Black Transgender Women/Men: Redefining Womanhood?

Janet Mock...

Take a real good look at this person.  This is a black man. Or is it? Well I guess it depends on who you ask.  This person on the cover of Metro Weekly is Janet Mock.  The tagline on the magazine says “mighty real”.  Which is very misleading since there is not much real when looking at this cover.  You see Janet Mock  was born a man.  Which means he has a penis.   As far as I know he hasn’t had his penis removed so he’s still a man. But that’s my definition.  But according to this deranged European culture I’m living in I’m supposed to call him a woman. But isn’t Janet just a man in a dress? If I put on an astronaut suit does it make me an astronaut? If I paint myself white does it make me a white man?  I wouldn’t think so.  But the fact they we have to call these people a certain gender because it’s what they “feel” like shows you we are way off course.  We have really lost our minds.

Laverne1...

And what’s really scary is that more and more black people are accepting this false reality.  One of the most popular men  in this transgender movement  is Laverne Cox(pic above).  Cox has been on numerous mainstream magazine covers. He’s been on so many I’ve lost count.  Covers that many authentic black women have never been on.  Why is that?  Is the racist white media trying to redefine black womanhood? Are they trying to portray black women as more masculine by having men imitate them? Sure looks like it to me.  I think it’s a way to destroy the divine feminine principle. It seems like a combination of both sexism and racism.  In a way it’s an insult to both black men and women. Are they trying to get rid of black alpha males? This is really sick and twisted!

Laverne Cox1...

Amiyah Scott....

Then we have actor Amiyah Scott. Amiyah is on the drama Star. Star is produced by well known homosexual Lee Daniels.  Much like his other show Empire,Star is full of masculine lesbians,homosexuals,transgenders,violence,crime and interracial sex.  All the things Daniels loves to portray as normal for the black community.  By having more transgenders on network television it normalizes it.  Which is the purpose in my view.

I don’t really follow the transgender/homosexual culture so I never knew about this.  But they actually have transgender contests.  It’s really big in Atlanta.  The video(above) is a contest in which men compete to see who looks the most like a woman.  It’s called the “I AM BALL” contest.  I could tell they were all men so I don’t know how the hell you pick  a winner.

Lesbians...

Not to be left out but they also have a competition for a female to male transition.  This is were females compete to see who looks the most like a man. This is really crazy to watch.  I can’t believe they actually have a contest for this type of thing.  What the hell is going on in Atlanta? I thought it was knows as “Black Mecca”.  Is this what our people are now embracing?

Chimamanda Ngozi Adiche is a Nigerian writer of novels and short stories.  In the video(above) she says that you can’t compare the struggles of women that were born women with transwomen.  She says that it’s not the same thing because they have been women since birth.  Just so you know the term being used today is cisgender. You will hear terms like cis male or cis female.  Which means “male assigned male at birth”. Assigned??  I thought that you are whatever you were at birth.  But you see how they’re making up all these terms to confuse us. Well at any rate Adiche was attacked by actor Laverne Cox. Cox disagreed with Adiche’s statement.   Although she didn’t address Adiche directly,here’s the statement by Cox:

“I was talking to my twin brother today about whether he believes I had male privilege growing up. I was a very feminine child though I was assigned male at birth. My gender was constantly policed. I was told I acted like a girl and was bullied and shamed for that. My femininity did not make me feel privileged. I was a good student and was very much encouraged because of that but I saw cis girls who showed academic promise being nurtured in the black community I grew up in in Mobile, Ala. Gender exists on a spectrum & the binary narrative which suggests that all trans women transition from male privilege erases a lot of experiences and isn’t intersectional. Gender is constituted differently based on the culture we live in. There’s no universal experience of gender, of womanhood. To suggest that is essentialist & again not intersectional. Many of our feminist foremothers cautioned against such essentialism & not having an intersectional approach to feminism. Class, race, sexuality, ability, immigration status, education all influence the ways in which we experience privilege so though I was assigned male at birth I would contend that I did not enjoy male privilege prior to my transition. Patriarchy and cissexism punished my femininity and gender nonconformity. The irony of my life is prior to transition I was called a girl and after I am often called a man. Gender policing & the fact that gender binaries can only exist through strict policing complicates the concept of gendered privilege & that’s OK cause it’s complicated. Intersectionality complicates both male and cis privilege. This is why it is paramount that we continue to lift up diverse trans stories. For too many years there’s been far too few trans stories in the media. For over 60 years since Christine Jorgensen stepped off the plane from Europe and became the first internationally known trans woman the narrative about trans folks in the media was one of macho guy becomes a woman. That’s certainly not my story or the stories of many trans folks I know. That narrative often works to reinforce binaries rather than explode them. That explosion is the gender revolution I imagine,one of true gender self determination.”

What was this garbage?  This Cox character has lost his mind! All this talk of gender policing and gender binaries is total nonsense.  He was assigned male at birth because he is a MAN.  It’s just that simple.  All these terms are just going to confuse the younger generation.  They will see homosexuals,lesbians and transgenders as just normal behavior.    This is why men like Cox,Janet Mock and Amiyah Scott are given books and television appearances.

Gender neutral....

This is another reason people are debating gender neutral restrooms.  Why is this even a debate?  A man in a dress should not be able to go into a women’s restroom.  There are little girls in there.  No one wants a man pretending to be a woman in a women’s restrooms.  And I don’t think most men would want a transgender men in a men’s restroom.  This shows you how sick European culture has become.  It is going right down the toilet.  And this is all by design.  And this is a serious issue for black people because we live among them.  It is destroying how we view sexuality and womanhood. As I said before I think it’s a way of redefining black womanhood. And to destroy the divine feminine principle.  I hope black people are paying attention.  We are truly living in Hell.

Walt Disney: Who was Walt? (Part 1 of 2)

Walt Disney1....

A cherished American icon, Disney has become much more than a corporation, or a collection of cartoons, theme parks, and childhood memories–Disney has become (and really always has been) a carefully orchestrated web of archetypal symbolism derived from the Ancient Mystery traditions of Egypt, and stimulated by the elitist mentality of the American Surveillance State.

Since Marc Eliot’s research novel, Walt Disney: Hollywood’s Dark Prince came out in the late ’90’s (without the authorization of the Disney family or corporation) conspiracy theories about Walt Disney have ranged from his documented relationship with J. Edgar Hoover and the Communist “Witch hunt” of the Cold War era; his relationship to both Freemasonry and Rosicrucianism; the incredible amount of esoteric symbolism that was put into Disney’s media that persists now more than ever; his neurotic, obsessive-compulsive tendencies that he reportedly self medicated with narcotics and alcohol; and, his known sympathies with the Nazi regime, his anti-semitism, and a reported sexism in the workplace. Some of these claims even reach into more speculative grounds, such as Disney’s ties to pedophilia, and even the mafia. This article will serve as a brief, open-source investigation into the claims of the man behind the facade of the Disney Public-Relations funds–the true face of the “imagineer,” the man seeking to capture the imaginations of America’s youth, Walter Elias Disney.

Walt himself had a lonely upbringing, lacking what he felt to be a meaningful relationship with his parents. His mother reportedly was quite cold to him, and Walt’s self-proclaimed love for animals over humans was said to have stemmed from this sense of isolation as a child. Presumably because of this type of upbringing, as a child Walt excelled in the Freemason-affiliated “Order of the DeMolay” which is an international masonic organization for young men at the ages of 12 to 21. The title “DeMolay” is derived from the last Grand Master of the Knights Templar, Jacques DeMolay.

As an adult, Walt joined the “Ancient Mystical Order of Rosae Crucis” (AMORC) which is the largest known organization of Rosicrucianism, and also boasts the membership of people like Star Trek creator, Gene Roddenberry–among so many other noteworthy names. For those unaware, Rosicrucianism is a surviving occult school of thought that primarily studies the Ancient Mystery teachings promoted by Egypt (dating much earlier than the Egyptians, however) through the lens of more traditional Western symbolism. Generally, it is considered a form of esoteric Christian mysticism. While this may paint a certain measure of nobility around Walt Disney, there is a great deal of evidence to show that he was a deeply troubled individual that suffered a degree of gender-identity confusion which resulted in ambiguous attractions that caused troubles in his marriage. There are also reports of Walt Disney cross-dressing, which raises the question of whether he and J Edgar Hoover ever had any fully “dressed” classified meetings.

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In regards to this esoteric symbolism, anyone readily attempting to dispute Disney’s occult symbolism is either in denial, or hasn’t actually seen any Disney cartoons: from Bambi, Dumbo, and Pinocchio, to more overt occult references like Sword in the Stone, Alice in Wonderland, Sleeping Beauty, Snow White, The Little Mermaid, Aladdin, even Fantasia–the list goes on and on. Witches, wizards, genies, alchemy and magical spells galore, Disney was not coy at all when using his inspiration from the ancient Mystery teachings. This not only survives to this day, but has become even more blatant with the purchasing of both LucasFilms and Marvel Comics, and now Disney is creating science-fiction wars with extra-dimensional entities and uniting ancient Norse gods with the Military Surveillance State and weapons-contractor billionaires.

Speaking of science-fiction wars with extra-dimensional entities, in The Avengers, the Tesseract of the first movie is the direct name and symbolism of occult philosophy, especially Freemasonry and the Mystery Teachings. However, it should be stated that these symbols are not “demonic/satanic/evil” in and of themselves, and are not evidence to condemn Walt Disney, yet the more ominous claims are yet to come. In consideration to Walt Disney’s ties to freemasonry, it is likely that he was considered an honorary 33rd degree by at least one lodge or another, but some Freemasons deny this claim. Walt excelled in the DeMolay as a young man, and even originally made Mickey Mouse a member of the DeMolay as well. Since Rosicrucianism and Freemasonry often go hand-in-hand, it seems that his specific title as a mason is perhaps an overall moot point that is still being debated.

Walt Disney was said to be a man of high-energy, with awkward social tendencies, neurotic personal habits, and even questionable moral fiber as a father and overall human being. If Walt really was a practicing Rosicrucian, its hard to consider that he was also a pedophile unless this Rosicrucianism was a facade for deeper, black-magick ritualism (which is a documented thread of research when dealing with the upper echelons of Elitist Society). While this remains the most speculative of the claims, there does appear to be preliminary evidence for it–especially considering the continuing threads of the Disney corporation’s relationship with the surviving Project: MKULTRA that inherently deal with trauma-based mind control that is largely based on black magick from the Egyptian “Pyramid Texts”.

A primary MKULTRA derivative, slang-titled Project: MONARCH, has intrinsic ties to pedophilia as well, and is said to have connections to common scandals like Jerry Sandusky, Larry King and Boystown (not the talk-show host), the Vatican’s whole string of events, Bohemian Grove rituals and onward. And yes, Disney is continuously found in the equation, at least from the social-propaganda standpoint. Unfortunately, for those readers still looking to salvage some humanity out of Walt Disney from this read, there are certainly specific accusations of Disney himself participating in pedophilia. A research novel  written by Darwin Porter, entitled Hollywood Babylon Strikes Again, illustrates the many different sex scandals of the Hollywood elite that were completely buried by Public Relations campaigns, and highlights Walt Disney in the process. Said to have a strong attraction to young star, Bobby Driscoll (voice of Peter Pan), the book even alleges that Disney owned a Los Angeles apartment for the sole purpose of meeting up with young boys that he paid to sleep with.

What can be more concretely stated about Walt Disney is the elitist social mentality that is often slipped in between the lines of Freemasonry and esoteric societies. The symbolism behind masonry is inherently meant to be recognized as the responsibility to “build” all things in their life with spiritual alchemy–transmuting the baser elements of existence into “gold,” whether it be within themselves, their business, their community, et cetera. This is obviously not an inherently negative concept, but when this idea of “hidden knowledge” meant to “build” society was met with Sigmund Freud and his nephew, Edward Bernays’ Rockefeller/Rothschild funded Public Relations media revolution, a serious and narcissistic convolution of esoteric tradition can be noted by the Elitist bloodlines of western society.

Instead of being the keepers of esoteric tradition, it became a closely guarded secret that was kept from the general public, and given to them in “proper doses” of esoteric symbolism and mystery traditions throughout the various media outlets. This is obviously, very heavily reminiscent of the Eleusinian Mysteries in ancient Greece, and how these Mystery traditions played a direct role in the theater and art media of the culture, as well as the politics.

Considering Walt Disney, there are two more crucial points worth addressing: his documented relationship to J. Edgar Hoover and Joseph McCarthy’s Communist “Witch hunt” of the Cold War era, and an assessment of his role in the Mainstream Media’s Globalist agenda, streamlined during the propaganda of the two World Wars, continuing with full force today. Due to the Freedom of Information Act, formerly-classified FBI documents reveal Walt’s deep-seated relationship with J. Edgar Hoover and his bureau, even dating back to the original construction of the Disney World theme park.

Hoover, known for his own connections to secret societies and extensive neurotic tendencies that were similar to Disney’s, clearly forged a type of cordial friendship with Walt. Walt, working as a sort of FBI-agent “contact” during the Cold War communist scare, was helping the FBI feel that they were covering their bases and gaining Walt a very strong pro-American image among the Elite. This even allowed him certain privileges at the FBI, such as certain levels of lower FBI classification clearances when it was requested. However, not only were Disney’s accusations against individuals for communism questionable, but they were often (if not always) ill-founded, stemming from neurotic tendencies. For brevity, a general analysis of the declassified information appears to demonstrate that “communism” was a tool used by Disney to justify his social neurosis and his ideas of social elitism. Whether it was conscious or not, Disney used the idea of communism to demonize the people he did not enjoy; to demonize them in a way that put him in the good graces of people like Hoover. Two birds with one stone. The entire portfolio of Disney-related FBI documents can be viewed here.

While the specific details of the dark history of the Disney family may still not be flushed out, there is enough damning information here to show that Walt Disney was indeed heavily participating in the globalization elitist agenda. Even if he was not a pedophile with connections to high-level criminals, he was a neurotic bigot with massive social inferiority that he subsequently sought to project into the minds of countless children and generations to come. Disney was deeply fascinated with esoteric Mystery teachings and clearly understood this in relationship to archetypes and the collective consciousness.

Another open-end of the research includes further speculation into who Walt Disney’s true parents may have been, since this was a notion that recurred to haunt him throughout his life until he finally found that he had been adopted; and some have even correlated this to a certain amount of blackmail that Disney may have received from the FBI, concerning Walt’s true origins. However, these seem to be speculation at this point in time. Additional final notes include that he was known to have a strong distaste for Jews, which Walt interestingly said had been harbored because Jews had monopolized a stranglehold on the media, and because of this, he had a known affinity for the Nazi regime; Project Paperclip being something that Walt truly reveled in. Werner Von Braun went on to have a prominent role in both NASA and Disney’s Tomorrowland Public Relations, and a great deal of his word went into a Tomorrowland TV documentary (aired in the 1960’s) that explained the probability of being able to colonize Mars in the near future.

Still, all of this clearly remains a bit of surface level investigation, and there are still a great many interesting avenues of research that have completely ripened for the picking in the Alternative News community; fruit that will hopefully be plucked and shared with the rest before too much longer. In any case, Disney obviously had a hot streak of elitist mentality where he felt it a philosophical, even metaphysical responsibility to give esoteric fodder to the imaginations of American children.

From witches, magic potions and Nazis, to government espionage, propaganda, drugs, and sexual perversion that may have teetered into pedophilia, Walt Disney was truly the Dark Prince of Hollywood, whichever way one decides to slice this pie.

Article by Anthony Tyler

Princess Boy? Is this the future we want for our kids?

This little boy likes to dress up like a girl. I think this is what a pro-homosexual/lesbian/transgender culture creates. And I’m afraid we will see more of this in the future. This country is going down the toilet. This is really sad to see. I can’t believe his parents are okay with this.