Serena Williams: Validation through Dilution

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There has been much fanfare about the new August cover  of Vanity Fair.  It features tennis great Serena Williams.  The black woman’s body is a beautiful sight to behold.  And a pregnant woman is a glorious representation of new life.  So when I saw the pregnant Williams I first thought it was beautiful.  Then I had to remind myself that she was carrying a white man’s seed.  But Williams is not alone in doing this.  It seems many black athletes,singers,politicians and actors love to dilute their black genetics.  Here’s a short list of black and (some biracial) people who over the years have continued to whiten their bloodline…

Ira Aldridge, Maya Angelou, Kofi Annan, Pearl Bailey, Amiri Baraka, Charles Barkley, Harry Belafonte, Julian Bond, Ed Bradley, Carol Mosely Braun, Lonnie Bristow, Avery Brooks, Georg Sanford Brown, Clarence Williams III, Johnetta Cole, Ward Connerly, Sammy Davis Jr., Father Divine, Frederick Douglass, Marian Wright Edelman, Olaudah Equiano (aka Gustavus Vasa), Franz Fanon, Roberta Flack, Henry Louis Gates, Clarence Gilyard, Cuba Gooding Jr., Berry Gordy, Dorien Harewood, Ken Hamblin, Calvin Hernton, Chester Himes, Gregory Hines, Michael Jackson, LaToya Jackson, Reggie Jackson, C.L.R. James, Rick James, Jack Johnson, James Earl Jones, Quincy Jones, Vernon Jordan, Monica Kaufman, Eartha Kitt, Earl Klugh, Ramsey Lewis, Wynton Marsalis, Ali Mazrui, James McDaniel, Bobby McFerrin, Barbara McNair, Edwin Moses, George Padmore, Clarence Page, Floyd Patterson, Scottie Pippen, Sidney Portier, Richard Pryor, Seal, Lou Rawls, Alphonso Ribiera, Dennis Rodman, J.A. Rogers, Roxie Roker, Diana Ross, Richard Roundtree, Leopold S. Senghor, O.J. Simpson, Mike Singletary, Kanye West, Michael Jordan,Taye Diggs, Kobe Bryant, Iman, Alfre Woodard, Garcelle Beauvais,Marcus Allen,Zoe Saldana,Derek Luke, David Oyelowo,Omar Hardwick,Kristoff St. John, Shelby Steele, Clarence Thomas, Melvin Van Peeples, Ben Vereen, Alice Walker, Hershel Walker, Walter White, Charles V. Willie, Montel Williams, Fred Williamson, Richard Wright, and William Julius Wilson.

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Why are we so desperate for white acceptance? Do we not value our African phenotype?  Why do we want to dilute our black genetics?  We are a beautiful people.  We are beautiful with our full lips,dark skin and African textured hair.  We don’t have to be mixed to be considered attractive.  We are taught to hate our own reflection. Over hundreds of years of imperial indoctrination,slavery and colonization we have lost knowledge of self.  They gave us  European mythology full of false white gods and black demons. This is evident by the fact that our most intelligent,successful and athletic even want to reproduce with their oppressor.   Many of these athletes and entertainers don’t see the beauty in themselves.  They can only see beauty in their biracial offspring.  Something that looks less black.  Something less hue-man. They feel by accepting the white penis or  white vagina will exclude them from black pain.  They think by kissing white lips they wont be spat upon by white racism.  But this is delusional. This shows how deep rooted the self hatred can be. Africans are the oldest people on the planet.  The black man is the Original man.  The black woman is the Original woman and the standard of beauty.  All these other races are subspecies. European culture is anti-African by it’s very definition.  But the reality is we don’t need their acceptance or consent for anything.  All we have to do is accept and love ourselves. And once we do that we’ll be taking the first steps in reclaiming power and control over our own destinies.

Black Storytellers: Should they have a Black spouse?

I saw this trailer about a month ago.   It’s for a six-part mini-series called Guerrilla on Showtime.  It’s about an interracial couple who are activists in London during the 1970’s.  It kind of  reminds me of the Black Panthers or Black Liberation Army movements.  It stars actor Babou Ceesay and actress Freida Pinto. Actor Idris Elba also is in the series. But I thought it was strange that the film had Indian actress Freida Pinto has the lead actress.  And I saw virtually no black women in the trailer.  Black women have been fighting against racism and sexism since forever.  Is this the erasure of black women? And even if there are some black women in it…why is the lead female an Indian?  I guess some will say that it’s to show that Indian people struggle with racism as well.  But why can’t we ever show black men and women working together against their oppression?  Why can’t we see many more films of black men and women loving each other? What are we  supposed to take from films like this?  That it’s better to fight racism and oppression if you’re having sex with a  non-black person.  This is utter nonsense! And we can no longer fall for this trap. Black unity and black love  is the answer.

Freida Pinto...

Who needs Assata Shakur? Yaa Asantewaa is not needed either.  Freida Pinto will lead black people to freedom!  She is the savior for black people! This would be funny if it wasn’t so sad.

John Ridley....

So after seeing the trailer I wanted to see who was the creator of this series.  I found out that the executive producer is John Ridley. Ridley is a screenwriter,novelist and director. He won an Academy award for his screenplay of 12 Years a Slave. He also is the producer of the show American Crime.  The picture(above) is of Ridley and his Asian wife Gayle.  His wife isn’t black so is this why he didn’t cast a black woman as the lead in his new series?  And why are all these men without black wives telling black stories?  And he’s not the only one. I have noticed black actors,directors and producers telling black stories without black wives.

Steve McQueen.....

This is director Steve McQueen.  McQueen grew up in London. He’s good friends with John Ridley because he directed 12 Years a Slave.  This picture(above) is McQueen and his Dutch wife Bianca.

David Oyelowo...

Actor David Oyelowo is another black British man.  He has been in films like The Butler,The Help,A United Kingdom and Jack Reacher. He even played Martin Luther King in the film Selma. Should this man be playing black historical figures?  This is a picture of him and his white wife Jessica.

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Jordan Peele....

Actor/filmmaker Jordan Peele got a lot of praise for his horror film Get Out.  It broke box office records making over $160 million.  Some say it was a great horror film.  Some say it was a film that had a much more deep psychological meaning to it.  It definitely had a lot of subliminal messages regarding racsim,occultism and organ harvesting.  But some may not know that he’s biracial.  Peele has a white mother.  And his wife Chelsea is a Zionist Jew.  So even though he told some truths in the film Get Out..will expose it all? Will he tell black people everything that racists whites are doing in Hollywood?  Is wife is a Jew so I know he has some insider information.  But the question is…who is he loyal to?

Underground...

John Legend...

The television drama Underground takes place during slavery.  It has been getting good reviews from critics.  One of the executive producers is singer/songwriter John Legend. He will even play Frederick Douglass in an upcoming episode. His wife is model Chrissy  Teigen.  Her mother is Thai and father is white.  That makes her a hapa. If you don’t know what that is go look it up.

Nate Parker....

Of course we can’t forget actor/director Nate Parker. Parker directed the controversial slave rebellion film The Birth of a Nation.  The film had some good elements and some truth in it.  But it was mostly controversial because back when he was in college Parker was accused of raping a white woman. He claims he was innocent and that people should support the film.  I’ve seen him in interviews and he seems intelligent and articulate. But he can’t be too smart because if that white woman caused him so much grief why did he go and marry a white woman.  What sense does that make??? Some negroes never learn. Anyway this is a picture of him and his ugly ass wife Sarah.Sunken Place....

I bring up this issue because I wonder can they be trusted. Can they accurately tell the black experience?  Can they express our pain and struggle?  Can they express the truth about our oppressors if they’re married to them?  Can they be about black love but not married to black women?  These are the questions that come to my mind. But I think they hire these type of men because they know they’re not about black empowerment. They will always be intellectually dishonest about the black experience.  They know that since they have non-black wives they have already been compromised. The interracial element just adds more confusion to the black psyche. We must be careful watching anything by these men. These films have a way of  distorting black consciousness. And keeping us stuck in the “sunken place”.

The Purge films aren’t Fiction!

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Racist Hollywood always has a way of telling you the truth through their films.  They want you to think it’s all fiction..when many times it is TRUTH.

Plantation Retreats- Black Degradation and White Depravity

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Those who have loved and dated across the color line have to negotiate the realities of race in our society, and by extension, its impact on their relationships. For many, this is done through explicit conversations. For others, these dialogues come implicitly, through gestures, and taken for granted shared assumptions.

But how many folks actually talk about how race impacts their own sexuality, attraction, physicality, or notions of the erotic?
We live in a society that is structured around many different hierarchies of power, authority, and difference. As Foucault brilliantly observed, Power is not sitting out there in the ether, an abstraction that we just talk about in philosophy classes. Power acts through and upon bodies. Certain people are racialized in American society for example. Their bodies are locations of power–and yes resistance. Likewise, certain types of bodies are marked as “normal,” while others are deemed “different” or “abnormal.”
The “popular” imagination holds many assumptions about particular types of bodies. The black male body is something to be policed, controlled, and feared. It is both envied and despised. The Asian female body is “erotic” and “submissive.” The black female body alternates between being fecund, always available, and out of control, while simultaneously being marked as “masculine,” asexual, and unattractive. Latinas are “hot” and “sexy.” White bodies of a certain type are taken as the baseline for what is considered “beautiful” or “normal.”
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Ironically, the bodies of black and brown people which are considered beautiful or attractive by the white gaze are judged as such either by how “different” they are from white norms (the exotic or savage) or how close these racialized bodies–almost like impostors or stand-ins–are to the normalized white body.
The very language we use to discuss race, the physical, and the sexual, is a quotidian example of Power in action. But, how are matters complicated when a significant part of a given person’s sexuality, and sense of the erotic, is centered on playing around with the dynamics surrounding dominance and submission?
Consider the following passage from the Colorlines article “Playing with Race”:
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Contrary to popular notions, BDSM is not about abuse. It’s consensual and trusting and people refer to it as “play” (as in “I want to play with you”). The point of BDSM is not sexual intercourse. In fact, when Williams recalls her first experience as a masochist seven years ago, she says she met her partner, a white man, at a bar and “fell in love at first sight.” They made their way back to his hotel. “For the first time I felt someone could see who I really was.” And that was someone who found it erotic to be a submissive to her partner.

In recent years, Williams has added another element to her repertoire as a masochist. She’s begun to engage in what is called “race play” or “racial play”—that is getting aroused by intentionally using racial epithets like the word “nigger” or racist scenarios like a slave auction.

Race play is being enjoyed in the privacy of bedrooms and publicly at BDSM parties, and it’s far from just black and white. It also includes “playing out” Nazi interrogations of Jews or Latino-on-black racism, and the players can be of any racial background and paired up in a number of ways (including a black man calling his black girlfriend a “nigger bitch”). White master seeking black slave, however, seems the more popular of the combinations.

I could not engage is such types of role-playing. My personal politics would not allow it; my libido would not respond.

That is my choice. I do not deny others their pleasure.

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However, as someone interested in the relationship between race, politics, and racial ideologies, I am fascinated by how individuals negotiate white supremacy and Power.

Are people like Williams or Mollena more “evolved” and “progressive” than those of us who cannot decouple the realities and burdens of race from their bodies and psyches in the present? Alternatively, could this deep sense of both owning and living in a racialized body, be turned into a location for pleasure and catharsis:

Vi Johnson, the black matriarch of BDSM, has presented on race play at kinky conferences and she believes the appeal is different for each person. “When you’re being sexually stimulated, you’re not thinking that what’s stimulating you is a racist image, ” she says. “You’re just getting turned on.”

So, for some, she says, race play is about playing with authority and for others, it might be humiliation.

Well-known sexuality and SM educator Midori, who is Japanese and German, often presents her theory that humiliation in BDSM is linked to self-esteem. Take the woman who likes it when her boyfriend calls her a “slut,” Midori says. Perhaps the woman internalized the idea that “good girls don’t,” but she enjoys her sexuality. Because the boyfriend sees her in all her complexity, Midori says, when he calls her a slut, “he is freeing her of the social expectations of having to be modest.”

That’s different than having some stranger (and jerk) calling you a slut. The stranger doesn’t see the full woman. It’s similar with race play, Midori says. By focusing, for example, on a black man’s body, while he’s bound as a slave, she’s bolstering his own perception of himself as strong and powerful…

Her workshop demonstrations have included full auction scenes mimicking those of the Old South. In them, she is the plantation mistress inspecting a black man for “purchase.” He’s in shackles and “I slap him on his face and push him down on the ground, make him lick my shoes,” she says, emphasizing that she only does the demonstration after the “psychological” talk.

In the interest of transparency, I am a sex positive person (at least according to the survey on yourmorals.org). In many ways, I am also a bit of a libertine and a hedonist who is comfortable in both exclusive and open relationships. I also have certain predilections and tastes that more “vanilla” folks could find “kinky” or “different.” Ultimately, I am just myself, and do not know how to pretend to be anyone else.
I am also full of contradictions and complications as sexuality and the erotic are not neatly bounded constructs (for example, I do not like watching interracial porn where white men have aggressive sex with black women as chattel slavery looms too large in my mind; however, I have no problems watching black men have aggressive sex with white women). I have also dated many women from a range of racial backgrounds: I love women; I love variety.
I share those details not to titillate; rather, because while I am rendering a judgement of sorts, I would not want to sound “judgmental.” The difference is a subtle, but nonetheless, an important one.
One of the questions I will be asking Viola Johnson from the Carter Johnson Leather Library when I interview her in the next few weeks (fingers crossed) is how do we separate more “healthy” types of race play from those encounters that are rooted in disdain for the Other and white supremacy. Are these just inter-personal contracts or do these types of sexual relationships gain power (and are made erotic) precisely because of how they signal to larger societal taboos?
If the website Fetlife is any indication, there is apparently a not insubstantial number of people who engage in sexual roleplaying and BDSM using the motif of chattel slavery in the antebellum South. A cursory review of the member profiles suggests that many of these people are white supremacists. This is apparently not a deterrent to the black men and women who want to “serve” these white masters.
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Here a white “slave owning” master offers some insight on race play and “plantation retreats”:

My major kink-interest is in chattel slave-ownership in today’s world but following the historical models of 8,000 years of historical slave-ownership tradition (from Greek-Roman through modern day)…along with everything that might relate to it (which sometimes can go pretty far into the realm of BDSM activities, depending on the partner). I’m very knowlegble in the field of historical slavery.

Some of my other non-kink interests include history and philosophy, classic cars, music, science, singing and writing lyrics, architecture, comparative culture, language, reading and counseling..

I get a lot of questions about “Plantation Retreat”…so here are some basic facts:

My goal in creating and hosting Plantation Retreat is to provide a safe and welcoming, private place (and opportunity) for White Masters and plantation slaves/niggers to meet and explore their mutual fantasies. I get a lot of questions and answer many individual questions. To simplify things…here is some general basic information:

The gathering lasts for up to 2 weeks this year, with the main gathering around the 4th of July…folks can stay as long or as short a time as they want (some stay even longer). Masters can stay at the compound here or in a hotel if they want to (as can any personal slaves that they bring with them or any other slave that is ordered to do so).

Slaves arriving on their own stay here and are considered (and protected) as property of the plantation or my personal property.

Slaves sign up for a specific length of service. Slaves can specify what their limits are or that they will serve in any way the Master/guests desire. Sex is not required, but depends on individual choice (as do other activities). Most Masters desire to use slaves sexually in addition to normal domestic services. Some slaves are used only for hard labor. A slave’s assignments and duties are based on its experience and ability-level (some require whipping or punishment). Masters have their own king or queen bed (up to 5 available); slaves sleep where they are told to sleep (unless they are ordered into a Master’s bed and allowed to sleep there). Normally a slave sleeps at the foot of a Master’s bed, but some can be chained or caged elsewhere.

The minimum requirement for slaves is that they be obedient and respectful of all Masters and work to give the Masters and enjoyable time. This can be anything from preparing and serving drinks and meals, doing housework or yard work, to providing sexual relief on demand, to hard labor in the compound (depending on the slave’s previously-stated limitations). Slaves should expect Masters to be totally comfortable and free in using humiliating or degrading racist speech in referring to or speaking to mud-slaves. It’s not all punishment and misery for slaves…there is plenty of time for camaraderie and playful fun also. Some slaves even form a brotherly bond with the other slaves that serve with them. Masters also form lasting bonds and friendships based on their mutual interests and sharing slaves.

It’s just a small friendly gathering of White Masters at my house/compound….being served by mud-slaves as might have been in a modern version of slave-days. one might call it a situation of consensual non-consent/slavery. Slaves can set their limits and the time they will be in service as slaves in advance…. and also what they expect to learn and experience from the experience. The more that a slave lets me know about itself in advance, the better I can guide its growth from the experience.

Backstage racism mates with BDSM, the eroticization of the black body, and finds a place online through a variant of cyber-racism. Amazing. We do in fact live in interesting times.

White supremacy is a mental illness. Western (and global) society is sick with it. All of us, across the color line, have been impacted by white supremacy and white racism. But who are we to judge how adults in a consensual relationship decide to work through its pain and ugliness?
As is per our tradition at WARN, here are some concluding questions.
Have any of you engaged in race play? For those of you in inter-racial relationships, how do you negotiate these bigger questions of race and the erotic? If our kinks and sexual predilections are in some way a function of life experience, trauma, early childhood experiences, etc. what happened in the life of a black person who is willing to play a slave for the pleasures of white racists?
Article by chaunceydevega

Devils Among Us: James Marion Sims

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Some of you may not be familiar with this devil.  His name is James Marion Sims.  He is known as the “father of modern gynecology”. This so-called doctor performed painful experiments on black women.  He claimed that they could endure more pain because of their race!  This creature was disgusting!

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Here’s a great video by Dr Joy DeGruy.  She goes into great detail about this sick monster. They don’t teach much about him in schools nowadays.  They never want to tell you too much about how badly they treated us.  They like to bury a lot of their evil his-story.

 

Will you go see Birth of a Nation?

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I know this might not be a popular viewpoint so let me state that this is simply my position. I do not condone, nor can I excuse the actions of Nate Parker when he was a younger man. As a survivor of sexual assault I understand first hand that it leaves scares that one must learn to live with. I can only hope that he has learned how devastating his behavior was, and become an advocate against sexual assault. I must say my concern is that personal issue with Parker threatens to take away from a film that we need to see. Too many of us have supported people that have done very terrible things in the name of being entertained. However, this isn’t just about entertainment but a story that needs to be told.

I personally find the timing of the Nate Parker story interesting. It came and caused some to say I won’t see the film because I refuse to support Parker. I truly believe this was the overall agenda of the media. Think about it… how many films do we have that depict the enslavement periods? We have quite a few, varying in accurately, but how many depict uprising? To many say we should move on from this period because it is in the past. We need to put slavery behind us we are told.

However, no one tells Holocaust survivors and descendants to move on. Yet the bottom line is there is plenty of accepted open dialog on the Holocaust. Germany has had to reckon with that history. Truth be told… the reason we can’t just move on is because America has never reckoned with the enslavement of black people. It has never been dealt with. Yes, we are aware it happened but the ramifications of it have never been dealt with.

Right now we have schools trying to rewrite history in an attempt to erase the evil of Americans past. Instead of facing where we have been as a nation… we are trying to wash it away. That is simply impossible. We need the arts (film, literature, art, music) to tell our story. It’s important that it be told all of the enslaved did not accept their condition lying down. It’s important for the very psyche of American born blacks to know yes we did fight back. The depiction of us in the world is not always accurate. It’s important that other people of color, as well as our African brothers and sisters, know our plight. It needs to be our story told by us.

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This film is bigger than Nate Parker, and its need is great. I don’t condone his behavior as a man, yet I appreciate his courage to make such a film. As one who majored in English, and History, I will be going see this film at least twice. I will view it once for myself, and once to write a review. I support the telling of our stories. The voices of our ancestors have been silenced from us for far too long. We need to feel their strength and understand their sacrifice. I’m going see Birth of a Nation, and I hope many of us will be in the theatre to support the telling of our history… by us. Birth of a Nation releases in theaters nationwide October 7, 2016.

Article written by Christian Starr