Serena Williams: Validation through Dilution

Serena.....JPG

There has been much fanfare about the new August cover  of Vanity Fair.  It features tennis great Serena Williams.  The black woman’s body is a beautiful sight to behold.  And a pregnant woman is a glorious representation of new life.  So when I saw the pregnant Williams I first thought it was beautiful.  Then I had to remind myself that she was carrying a white man’s seed.  But Williams is not alone in doing this.  It seems many black athletes,singers,politicians and actors love to dilute their black genetics.  Here’s a short list of black and (some biracial) people who over the years have continued to whiten their bloodline…

Ira Aldridge, Maya Angelou, Kofi Annan, Pearl Bailey, Amiri Baraka, Charles Barkley, Harry Belafonte, Julian Bond, Ed Bradley, Carol Mosely Braun, Lonnie Bristow, Avery Brooks, Georg Sanford Brown, Clarence Williams III, Johnetta Cole, Ward Connerly, Sammy Davis Jr., Father Divine, Frederick Douglass, Marian Wright Edelman, Olaudah Equiano (aka Gustavus Vasa), Franz Fanon, Roberta Flack, Henry Louis Gates, Clarence Gilyard, Cuba Gooding Jr., Berry Gordy, Dorien Harewood, Ken Hamblin, Calvin Hernton, Chester Himes, Gregory Hines, Michael Jackson, LaToya Jackson, Reggie Jackson, C.L.R. James, Rick James, Jack Johnson, James Earl Jones, Quincy Jones, Vernon Jordan, Monica Kaufman, Eartha Kitt, Earl Klugh, Ramsey Lewis, Wynton Marsalis, Ali Mazrui, James McDaniel, Bobby McFerrin, Barbara McNair, Edwin Moses, George Padmore, Clarence Page, Floyd Patterson, Scottie Pippen, Sidney Portier, Richard Pryor, Seal, Lou Rawls, Alphonso Ribiera, Dennis Rodman, J.A. Rogers, Roxie Roker, Diana Ross, Richard Roundtree, Leopold S. Senghor, O.J. Simpson, Mike Singletary, Kanye West, Michael Jordan,Taye Diggs, Kobe Bryant, Iman, Alfre Woodard, Garcelle Beauvais,Marcus Allen,Zoe Saldana,Derek Luke, David Oyelowo,Omar Hardwick,Kristoff St. John, Shelby Steele, Clarence Thomas, Melvin Van Peeples, Ben Vereen, Alice Walker, Hershel Walker, Walter White, Charles V. Willie, Montel Williams, Fred Williamson, Richard Wright, and William Julius Wilson.

Serena1....jpg

Why are we so desperate for white acceptance? Do we not value our African phenotype?  Why do we want to dilute our black genetics?  We are a beautiful people.  We are beautiful with our full lips,dark skin and African textured hair.  We don’t have to be mixed to be considered attractive.  We are taught to hate our own reflection. Over hundreds of years of imperial indoctrination,slavery and colonization we have lost knowledge of self.  They gave us  European mythology full of false white gods and black demons. This is evident by the fact that our most intelligent,successful and athletic even want to reproduce with their oppressor.   Many of these athletes and entertainers don’t see the beauty in themselves.  They can only see beauty in their biracial offspring.  Something that looks less black.  Something less hue-man. They feel by accepting the white penis or  white vagina will exclude them from black pain.  They think by kissing white lips they wont be spat upon by white racism.  But this is delusional. This shows how deep rooted the self hatred can be. Africans are the oldest people on the planet.  The black man is the Original man.  The black woman is the Original woman and the standard of beauty.  All these other races are subspecies. European culture is anti-African by it’s very definition.  But the reality is we don’t need their acceptance or consent for anything.  All we have to do is accept and love ourselves. And once we do that we’ll be taking the first steps in reclaiming power and control over our own destinies.

Dim Your light Dark Girl: Invisibility and Black Femininity

Bria Myles...

After my first semester of teaching I was invited to meet with the department chair, a frumpy, middle aged- white woman who treated me like white retailers have my entire life–as if my presence depreciated the value of the company. She arrived over thirty minutes late for my meeting, a fact she would casually disregard when pushing me out of her office not even ten minutes later. Her actions stated that I did not belong, despite the fake and almost nervous smile worn as an effort to melt my stoic expression. In those ten minutes she’d gloat about what she considered “bad” student reviews— an attempt to break me down into a negro in need of a fictive white brilliance to step into the role of woman. This was the same woman who failed to provide me with the room number for my class and made it so that I received my first check shortly before midterms. I was invisible until something seemingly negative surfaced, then my black female body became a canvass for white shame, a means to bludgeon me until my  posture slouched in defeat. For white functionality is solely rooted in black inferiority, no matter how hard the white body must work to make their fictive superiority a reality.

The contemporary black female body exists in the shadow of her ancestors, only seen in instances of negativity, because to acknowledge her in her beauty and brilliance is to threaten the false esteem of her oppressors. Sadly, the same is true for the melanated individuals referenced interchangeably with those black in body and mind.  In conversations or simply in the presence of melanated folk, the black woman is ignored if not overtly deficient in one way or another.

In Black Looks, scholar and cultural critic bell hooks says the following of black female visibility:

Objectified in a manner similar to the block female slaves who stood on auction blocks while owners and overseers described their important, salable parts, the black woman whose naked bodies were displayed for whites out social function had no presence. They were reduced to mere spectacles. Their body parts were offered as evidence to support racist notions that black people were more a kin to animals than other humans (hooks 62).

Just like the Saartje Baartmans of the past, the black female body remains a dismembered presence that only becomes visible to prove white superiority. The black woman is commonly shoved, reached over and ignored in quotidian activities from riding the train to grocery shopping. However, if wearing a garment where her protruding backside is visible, or her breasts or legs are exposed, she assumes the hyper visibility of her ancestors cast along the auction block, dismembered by the white male gaze and itemized for white male consumption.

I write this post in hopes of enlightening the black female and even black males to embedded expectations that subconsciously recruit us as soldiers of white supremacy. Namely, many blacks have also grown comfortable with caricatures blackness and downcast their own for failing to embody the necessary imperfection to seem normal in our western setting. This imperfection is commonly conceptualized in labeling the black female body a “bitch” or “whore.”

Black bitch....

The Black “Bitch”

A student called me a bitch for the first time this semester. I’m actually pretty sure I, like my sisters throughout the diaspora,  have been called worse, but this was the first time a student had rendered an expletive to my face. Following hurling the expletive my way, the student proceeded to talk over me until storming out the classroom and reporting to the dean.

The cause of the altercation you ask? I simply asked the student a question.

Like clockwork the dean shows up a few minutes later asking to see me. An act that festered the very authority challenged by my student. After dismissing my class I went to visit this middle-aged white women with a foreign accent, short haircut and slightly abrasive attitude. She asked me what happens and becomes overtly agitated when I disclose that the student called me a bitch. She then rolls her eyes, sighs and asks me to prepare a written statement. Although I had been disrespected twice that morning, once by the student and again when the director came to remove me from the class like a misbehaved student, it was me who had burdened her. In producing a response to the query she asked me, I cast this poor woman as the victim  because she would now have to draft some paperwork.

“You have to be very careful how you address these students.”

I nodded indifferently.

“Be careful.” she said, with her eyes locking intensely with mine, embedding a slew of words she wished to say but could not.

The exchange was a vindictive display of power by a being disinterested in both my and my student’s well being. All the director saw was money. So instead of engaging my comfort in returning a student who blatantly disrespected me, my other students, and most importantly herself, it was without discussion that she would return to the class.To the director I was salt thrown in the would of a battered ego. I, like countless other black bodies cast throughout the diaspora, had become too visible in a space solely desiring my invisibility. To lure students into an invidious state, is to insult the white bodies who wish to be the sole source to evoke green from a black a gaze.

This is an unexpected example of black females being asked to be less of themselves to not fester insecurity in their counterparts, who must remain subjugated for whites domination.

Similar are the conversations that surround the black female body and romance. The black female body is commonly compartmentalized as “intimidating” if failing to exist as the a caricature, or controlling image like the mammy, jezebel, sapphire or tragic mulatto.

The strong black Woman is too independent to appease the male ego. The angry black Women too abrasive for the masculine pride. The beautiful woman is too high maintenance and too tenable, the educated woman too intellectually elevated to have her feet planted firmly on the ground.  The black woman can seemingly not win when it comes to possessing attributes that extinguish a caricatured identity and propel her into a state of hyper-visibility.

Just as the directors sought to admonish with the words “be careful” the black woman is often issued a similar warning in being told to re evaluate how she carries herself. She is to exist to make others seem bigger in comparison to her smallness. To other blacks she is to encourage them to aim low and garner some attribute of a subjugated being.

The black body, if not dwarfed by the ax of white supremacy is nurtured to bend in order to fit through doorways–rather than build their own structure to which she can strut through in her prodigious state. The only thing the black Women is, is too stereotyped. If too pretty, too smart or too successful the white and other persons of colors typically aim to discount blackness with other races or ethnicities to eschew diversifying their perspective on black people.

Seemingly a lifetime ago I worked as a customer service representative. I worked alongside a beautiful sun kissed woman, labeled difficult and unprofessional. She was helpful in teaching me the ropes and aiding me with difficult customers. The issue was not that she was difficult, or unprofessional, but that she refused to be invisible in instances of overt racism.  I recall an incident where a white “businessman” yelled at us to complete his task because “he had things to do.” He had dropped his item and demanded that I get on my knees in a dress to obtain his item. My coworker came to my defense and we were both reprimanded in consequence. To our oppressors were were not wronged, but in the wrong for refusing the demands of an oppressor. Where oppressors see green, the conscious gaze sees racism.

Beyonce and Rihanna.....jpg

The whore

The black female that escapes being labeled the bitch (or in addition to this label), is often compartmentalizes as a sexualized object. This is not to say that the black female body fully escapes the negative connotation as a difficult being, but that the white gaze conceptualizes her sexually. This may sound complimentary to those who falsely equate a sexual gaze to an appreciation of beauty. A sexualized gaze means black female bodies are seen in correspondence to sex, i.e. concubines or asexual beans. Beyonce, Rihanna, etc, are black women who maintain relevancy because they are seen as sexualized objects. All the hype surrounding Beyonce’s fertility, or Rihanna’a latest partner, both reflect a fascination with black female genitalia. This fascination also functions in the reverse. Black female bodies lacking conventional attributes that would deem them overtly sexual, become demonized. Examples are Serena Williams, Wendy Williams, Gabourey Sidibie, etc, women who because of unconventional features are deemed beasts by the true beasts of the western world. Whether hyper sexual, de-sexualized or a bitch, the black female body continues to surface as a female subjugate by her white male oppressors.

As a female subjugate, the western gaze validates not only murdering or incarcerating  the black female body, but resigning her to invisibility by default. By subjugating the black female body to a womanless being, the western gaze seeks to dim the light on a ethereal presence who shines in her sun kissed state– a state withheld from the white  experience.

The dark girl is continually required to dim her light to ensure the comfort of the world around her. If  the dark girl  fails to bow her head in the face of racism she is a “bitch” and “difficult,”  If the dark girl’s sensuality proves impossible to ignore in the western terrain, or she bears multiple children in the face of white female infertility she’s a whore, or welfare mother who’s untamable sexuality bills the white collar world. She is not to shine her light too brightly.  We are the stage, not the performer, the words not the song, the pedestal not the recipient.

To shrink to western expectation is to forfeit the “stand out” quality that is the black woman. White supremacy is quite similar to how the western world has been nurtured to conceptualize the moonlight– whiteness that illuminates along darkness. Without the dark sky the moon and the stars do not glow. Rather than be a beacon for those who glow against our background, it’s time that the black collective become entranced by our own glow.

Dark women are the true light of the western world. We are the moon, the sun, and the stars. Moreover, we need not look out the window to see the glow of the moon, we must simply look within.

Don’t dim your light black girl. Shine.

Black Power. ❤

Article by CC Saunders

Why I will not be seeing Wonder Woman

Black Wonder Woman....jpg

I almost did it. I selected a theatre and even looked up showtimes. As I began to mentally assemble my outfit and rework my schedule to accommodate viewing the film, I realized that I was all too familiar with this story.

Wonder Woman is yet another page in the consistent white female narrative designed to portray white beauty intertwined with an earthly anglicism. I need not see this film to know that it will portray the white Woman as the catalyst for all things good in a “bad” world.

Contrary to the ideally nurtured in the western world, the bad is seldom blatant. Both the individual and the collective have a fair chance at combatting that which they can see. The true “bad” in the world lies in Wonder Woman-like figures, whose embedded message seeks to uplift through depicting the very exclusivity that dominates the western hemisphere.

Wonder Women debuts in a climate that veils this exclusivity with the implication of “change.” Seemingly every film and television series has adopted the feminist agenda, avidly if not aggressively, feeding this fictive utopia to the masses. The film exists to promote feminism as the cure to all worldly evils, omitting of course that feminism is a worldly evil. Clad in a form-fitting costume with long and silky dark hair, Wonder Woman encompasses the conventional sexiness of a blonde with the rarity of a red head to project feminism as the height of femininity. Wonder Woman is a dark haired, dark- eyed white Woman–the pseudo “every woman” in seeming to encompass lightness and darkness simultaneously. What the casual gaze may fail to see, is that Wonder Woman resembles her target audience, and encompasses all her acquired audience wishes to become.  Her dark hair provides a strategic contrast to her fair skin, painting the “Wonder” of wonder woman as encompassing the figurative light to societal conflict or darkness.

The wonder in Wonder Woman is that she embodies the antidote to all the world’s problems. She’s Helen of Troy mixed with Hilary Clinton–a savior to white women but a mortal enemy to the woman of a darker hue.

Cinderella.....

Western childhood functions similar to this film, painting the white Woman as Wonder Woman in far less attractive variants. From the abundant white female school teachers, to the tooth fairy, Mrs. Claus, every princess from Cinderella to Snow White, the white female body is a consistent figure of humanity to the western gaze.  These figures function to embed into the black female psyche what “Superman” and “Batman” seek to implement into the general western psyche–that if you are white, anything is possible.

But as the young girl who reads these stories, attends these schools and watches these figures on television grows up, the fantasy of Wonder Woman vanishes into reality.  Instead the harsh world eventually prompts the once naive black body to wonder what was ever wonderful about these pristine figures of their childhood. Although portrayed as the hero in fictive and real scenarios, the white woman is gradually unveiled as an inevitable villain to the black female body.

So, as a black woman, I know this film functions as erasure. I know this film functions to seduce me into a amnesiac state where I falsely separate white female action and intention from white male supremacists. From the white women who chase our black men than scream rape when it goes sour, or objectify our wealthy black men as cash registers, or reduce the quotidian black man to his genitals, to the white women who abrasively target black women at work, back to the very white women who tormented the black female slaves—this movie functions to force the black psyche to accept a white hero, despite centuries of white female villainy.

White heroes, whether male, female, trans, or what have you, are never capable of saving anyone but themselves. For healing is incompatible to the autocrat, who decorates their lives with the blood of the oppressed.

Wonder Woman

Therefore, the true wonder woman will never occupy a leading role in mainstream film. She probably will never make six figures and is unlikely to rouse a shallow gaze on the street.

The true wonder woman has probably yet to arrive home from her twelve-hour work-day, her twenty-four hour job as a mother, or full- time victim of white supremacy. The true Wonder Woman sleeps at night with a six-figure debt heavy on her conscious from daring to dream outside of the confines of systemic oppression. She walks through a neighborhood of businesses owned by any and everyone but those who look like her. She faces ridicule for her skin tone, her nose, and curvy body and faces countless queries if her beauty or attributes are deemed outside the scope of blackness.  The true wonder woman is literally and figuratively raped, never respected, or rewarded. She is frozen in time, pieces of her flesh still floating throughout the Atlantic Ocean, or concealed in an unmarked grave beneath a skyscraper. She is dismembered by a system who uses her limbs to assemble their privilege and writes their laws in her blood.

She is the unspoken gospel of this poached land—the original statue of liberty—the feminine mold to which every race, ethnicity, and creed stealthy covets.

The Wonder Woman film exists to place the “wonder” into the woman concept. As a being excluded from this concept, I replace wonder with “black.” For the black woman does not need wonder, she is wonder. Furthermore, members of the black female collective need not go to the movies to view this fictive wonder woman—they must simply look in the mirror.

Article by CC Saunders

Barack & Biracial Men- Black Genetics(Part 3 of 4)

Barack Obama...

I remember when I saw this cover(above) of Ebony magazine back in 2008.  It was when Barack Obama was running for President.  I remember hearing people say Obama looked so cool in his sunglasses. And I noticed that over the past eight years that there were more biracial men in the media.  There has always  been biracial men in the spotlight. But there seems to be more right now. I have also seen many more biracial women in the media over the last few years.  I will cover biracial women in part three. That is a an even bigger issue in my opinion.  But I did want to cover some of the biracial men that seemed to be getting a lot more press in recent years.  And what does it mean for black men?  Are they the new and improved black men? Or do they represent a “new white man’? I think Obama helped to bring interracial unions and biracial people more acceptance in American culture.  And worldwide for that matter.  I have seen more biracial men in sports,television and films.

Lenny Kravitz....

Back in the early 90’s Lenny Kravitz was one of the biggest rock stars.  His mother is black,father is Jewish.

Vin Diesel....

Actor Vin Diesel is biracial as well. Although he mostly plays racially ambiguous roles. He never really plays a “black” man though.

Shemar Moore....

Actor Shemar Moore has become a sex symbol among many black women. The picture(above) is of him and his white mother. He first gained fame on the soap opera The Young and The Restless. I remember ten years ago he was seen at a gay beach in Hawaii.  I’ll let you draw your own conclusions about his sexuality.

Boris Kodjoe...

This is biracial actor Boris Kodjoe.  His mother is a German white woman. I know many black women who have told me is their ideal man.  Although this is not a good picture. It leaves him looking very “suspect”.

The Rock....

Actor Dwayne Johnson has become a huge star over the last eight years.  He first became famous as a WWE wrestler known as The Rock.  And has become a sex symbol in his transition from wrestler to actor.  Although he is not a mulatto since he has a black father and Samoan mother. Much like actor Vin Diesel he plays racially ambiguous roles.  And is rarely paired with black women in films. But he still remains popular among many black women.

Jesse Willaims.....

Biracial actor Jesse Williams caused quite a stir last year at the BET Awards. The Grey’s Anatomy star gave a passionate speech about police brutality last year.  And many black people quickly gave the mixed race man his “black card”.

Trevor Noah....

The picture(above) is of Trevor Noah.  The comedian/actor is the host of The Daily Show on Comedy Central.  he is pictured with his girlfriend,model Jordyn Taylor.  She is racially mixed  so I guess the paring his fitting.  Noah is a media darling because of his left-leaning liberal views. Although I don’t find him that funny.

Jussie Smollett...

This is actor Jussie Smollett. Most people know him from the hit drama Empire.   He plays a homosexual on the show.  Which is fitting since he’s a homosexual in real life as well. He’s pictured her with his sister actress Jurnee.  They have a black mother and white father.  This picture is quite interesting.  What’s with the “black power” fist? What message are they sending?  Is that you can be conscious,biracial,pro-black and gay all at the same time?  Good lord….what world am I living in?  God help us.

Drake....

Of course we can’t discuss biracial people without mentioning Canadian rapper Drake.  Drake has become one of rap music’s biggest stars in the last eight years or so. He started as a child actor and late did underground mixtapes as a rapper. His mother(pictured above) is Jewish and his father is black.  I can’t help but to think that having those Jewish connections helped him in the industry. Also according to Halakha(Jewish law) a Jew must be born to a Jewish mother. Accepting the principles and practices of  Judaism doesn’t make a person a Jew. So even with a black father technically…. Drake is a Jew.

J Cole....

Rapper J. Cole(with mother) has seen his popularity rise in recent years.  He has gotten praise from many rap fans because of his socially conscious lyrics.

Miguel...

The picture(above) is of r&b/pop singer Miguel and his Mexican father. Miguel became popular when his debut cd came out in 2010.  His music style is a mix of funk,r&b and elements of rock. Many music critics have compared him to the late pop icon Prince.

Derek Jeter.....

Retired baseball player Derek Jeter was one of the most well know athletes while playing for the New York Yankees.  Here is Jeter pictured with his parents and sister Sharlee.

TONY PARKER OF THE SAN ANTONIO SPURS

NBA veteran Tony Parker has played for the San Antonio Spurs for over fifteen years.  And he has won four NBA championships. He has a black father and white mother. He has been one of the most well known biracial athletes over the last ten years.

San Francisco 49ers 2011 Headshots

Of course what list would be complete with biracial NFL star Colin Kaepernick.  I recently heard that he will now stand for the pledge of allegiance. Why the change of heart? I guess all the hype is over now.  It helped to cause some more racial tension and get people talking.  But I guess that time has passed…so it’s back to football! That is if any team picks him up.

Lewis Hamilton...

This is racecar driver Lewis Hamilton pictured with his white mother.  He was born and raised in the United Kingdom.  His first racecar win was the Canadian Grand prix in 2007.  His popularity has really grown over the last ten years.

 

Joakim Noah.....

Chicago Bulls basketball player Joakim Noah has a white mother and black father.  He’s very popular with the Chicago fans.  This pic(above) he is with his mother and sister Yelena.

Aaron Gordon...Zach Lavine...

This picture(above) is of NBA players Aaron Gordon and Zach Lavine. Gordon plays for the Orlando Magic and Lavine plays for the Minnesota Timberwolves.  Last year during the 2016 NBA All Star weekend these two were the finalists in the Slam Dunk contest.  It was close but Lavine ending up winning the contest.  I just thought it was interesting that the last two finalists were both biracial men.  I thought it was odd. Are they going to be the face of the NBA?  Much like Drake is the face of rap music?  Or how Obama was the face of the nation.  Hmmmm…something to think about.

Matt Barnes...

NBA star Matt Barnes(with mother) has always been a headache for the NBA. He has a really bad temper and needs to seek anger management. He has played for the LA Clippers,New York Knicks,Orlando Magic,LA Lakers and Golden State Warriors. He gets moved around a lot because of his temper tantrums and bad attitude.

Lavar Ball...

The black man in the pic(above) is Lavar Ball.  Ball is a retired football player. He was a practice squad member for the New York Jets and Carolina Panthers. He and his white wife Tina have three sons,Lonzo,LiAngelo and LaMelo.  They have become a huge media sensation in the basketball world. They have all appeared on ESPN.  They all played for Chino Hills high school.  The oldest son Lonzo played one year at UCLA.  He is already said he is entering the NBA draft. He has groomed his mulatto sons from birth to be basketball players.

Prescott1.....

NFL rookie Dak Prescott(with mother) has made quite an impression lately.  The Dallas Cowboys quarterback seems to be fitting in well as the new face of the team. I know there are a lot racist rednecks in Dallas.  I know because I’ve been to Texas before. But I’m sure they’ll accept him with open arms.  Just as long as their biracial quarterback is winning games for them.

Blake Griffin...

NBA star Blake Griffin(with father and mother) has been a big asset for the Los Angeles Clippers. He has been playing with the Clippers since 2009.  His skills have improved over the last few years. I remember when he was in the Slam Dunk contest back in 2011. I saw some video of the dunk contest on YouTube.  There were some white guys making comments on the video.  Some were saying that Griffin should be considered a white man.  I guess they wanted to see a non-black person win so bad they were willing to accept a biracial man as white.  But this got me thinking.  Do they want biracial men to be the “new blacks”?  Do they want to replace African men with biracial men? Is it easier for whites to accept those that have a white parent? After all,biracials are in closer proximity to whiteness than someone with two black parents.  I personally believe this is psychological warfare. And many of us don’t understand this tactic very much.  There are many ways to attack a person.  It doesn’t always have to be physical.   Attacking a persons  mind can be just as effective. Psychological warfare is a form of propaganda or a threat.  It’s a psychological technique to mislead,demoralize,intimidate or influence the thinking or the behavior of an enemy.  This is what is being done to black people. This is all being done on purpose.  The white/jewish controlled media is purposely putting more biracial men to the forefront.   They are doing this to confuse the minds of black people. This all goes against the collective best interest of black people.  It also promotes the idea that interracial sex is a good thing.  They are giving us the false belief that being half-black is better than having two black parents.  This is just another way to promote black inferiority and degrade black genetics.  This all helps to reinforce the idea that being dark skinned and having African features is ugly and unwanted.

Shaun King....

We better have a clear definition on who is black and who is NOT.  Otherwise we’ll keep getting melanin recessive imposters like Shaun King(pic above).  This white activist is going around telling people he’s a black man when he has already been exposed as a white man by his white mother and father. This is insulting to all black people.  But this is what happens when you let everyone claim blackness.  We got to put an end to this.  This has really gotten out of hand. So what do you think?  Am I on to something?  I’d love to hear your thoughts.

Is Mixed Race better?- Black Genetics(Part 2 of 4)

My last post was about who is black/African. But for part two I wanted to address the idea of race mixing.  It has been an issue for hundreds of years.  And for black people at this moment in time it’s a serious issue.  Black people have been taught by this racist society that looking African is a bad thing.  We are taught that being black means being ugly and inferior.  So I ask the question…is being mixed race better? is being less black-looking better?  In this racist culture many people would say it does.  many black people that are full of self hatred would agree for sure.  This video(above) is very disturbing for many reasons.  This black women has obviously lost her damn mind.  This braindead fool thinks a “super race” will be created by race mixing. She doesn’t believe in black power or black unity.  She talks about the greatness of having melanin and seeing the greatness in yourself.  Which is no a bad thing.  But she’s talking only about the greatness of black women and how they will birth the new “super race”.  She talking about giving the black womb to other races of men other than black men. Is this black greatness?  is making mix raced babies the answer to racism? She sounds very intelligent and articulate.  But I’m not falling for her nonsense.  It sounds like just an excuse to hate black men and promote swirling. This woman is clearly delusional.

Biracial mixed....

One Drop rule.....

Light Bright...

Then of course there is the issue of the “one drop rule”.  This is the belief that a if a person is even partially black they must be considered a black/African person.  The video above is very good.  The narrator explains in a very analytical way how the one drop rule is destructive for black people. The definition give for the one drop rule is the following:

“The one-drop rule is a social and legal principle of racial classification that was historically prominent in the United States asserting that any person with even one ancestor of Saharan-African ancestry (“one drop” of black blood) is considered black (Negro in historical terms). This concept evolved over the course of the 19th century and became codified into law in the 20th century. It was associated with the principle of “invisible blackness” and is an example of hypodescent, the automatic assignment of children of a mixed union between different socioeconomic or ethnic groups to the group with the lower status.

We can no longer fall for this propaganda.  This is an obvious attack on melanin and black genetics. I would love to hear your thoughts.

Diana Flave

Diana Flave1...

This gorgeous beauty is Diana Flave.  She is a great representation of African beauty. She is also Miss Tanzania 2016.

Diana....