fake. However, fake or not, whomever it was that first put that information out into the public realm did touch a raw nerve amongst members of the African family. In the Willie Lynch letter, we gleam the essence of how the devil in tight leggings used criminality and terrorism to manufacture the Knee-grow out of an African. Numerous documentations, slave narratives, first hand accounts by none slaves (which gives them more authenticity I guess) and films have described the various methods used to commit or attempt to commit genocide on African peoples in America Inc.

 

Amongst the issues African people have had to contend with, is the division between the Male and female.  Since people are the base of any cultural imperative, creating a dysfunctional relationship amongst the people has to start with breaking the accord between the African male and female, who together enforces and re-enforces the concept of culture, community, and our story of our existence.

Breaking the horse and the hue-man

 

The various ways to “break” a horse can all be effective, but some ways have unwelcome side-effects, such as influencing the disposition, much like rearing a child with dominance instead of positive communication can make for a violent or submissive adult.

 

“You can buck ’em out, snub ’em up, sack ’em out, throw ’em down, desensitize them, dominate them into submission, use tack-less training, or any of the other systems offered by professional trainers. However, any method that might lead to injury or pain or discomfort can be costly in time or money as well as physical and emotional well-being for horse and/or rider. Other methods also require timing and knowledge that inexperienced people simply do not have. The bottom line should be safety for horse and rider, and maximum comfortableness for both.”

 

This is the essence of what the Willie Lynch letter described as the most ideal for manufacturing a knee-grow. This link details further, the Willie Lynch design for handling a knee-grow and is the basis for how the African male and female act and relate to each other today, and how the female specifically acts and reacts to the world around her. This link is very important because in it one can see where the separation begins. Reading further should bring clarity to our over standing of the methods and means of designing and manufacturing the knee-grow.

African people trying to access the “new” media is the latest path we’ve used for self expression that unfortunately ends up making us look like parodies of our selves. African woman yearn so much to fit into the Anglo-Saxons ideals of beauty and success that they manifest, as a form of “liberation expressions” for African woman, the same neurotic behavior we accuse Anglo-Saxon females of indulging in. The differences are the Anglo-Saxon female’s neurosis is codified within their cultural and social expressions and worldview, while the African woman codifies her neurosis from a foreign cultural platform. This foreign platform with no African foundation, denies the African female the necessary cushion to fall back on when her neurosis is in need of treatment.

 

Sex and the female images

Sarah Baartman

 For the longest time National Geography’s pictorials of indigenous women, bare breasted or naked, except for a strip of cloth over the pubis, has been the average Western (primarily Anglo-Saxon) male’s introduction to non western peoples. Anglo-Saxon women, in seeking to wrestle back their femininity from their paternalist sexual oppressors, misunderstand the “naturalness” of these indigenous women and mislabel it as sexual freedom.  In their eyes, they should be allowed to express their freedom to be scantily clad or naked will these Neanderthal brutes can admire her feminine sexuality without touching her uninvitingly, accept her without wanting to clutch at her and respect her without conditions.

 

This is where the neurosis of the Anglo-Saxon women plays its most dangerous role. On one hand there is a brutish, paternalistic system, based on millennium long belief that the woman is a tool for sexual gratification or breeding. She is then easily cast aside when his interest in her wanes, primarily has she gets older, or another young female comes along.  On the other hand, we have the female, desirous, of being wanted by her companion, wanting to be respected by him as much more than a breeder or a sex object, who uses her body FIRST, to entice and compel her man to respect her and treasure her.  She gladly spreads her legs and shows her ass in literary magazines like Playboy, Hustler and the appropriately named swine.  She exposes her neediness in many forms, primarily as willing sexual objects, yet decries the lack of respect she receives as a thinking intellectual human being.

 

African women, who grew up worshipping the many attributes and ways of the Anglo-Saxon female, see them doing little or no wrong as they embark on what Einstein says is “doing the same thing over and over and expecting a different result.  The African female strives to emulate the Anglo-Saxon female in everything she does.  This includes using sex and the availability of sex to get attention, get a “good catch”, to give a head, to get ahead economically or socially. A part of the learned mainstream American culture is sexism and misogyny. Even though the Caucasian male is the most sexist and misogynistic of his kind, he is savvy enough to dress his anti-female hatred in art.  Whether it be visual, performing or literary, his control of the medium of expression, information and education, makes him the source of all that is, considered desirable.

Nicki..

Due to our Maafa, creating a new breed of people called the knee-grow, we have a tempered plate on which Willie Lynches metaphorical sons have dragged the African women from her perch as roundly developed being, complementary to her opposite and more importantly …knowing herself from a African specific perspective.

 

A cursory view of images of beauty standards will show examples such as this. The African female after being conditioned by the Willie Lynch methodology, then becomes a scarred victim, emotionally wounded and susceptible to influences from outside herself. This includes the parody of manhood that the African male had become. The African woman is taught to bare her burden silently, to accept her inferior position, while expected to be the backbone of the family, taking care of the children, while her man is out in the cold world foraging for “bread”. The African woman had become that broken horse, unable to resist the influence of a tamed existence, and despite the odd “wild cards” such as Harriet, Mary McLeod Bethune, etc., by the time the late 20th century rolled around, she had become a pliable “material”, to be molded by a succession of outside influences and ready to be “mounted” by who ever wants to.

The numerous influences include the feminist movement, the black power movement, the civil rights movement, affirmative action, welfare, capitalism running amok and religion. The media was and still is the greatest purveyor of negative influence over the African community world wide, none more significant than the so called “standard of beauty” portrayed in this medium.  The standard of beauty is more than just an image per say, but an emotional roller coaster of cultural denial and self-rejection that continues the devastating effect of Willie Lynch’s fabled design.

Entertainment mediums show sex videos and mainstream movies, transmit, promote, and perpetuate negative images of African women as sex objects. Today’s music videos exhibit dancing women wearing bikinis, flashing their body parts to the cameras. These images are shown accompanied by vulgar lyrics that routinely suggest that women are not worth anything more than money. Hollyweird’s depiction of African women range from some of the most vile, cartoonish images of yesterday, to some of the nastiest, cartoonish images we see today. The African women is promoted as being only good for giving up sex, described as whores and good enough to be the consorts of a pimp, power brokers or broke down ghetto queens. The image of the African woman is now glorified as that of prostitutes, while violence is permitted against them. Halle Berry, a talented actress, recently won an Oscar for spreading her legs for the very same rapist Caucasian male, who murdered her husband, yet somebody like Angela Bassett couldn’t win one for her powerful performance as Tina Turner, one of many powerful performances in a brilliant career.

How many of you were aware that knee-grow men and women lobbied the porn industry to include them prominently in that industry?. Claiming that they are being discriminated against through exclusion.  Imagine that!  Porn was created by Caucasian males to satisfy their less than animal urges and we are pissed when we are not included. This is equity misguided.  Today the knee-grow woman proudly shows of her labia in medium such as the now tame sex magazine, to the more raunchy, internet porn. In fact a majority of pornography involving knee-grows, are that of Caucasian men performing all manner of sexual degrading acts on knee-grow women.  You even have this phenomona where groups of Caucasian males would travel around the country, stopping young females and offering them cash, to suck them or have sex with them on video. They have whole productions where different teams of knee-grow and caucasian males, separately pay knee-grow females to whore for cash.

The broken in woman grows at odds with her man, chastising him for a variety of real and imagined reasons, being lazy and good for nothing, all the while her sons and daughters are taking lessons on how a woman is “supposed” to act.

 

Many broken in African women seeking to pick up the pieces of their shattered femininity, becomes a target for the vultures in the feminism movement. They are trained to verbally or psychologically abuse men and call it being strong. When the knee-grow male and female hears “submit to your nature”, both hear a different thing. The male hears “act like a dog”, the female hears, “ submit physically and emotionally to a man”.

Angry couple

Due to the damage done to her psyche, the knee-grow woman had developed a warped understanding of relationships and the type of relationships healthy enough to assist her in her personal goals. It is a woman’s nature to be attracted to the image of a strong powerful male. It is submitting to her nature to want to be taken care of protected by the male. It is her nature to want to nurture and support him. However the lack of cultural transition to adult as a child forces the young females to develop her own understanding of what strong and powerful should be. There’s an old joke , where the woman asked the man, why doesn’t he love her anymore? When he asked why she would say that? She would reply, “well you don’t beat me anymore”, is indicative of the sickness infecting our souls. When young women, fantasize about wanting a thug, looking for thug love and having a thug as her man, she has distorted that need to be protected by a strong powerful male.

Strong Woman..

Allowing herself to be objectified is never a sign of a “strong” woman, neither is acting like the stereotypical “bitch”, man hater or substitute male. The latter two seems to be promoted in the homosexual or business community. From a purely psychological point of view, a man will feel justified in committing physical or psychological violence against women he has objectified. The fact that many of these women co-sign the prevailing attitude in, Hollywood and society in general, embolden these misogynistic louts to continue degrading women. Some of these women co-sign the prevailing attitude by willingly allow themselves to be used as video girls, silver screen ho’s and, as is more popular now, internet ho’s. Dance clubs, back stages of concerts and around the locker room, are flooded with women who express their willingness to do anything sexually with a man to get drinks, money, jewelry, or just to feel privileged and wanted by someone famous.

These types of behaviors have been past down to today’s generation after the breaking in process, during the MAAFA, when African woman were forced to spread their legs, willingly or unwillingly for slave masters and overseers for their animalistic pleasures, and the enslave male for breeding. African women were sometimes used as breeding instruments to produce more human property, and at other times forced to give sex to pay for food, the safety of her children, or to be treated less harshly on a day to day basis. They were “paying” with their bodies as a survival strategy.

Out of this emerged the stereotype of our women as promiscuous and oversexed, and this shaped our women’s sexual morality and the belief by other ethnic groups of our sexual morality. Some started to look at themselves as society viewed them, and some accepted that they had no control over their own bodies. When trying to fit into the Caucasian society, after the Maafa and take on ascribed Anglo-Saxon gender roles. Some knee-grow men wanted the knee-grow women to have a subordinate role in the home while some women wanted men to be the sole economic providers and use their sexual power to receive economic gain from men. They have been, for the most part, unable to meet each other’s expectations. This is why as a youth worker I see young men acting passive while learning to manipulate women by offering money and power to them.

I’ve heard of the metal girls syndrome, where many knee-grow males learning to value economic resources and used these resources as a way to manipulate and control women. In addition, some women learn to negotiate with their bodies for things that they wanted.  In order to gain access to these things and to get the love and attention from men that they want, some women felt they must cater to the exploitative images of what men want and think women should be.Many women define their own worth on what they can do for and get from a man. Some women were willing to take risks with their bodies, minds and hearts hoping to raise their socio-economic status and gain security for their children’s future, and they have learned to use their sexuality to do this. In the end this is the result of the “Willie Lynch” design for the African enslavement by creating the phenomona we call the knee-grow.

The original article can be found here: https://blackmystory.wordpress.com/

 

Black Love Denied: Black Men & Latinas…a better match?(Part 2 of 3)

Rosewood

There’s another trend going on.  The attack on black love is very real. I told you what they’re doing to black women in part one. Now I’ll show what they’re trying to do with brothers. This picture(above) is from the Fox drama Rosewood. It premiered back in September 2015.  It stars Morris Chestnut in his first leading role on television. He plays a doctor on the show and he is paired with Puerto Rican actress Jaina Lee Ortiz.  She plays a Miami detective. There is a beautiful black actress in the show as well played by Gabrielle Dennis. But she plays the sister to Chestnut’s character.  She also plays a lesbian with a white girlfriend no less.  Black people playing homosexuals and lesbians is something I’ve covered many times in the past. That’s a whole different subject. But this post is about a trend I’ve noticed a lot in the last twenty  years or so. I have seen a steady increase of latina actresses playing the romantic interest to black men in countless films and television shows. Although in Rosewood, Morris and Jaina have not officially “hooked up” they flirt with each other in nearly every episode.  It is only a matter of time before they eventually get together.

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The first time I can remember seeing this was in the film Money Train.  This was way back in 1995.  It starred Wesley Snipes and Jennifer Lopez.  I remember this because I believe it was the first love scene Lopez ever did.

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Then I remember seeing Cuban actress Eva Mendes with Denzel Washington in Training Day(2002).  She also played his ex-wife in the film Out of Time.  And she also played Will Smith girlfriend in the film Hitch(2005).

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In that silly ass comedy Boat Trip(2002),Roselyn Sanchez played the love interest for Cuba Gooding Jr.  They had absolutely no chemistry together and the film wasn’t even funny. But I think this is a disturbing trend.  I know some people will say that it’s no big deal sense these are “women of color”.  But this is nonsense to me.  It doesn’t matter if many Puerto Ricans have 15%-20% African ancestry.  The fact remains that most of them have  over 60% European ancestry.  They are mostly white.  Theses are the facts!  They may speak Spanish or Portuguese but they are not African women.  We need more roles showing black love across the board.  These Latinas are being used to promote race mixing as a better alternative to black love.   It’s also a way to show that Latinas are better for black men.  All this “love has no color” crap sounds silly to me!  Hollywood is terrified of black men and women loving one another and creating beautiful black babies. They seem to promote anything that can further divide black me and women. I get the feeling that black people loving each other is their biggest fear.

Tyrese

In the film Four Brothers(2005)singer/actor Tyrese was the love interest for Colombian actress Sofia Vergara. I remember thinking they were such an odd pairing when I saw this film.  They film was okay as far as action films go.  But in the film Tyrese was adopted by an old white woman.  And he had three adoptive brothers.  Two of them were white guys. One of them played by Mark Wahlberg.  It was really silly.  You know how Hollywood likes to show blacks who were raised by whites as “decent negroes”.  It was truly a waste of film. I wish I could get my money back.

Odette

South Beach(2006) was a television drama starring Odette Annable and the late Lee Thompson Young. Annable has a Cuban mother and her father is French/Italian. So that would make her…….white right?

The Event

In 2010 there was the television show The Event. It starred Blair Underwood as the President of the United States.  The First Lady was played by Puerto Rican actress Lisa Vidal. In the show Underwood’s character’s name was Elias Martinez. He was an Afro-Latin man so I guess that’s why his wife was a Latina right?  But why not a more black looking Afro-Latina then? I think you know the answer.

Also in 2010 there was the film Our Family Wedding.  It’s about a black man(Lance Gross) marrying a Hispanic woman.  The woman is Honduran actress America Ferrera.  It’s a comedy about the blending of different races and cultures.  This video clip is my favorite scene in the film.  It shows the Hispanic grandmother fainting when she sees her grand daughter’s black fiancée.  It’s kind of funny but also very realistic. Mainly because this is how many of these old(and young) Hispanic family members truly feel when their daughter/niece/grand daughter is marrying a black man. It’s done in a comical way but underneath is the truth of their anti-blackness. Which runs throughout Hispanic/Latin culture.

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Do you recognize this man? That’s John David Washington. The son of legendary actor Denzel Washington.  Not sure if many people know that he’s acting on the comedy television series Ballers(2015). He plays a  professional football player character named Ricky Jerret.  In the series his fiancée  is Cuban actress Anabelle Acosta. In his first starring role you would think he would be cast with a black woman.  But then again Denzel was paired with Cuban actress Eva Mendes in Training Day. Like father,like son right?

Zulay

This is a picture from the upcoming comedy Meet The Blacks.  It stars comedian Mike Epps and his wife is played by Colombian actress Zulay Henao.  Once again the black woman is left out.  The black woman in the pic is his daughter.  The title of the film is supposed to be a play on words.  But it’s insulting because they’re called The Blacks…but the wife isn’t black!! How ridiculous is that??

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This is Forest Whitaker with Mexican actress Eva Longoria.  They played husband and wife in the film A Dark Truth. It always cracks me up when I see Mexicans and blacks playing lovers in films.  Mexican culture  has a strong anti-black sentiment.  I’ve had Mexican co-workers over the years.  They treat me with respect and don’t give me a hard time.  They’re cool with you in the workplace but they keep a social distance. Dating them is an entirely different story.  I know for a fact that most Mexican men hate seeing their women with black men. They find it very disgusting and think they are better than black men anyway. I even know some that wont even date a Mexican woman if she’s dated black men. That sounds like extreme hatred to me.  That sounds like the mentality of a racist white redneck.  I’m telling you that most Hispanics/Latinos as a whole don’t like black/African people. Most of them that come from Cuba,Brazil,Mexico,Puerto Rico,Colombia…are raised on white supremacy.  They believe that light skin,light colored eyes and straight hair is the beauty ideal. So naturally they will hate black people. Many Latin countries even have a term called “blanqueamiento”.  It’s a term many have never heard. Blanqueamiento, or whitening, is a social, political, and economic practice used in many post-colonial countries to `improve the race` (mejorar la raza) towards a supposed ideal of whiteness. The term blanqueamiento is rooted in Latin America and is used more or less synonymous with racial whitening.  So you can see  where their hatred of dark skin comes from.  I know black men who have dated some of these light skinned Latinas and their families usually don’t accept the black man.  Since they believe “whitening” the race is better,why would they want to darken their race?  They have to think of their children right?

Jessica1Suelyn

Also just as a side note,many of these Latinas are in these booty model magazines. Don’t get me wrong these magazines are very degrading to women.  I used to read them as a young man myself.  But I matured and grew out of them.  They have these women in very degrading poses,all oiled up with,rubbing their G spot with a come hither look in their eyes. Degrading as they may be, these are still magazines catered towards  black men.  So why are Latinas on the cover?  Why do they have “Latina lovers ” editions?  I don’t see black women plastered on the cover of magazines for Hispanic men. This is really pathetic.  Black women even take a backseat behind Latinas in magazines geared toward black men. And the black men who are the publishers of these magazines should be ashamed of themselves. These clowns are hyping up other races over black women. Shameful!

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This is  actress Jessica Alba and Mehki Phifer.  This is from the 2003 film Honey.  In the film he flirted with her until he won her over. In the film actress/model Joy Bryant plays Alba’s best friend. Joy is a gorgeous black woman..but of course they have Mehki’s character hook up with Alba. Not to mention that Joy is much prettier than Alba by a mile.

Here’s a video from the George Lopez show. This was back in 2010. Lopez did a DNA test on Alba.  Her mother is a blonde white woman and her father is a Mexican.  The results were not surprising to me. Alba found out she was 87% European. And she seems pretty disappointed about it.  I can understand her frustration a bit.  She sees herself as a “woman of color” so this was a wake up call for her.  I know many people see her as somewhat exotic with dark hair and full lips.  I actually saw her in person in 2014 at a social event.  She walked right by me. She may not have blonde hair, blue eyes and pale skin but at the end of the day….she’s a white woman. In the film Honey the stylist had her hair permed to give it some curl. This was an attempt to make her appear a  bit more “ethnic” because she obviously doesn’t look black. I find this interesting because  I remember reading years ago that Honey was a role written for the late r&b singer/actress Aaliyah.  When she died tragically in a plane crash in 2001…they gave the role to Jessica.   So this proves my point that this role and many others should go to black women.  But Hollywood wants to erase the image of the black woman.  They want to keep the dark skinned African looking woman away from her rightful place….with the black man.   But keeping black men and women separated is what Hollywood does best.    Even when a black woman has a starring role she is linked with a either a white partner or lover.  I have seen this in shows like Scandal,Sleepy Hollow and Minority Report. This is a way to kill two birds with one stone. By putting Latinas in these roles they are saying that they are a better match for black men. Which of course is a boldface lie.  And secondly it promotes race mixing and making pretty little “exotic babies”.  Which is brainwashing us into believing that looking less black is better.  This is another reason we need our own television studios  and production companies. That way we can promote black love and show that strong black relationships are what’s really important.  Yes I know there are dark skinned Hispanics from Brazil,Cuba,Mexico,Puerto Rico and Colombia.  I have met some really beautiful Afro-Latina sistas. I’m not speaking about Latinas that are clearly of African descent.  If they have a African textured hair,black features and have a dark brown complexion they are obviously black women.  I’m talking about these straight haired,light skinned women with obvious European features.  If you look at it from a genetic standpoint they are mostly European. I know people don’t want to admit this but it’s the truth.  Like I said before,it doesn’t matter what language you speak.  What matters in this world is race,heritage and culture. And although culture is very important,in a system of white supremacy race is the MOST important.  So don’t be fooled by these white looking Latinas in films with black men. This is not progress for black people at all.  These are interracial relationships.  You have to call it what it is. Some might have a little Africa in their bloodline but they are still NOT black.  And any black men saying it’s okay because they are “women of color” is just saying that because they want to date non-black women.  I’m very hip to that term so don’t even try it. Hollywood is doing this on purpose to make us view Latinas as more acceptable because they are not “too white” but yet “not black” either.  Doesn’t matter to me.  It all comes down  to promoting race mixing and dividing black men and women further apart. This is what their whole agenda is about. And one more thing,these Latinas get their hips,thighs and nice butt from the African woman.  That’s why many Cuban,Colombian and Puerto Rican woman have nice shapes.  Yet they want to erase the image of the black woman??  This is very insulting!! Give the original woman her props!  Why go for a cheap imitation of the black woman? When you can have the real thing.

Part 3 coming next! The wrap up!