No Weapon formed against me shall prosper

Drowning in Racism...

The leather whipped prospered.  The slavery system prospered. The plantation owner prospered. The prison industrial complex is prospering. The white supremacist police is still prospering. The stolen history is prospering. The shotguns prospered. The raping of black women and children prospered. The lynchings prospered. The plantation owner prospered. The children of the slave owners are still prospering. The white owned media is prospering. Racist Hollywood is prospering.

Growing up I used to always hear this Bible scripture. But is this quote true?  I look at all the horrific things that Whites,Jews and Arabs have done to my people. But when I look at history it seems all the weapons our enemies used against us have prospered.  And they are still prospering! It’s time for us to wake up from fantasy land and get back to reality!

Blood debts must be repaid- Bobby Wright

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We must take the unequivocal position that if the Black race is to perish,the world must perish with us. Blood debts must be repaid in blood. We must never accept money and privileges as repayment for the mistreatment of our people. The past Black generations who suffer for no other reason than the color of their skin must be avenged not because of hate but for justice.

Bobby Wright

These racist White men had children!

These men had children...

Plantation Retreats- Black Degradation and White Depravity

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Those who have loved and dated across the color line have to negotiate the realities of race in our society, and by extension, its impact on their relationships. For many, this is done through explicit conversations. For others, these dialogues come implicitly, through gestures, and taken for granted shared assumptions.

But how many folks actually talk about how race impacts their own sexuality, attraction, physicality, or notions of the erotic?
We live in a society that is structured around many different hierarchies of power, authority, and difference. As Foucault brilliantly observed, Power is not sitting out there in the ether, an abstraction that we just talk about in philosophy classes. Power acts through and upon bodies. Certain people are racialized in American society for example. Their bodies are locations of power–and yes resistance. Likewise, certain types of bodies are marked as “normal,” while others are deemed “different” or “abnormal.”
The “popular” imagination holds many assumptions about particular types of bodies. The black male body is something to be policed, controlled, and feared. It is both envied and despised. The Asian female body is “erotic” and “submissive.” The black female body alternates between being fecund, always available, and out of control, while simultaneously being marked as “masculine,” asexual, and unattractive. Latinas are “hot” and “sexy.” White bodies of a certain type are taken as the baseline for what is considered “beautiful” or “normal.”
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Ironically, the bodies of black and brown people which are considered beautiful or attractive by the white gaze are judged as such either by how “different” they are from white norms (the exotic or savage) or how close these racialized bodies–almost like impostors or stand-ins–are to the normalized white body.
The very language we use to discuss race, the physical, and the sexual, is a quotidian example of Power in action. But, how are matters complicated when a significant part of a given person’s sexuality, and sense of the erotic, is centered on playing around with the dynamics surrounding dominance and submission?
Consider the following passage from the Colorlines article “Playing with Race”:
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Contrary to popular notions, BDSM is not about abuse. It’s consensual and trusting and people refer to it as “play” (as in “I want to play with you”). The point of BDSM is not sexual intercourse. In fact, when Williams recalls her first experience as a masochist seven years ago, she says she met her partner, a white man, at a bar and “fell in love at first sight.” They made their way back to his hotel. “For the first time I felt someone could see who I really was.” And that was someone who found it erotic to be a submissive to her partner.

In recent years, Williams has added another element to her repertoire as a masochist. She’s begun to engage in what is called “race play” or “racial play”—that is getting aroused by intentionally using racial epithets like the word “nigger” or racist scenarios like a slave auction.

Race play is being enjoyed in the privacy of bedrooms and publicly at BDSM parties, and it’s far from just black and white. It also includes “playing out” Nazi interrogations of Jews or Latino-on-black racism, and the players can be of any racial background and paired up in a number of ways (including a black man calling his black girlfriend a “nigger bitch”). White master seeking black slave, however, seems the more popular of the combinations.

I could not engage is such types of role-playing. My personal politics would not allow it; my libido would not respond.

That is my choice. I do not deny others their pleasure.

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However, as someone interested in the relationship between race, politics, and racial ideologies, I am fascinated by how individuals negotiate white supremacy and Power.

Are people like Williams or Mollena more “evolved” and “progressive” than those of us who cannot decouple the realities and burdens of race from their bodies and psyches in the present? Alternatively, could this deep sense of both owning and living in a racialized body, be turned into a location for pleasure and catharsis:

Vi Johnson, the black matriarch of BDSM, has presented on race play at kinky conferences and she believes the appeal is different for each person. “When you’re being sexually stimulated, you’re not thinking that what’s stimulating you is a racist image, ” she says. “You’re just getting turned on.”

So, for some, she says, race play is about playing with authority and for others, it might be humiliation.

Well-known sexuality and SM educator Midori, who is Japanese and German, often presents her theory that humiliation in BDSM is linked to self-esteem. Take the woman who likes it when her boyfriend calls her a “slut,” Midori says. Perhaps the woman internalized the idea that “good girls don’t,” but she enjoys her sexuality. Because the boyfriend sees her in all her complexity, Midori says, when he calls her a slut, “he is freeing her of the social expectations of having to be modest.”

That’s different than having some stranger (and jerk) calling you a slut. The stranger doesn’t see the full woman. It’s similar with race play, Midori says. By focusing, for example, on a black man’s body, while he’s bound as a slave, she’s bolstering his own perception of himself as strong and powerful…

Her workshop demonstrations have included full auction scenes mimicking those of the Old South. In them, she is the plantation mistress inspecting a black man for “purchase.” He’s in shackles and “I slap him on his face and push him down on the ground, make him lick my shoes,” she says, emphasizing that she only does the demonstration after the “psychological” talk.

In the interest of transparency, I am a sex positive person (at least according to the survey on yourmorals.org). In many ways, I am also a bit of a libertine and a hedonist who is comfortable in both exclusive and open relationships. I also have certain predilections and tastes that more “vanilla” folks could find “kinky” or “different.” Ultimately, I am just myself, and do not know how to pretend to be anyone else.
I am also full of contradictions and complications as sexuality and the erotic are not neatly bounded constructs (for example, I do not like watching interracial porn where white men have aggressive sex with black women as chattel slavery looms too large in my mind; however, I have no problems watching black men have aggressive sex with white women). I have also dated many women from a range of racial backgrounds: I love women; I love variety.
I share those details not to titillate; rather, because while I am rendering a judgement of sorts, I would not want to sound “judgmental.” The difference is a subtle, but nonetheless, an important one.
One of the questions I will be asking Viola Johnson from the Carter Johnson Leather Library when I interview her in the next few weeks (fingers crossed) is how do we separate more “healthy” types of race play from those encounters that are rooted in disdain for the Other and white supremacy. Are these just inter-personal contracts or do these types of sexual relationships gain power (and are made erotic) precisely because of how they signal to larger societal taboos?
If the website Fetlife is any indication, there is apparently a not insubstantial number of people who engage in sexual roleplaying and BDSM using the motif of chattel slavery in the antebellum South. A cursory review of the member profiles suggests that many of these people are white supremacists. This is apparently not a deterrent to the black men and women who want to “serve” these white masters.
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Here a white “slave owning” master offers some insight on race play and “plantation retreats”:

My major kink-interest is in chattel slave-ownership in today’s world but following the historical models of 8,000 years of historical slave-ownership tradition (from Greek-Roman through modern day)…along with everything that might relate to it (which sometimes can go pretty far into the realm of BDSM activities, depending on the partner). I’m very knowlegble in the field of historical slavery.

Some of my other non-kink interests include history and philosophy, classic cars, music, science, singing and writing lyrics, architecture, comparative culture, language, reading and counseling..

I get a lot of questions about “Plantation Retreat”…so here are some basic facts:

My goal in creating and hosting Plantation Retreat is to provide a safe and welcoming, private place (and opportunity) for White Masters and plantation slaves/niggers to meet and explore their mutual fantasies. I get a lot of questions and answer many individual questions. To simplify things…here is some general basic information:

The gathering lasts for up to 2 weeks this year, with the main gathering around the 4th of July…folks can stay as long or as short a time as they want (some stay even longer). Masters can stay at the compound here or in a hotel if they want to (as can any personal slaves that they bring with them or any other slave that is ordered to do so).

Slaves arriving on their own stay here and are considered (and protected) as property of the plantation or my personal property.

Slaves sign up for a specific length of service. Slaves can specify what their limits are or that they will serve in any way the Master/guests desire. Sex is not required, but depends on individual choice (as do other activities). Most Masters desire to use slaves sexually in addition to normal domestic services. Some slaves are used only for hard labor. A slave’s assignments and duties are based on its experience and ability-level (some require whipping or punishment). Masters have their own king or queen bed (up to 5 available); slaves sleep where they are told to sleep (unless they are ordered into a Master’s bed and allowed to sleep there). Normally a slave sleeps at the foot of a Master’s bed, but some can be chained or caged elsewhere.

The minimum requirement for slaves is that they be obedient and respectful of all Masters and work to give the Masters and enjoyable time. This can be anything from preparing and serving drinks and meals, doing housework or yard work, to providing sexual relief on demand, to hard labor in the compound (depending on the slave’s previously-stated limitations). Slaves should expect Masters to be totally comfortable and free in using humiliating or degrading racist speech in referring to or speaking to mud-slaves. It’s not all punishment and misery for slaves…there is plenty of time for camaraderie and playful fun also. Some slaves even form a brotherly bond with the other slaves that serve with them. Masters also form lasting bonds and friendships based on their mutual interests and sharing slaves.

It’s just a small friendly gathering of White Masters at my house/compound….being served by mud-slaves as might have been in a modern version of slave-days. one might call it a situation of consensual non-consent/slavery. Slaves can set their limits and the time they will be in service as slaves in advance…. and also what they expect to learn and experience from the experience. The more that a slave lets me know about itself in advance, the better I can guide its growth from the experience.

Backstage racism mates with BDSM, the eroticization of the black body, and finds a place online through a variant of cyber-racism. Amazing. We do in fact live in interesting times.

White supremacy is a mental illness. Western (and global) society is sick with it. All of us, across the color line, have been impacted by white supremacy and white racism. But who are we to judge how adults in a consensual relationship decide to work through its pain and ugliness?
As is per our tradition at WARN, here are some concluding questions.
Have any of you engaged in race play? For those of you in inter-racial relationships, how do you negotiate these bigger questions of race and the erotic? If our kinks and sexual predilections are in some way a function of life experience, trauma, early childhood experiences, etc. what happened in the life of a black person who is willing to play a slave for the pleasures of white racists?
Article by chaunceydevega

Happy Halloween from your White Friends!

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Looks like it’s that time of year again.  It’s Halloween time!  What is Halloween really about? What is the real origin?  It goes a little something like this:

“Halloween’s origins date back to the ancient Celtic festival of Samhain (pronounced sow-in). The Celts, who lived 2,000 years ago in the area that is now Ireland, the United Kingdom and northern France, celebrated their new year on November 1. This day marked the end of summer and the harvest and the beginning of the dark, cold winter, a time of year that was often associated with human death. Celts believed that on the night before the new year, the boundary between the worlds of the living and the dead became blurred. On the night of October 31 they celebrated Samhain, when it was believed that the ghosts of the dead returned to earth. In addition to causing trouble and damaging crops, Celts thought that the presence of the otherworldly spirits made it easier for the Druids, or Celtic priests, to make predictions about the future. For a people entirely dependent on the volatile natural world, these prophecies were an important source of comfort and direction during the long, dark winter.

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To commemorate the event, Druids built huge sacred bonfires, where the people gathered to burn crops and animals as sacrifices to the Celtic deities. During the celebration, the Celts wore costumes, typically consisting of animal heads and skins, and attempted to tell each other’s fortunes. When the celebration was over, they re-lit their hearth fires, which they had extinguished earlier that evening, from the sacred bonfire to help protect them during the coming winter.

By 43 A.D., the Roman Empire had conquered the majority of Celtic territory. In the course of the four hundred years that they ruled the Celtic lands, two festivals of Roman origin were combined with the traditional Celtic celebration of Samhain. The first was Feralia, a day in late October when the Romans traditionally commemorated the passing of the dead. The second was a day to honor Pomona, the Roman goddess of fruit and trees. The symbol of Pomona is the apple and the incorporation of this celebration into Samhain probably explains the tradition of  bobbing for apples that is practiced today on Halloween.”

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That maybe the history of Halloween but of course most people don’t care about the origin of most so-called holidays. Nowadays Halloween is all about dressing up in scary costumes,scary films,pumpkins,parties and taking children trick or treating.  But since we live in a racist culture you know what that means right???  White folks will turn it into a day of spreading racism,sexual perversion and hatred.  They just can’t help themselves.  Like the picture(above)  some white guys thought it would funny to dress as the Ku Klux Klan.  They even found a coon ass black woman to go along with it.  That way it’s not perceived as racist right?

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A Mandingo costume???  These people are disgusting! And they seem absolutely obsessed with black people’s sexual organs.  What is that about?  I guess a lot of white men wish their penis was that big!lol

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Like I said…obsessed with black genitalia.  Something is seriously wrong with these people.

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All you Asians aren’t off the hook either.  They love to imitate Chinese people the most it seems.

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I wonder how many Mexicans think this costume is funny. Probably not many.

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This white couple thought it would be funny to dress up as Donald Trump.  That’s fine but what’s up with the black servants.  Two racist ass white women dressed in blackface.

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This white man thought it would be funny to dress up as Aunt Jemima.  Why do white men love to dress up as women so much?  I think many of them are closet homosexuals.  They secretly love cross dressing.

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These two white homosexuals were supposed to be Serena Williams.  Like I said before,they use Halloween as an excuse to dress up like women..and insult blacks at the same time.  Despicable racist bastards!

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Remember Jerry Sandusky? He was the football coach at Penn State. He was a serial child rapist.  I heard many were little black boys as well.  Well this sexual deviant thought it would be funny to dress up as Sandusky.  What’s the matter?  Don’t you find child abuse funny?

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Look at this redneck. This inbred faggot dressed up as a man having sexual intercourse with a sheep.  I’m sure he’s done a real sheep already.  But don’t you find this strange?  Who finds bestiality funny?  White folks I guess.

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Do they respect the dead??  Hell NO!  This racist bitch dressed up as our slain brother Trayvon Martin.  This is the lowest of the low!  This shows what they think of black people getting killed in cold blood.  Black lives do NOT matter to these creatures.  And this is just one picture.  There are countless images of whites imitating Trayvon.  This faggot even had the nerve to put on blackface!   It’s clear to me they find black death very humorous.

People tell me all the time that white folks have changed. They say they are not as racist as they used to be.  They say that interracial dating proves they are less racist.  Some black people tell me they have “white friends”.  They say white were much more racist back in the 1920’s and 1930″s.  The video(above) is from white racist actor Al Jolson. This performance is from the film Jazz Singer back in 1927.  White audiences loved his performances in blackface.  Well the racist images I put up are recent pictures of the last five years or earlier.  It doesn’t seem like the racist white folks have changed much to me.  They’re pretty much the same to me.

Tales of Buffoonery:Episode 16(Meet the Blacks)

 

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Well it looks like Hollyweird has another dumb ass comedy for the black masses. Meet the Blacks was released last week. It’s  another so called comedy with anti-black messages,gay jokes and grade school humor. The basic storyline is when some unexpected money comes his way, Carl Black (Mike Epps) moves his family from cold and windy Chicago to bright and sunny Beverly Hills, Calif. As the Blacks settle into their beautiful new home, they start to notice some strange behavior in the neighborhood. Nighttime is approaching, and President El Bama (George Lopez) announces that the annual purge is about to begin. Carl and his loved ones must now endure a 12-hour period of lawlessness before they can enjoy life once again. The film also stars Mike Tyson,Charlie Murphy,Alex Henderson, Bresha Webb,Lavell Crawford and Deray Davis.  If you notice at the end of the trailer Epps says that African actor Michael Blackson looks like Ceasar from The Planet of the Apes.  WTF?!!!  A black man calling another black man an ape???  That is disgusting!!  That is the highest level of self hatred.  This proves that Mike Epps is sellout punk! Then he tells him “don’t put that Ebola finger in my face!”  Now he associates Ebola with African people.  Do you see how Hollywood puts out these negative stereotypes about African people? And they get sellout coons like Mike Epps do to their dirty work.  They know they can always find some desperate negro starved for a paycheck that will do anything for the limelight.

Of course what “black film” would be complete without the black lead actor and his non-black wife.  In this interview is Mike Epps and Latina(Colombian)actress Zulay Henao.  You can tell that neither one is all that smart.  They are doing their best to make this film sound great when they both know it’s trash. They even have the nerve say in this interview that there’s a message. Yeah right! If the message is to reinforce the idea that blacks are ignorant fools. How many times will they do this? They keep pairing black people with non blacks. They really love to push this interracial agenda on our people.  It’s obvious this film is a stupid piece of crap.  And an insult to our intelligence as a people.  Just make sure you don’t support this film.  Do something more constructive with your time. It’s just another film to make black people look like self hating fools. This is Buffoonery 101.