Just a week ago I went to a Kwanzaa celebration. It was held at the KRST Unity Center of Afrakan Spiritual Science in Los Angeles. It is ran by Reverend Dr Richard Byrd and his wife Reverend Erica Byrd. The center is dedicated to the principles and practices of MAAT. The event itself was free for all to come. It was nice to see so many black men,women and children having a great time. There was no drama and no fighting . There were black vendors and musicians that performed. There was a candle lighting ceremony that highlighted the principles of Kwanzaa. They explained libation and why our ancestors did it. There was a beautiful poem by poet Tasha Auset. A rap performance by a young man named Jeremiah Berryman. He was a real talented brother. He was dropping positive lyrics with no profanity. There was comedy by Daryl Mooney the son of comedian Paul Mooney. As well as a Kwanzaa play and African dancing. At the intermission the reggae group Fountain of Roots performed. Guest speaker Michael Imhotep from the African History Network had a lecture at the end of the ceremony. I really enjoyed myself. You could feel the love in the place. It’s nice to be around black people that are comfortable in their own skin. Everyone I met was really positive. The vibe was very positive. But I had such a great time I thought I would share some of the pictures and videos of the event.
This brother(above) is Tony B. Conscious. He’s a very talented rapper and spits positive lyrics. I was joking around with him the whole night. He is really cool and a down to earth brother.
This is Tony’s apparel he was selling at the event. He not only raps but makes t-shirts,beanies,hats,jewelry and is a painter. He’s a very talented artist. This brother does it all! I bought a beanie and t-shirt from him.
This beautiful sista is Yendi Serwaa. She is a very talented woman in her own right. She makes all these unique crafts and is also a painter.
These are some of the products(above) she was selling. Yendi is also on the Board of Directors at the KRST Unity Center.
This picture(above) is of Reverend Richard Byrd and Herb Alkhemyst. Byrd is also known as Meri Ka Ra. It was a pleasure to meet the elder. He was a very nice man. The lovely Alkhemyst is a singer/songwriter and herbalist.
Koshana Kweli and Kateria Knows also attended the event. Kweli is a spiritual consultant and child care provider. Kateria is an amazing astrologer and creator of the Real Family Reunion. Kateria spoke at the event about the power of purpose. It was a great speech. They were really cool and down to earth sistas. It was a pleasure to meet them.
This picture(above) is with Herb Alkhemyst and her sister Kateria Knows. They’re pictured with Michael Imhotep. He has a blogtalk radio program called African History Network. Imhotep gave a very powerful lecture at the event. I got a chance to chat with Imhotep for about thirty minutes after the event. I even bought a few of his dvd’s.
This was their first annual Kwanzaa event. They say they will do more in the future. I’ll definitely try to attend the event again. It was just a really nice way to end the year. Black people talking about black unity,black economics,African culture,black history,black relationships,black unity and black love. And those are the things we all need to carry on into 2018. ❤
Umoja Karamu (oo-MOH-jah kah-RAH-moo) is a celebration of unity within the African-American family, community, and nation. Umoja Karamu is a Swahili term meaning “unity feast.” Many African Americans celebrate this day as an alternative to the national Thanksgiving Day holiday. The unity feast may also be observed during Kwanzaa celebrations in late December.
The concept of African and African-American unity is centuries old. But during the 1960s and 1970s, it was a major focus of black nationalists. During the 1980s and 1990s, Afrocentric scholars such as Ishakamusa Barashango, lecturer, author, and founder of Philadelphia’s Temple of the Black Messiah, drew further attention to the theme.
Barashango, who died in 2004, argued that African Americans and black people of the diaspora should reject such European-American holidays as Thanksgiving and concentrate instead on understanding Africa’s culture and values that are the distinctive heritage of black people.
In 1971 Brother Edward Simms Jr. of the Temple of the Black Messiah in Philadelphia developed Umoja Karamu to celebrate the African-American family and home. According to Barashango, Simms defined the purpose of Umoja Karamu as “an effort to inject new meaning and solidarity into the Black Family through ceremony and symbol.”
The date for the holiday, the fourth Sunday of November, was established by the Temple of the Black Messiah in Washington, D.C. African Americans in other cities, including Philadelphia, Baltimore, and Chicago, soon followed the example.
The celebration is based on five periods of African-American life, each represented by a color.
Today is my so called birthday. In reality you only have one birthday,the rest are just anniversaries. My age is irrelevant since my soul is eternal. I want to give thanks to the Most High for letting me live to see another year. Of course tomorrow is not promised to anyone. I also want to thank all my followers and fellow bloggers for their love and support. Brothers and sisters such as TruthbeTold,Onitaset Kumat,Cree,TrojanPam,King Lo the Rastar,Edens Sahara,Jakke Brown,Honeytreebee,Mary Burrell,Ajua Luv,Moorbey,Sunny Delyte,Hung Like Jesus,HuedFlower,Infinite Alchemist,No BlackPete,Asad from UBA,Land of Kam,LBM,Kemetia and Nicoleizhername. These people have a relentless quest for truth,justice and equality. This is the reason I admire all of them and appreciate their dedication and hard work. I’ve learned a lot from all of these people. Please forgive me if I didn’t mention your name. Judge my brain not my heart. Lets all work together and do all we can to rid the planet of racism and injustice. With people like you out there,I feel a lot more confident in this battle. Your brother,KP.
The name Kwanzaa is derived from the phrase “matunda ya kwanza” which means “first fruits” in Swahili. Each family celebrates Kwanzaa in its own way, but celebrations often include songs and dances, African drums, storytelling, poetry reading, and a large traditional meal. On each of the seven nights, the family gathers and a child lights one of the candles on the Kinara (candleholder), then one of the seven principles is discussed. The principles, called the Nguzo Saba (seven principles in Swahili) are values of African culture which contribute to building and reinforcing community among African-Americans. Kwanzaa also has seven basic symbols which represent values and concepts reflective of African culture. An African feast, called a Karamu, is held on December 31.
The candle-lighting ceremony each evening provides the opportunity to gather and discuss the meaning of Kwanzaa. The first night, the black candle in the center is lit (and the principle of umoja/unity is discussed). One candle is lit each evening and the appropriate principle is discussed.
The seven principles, or Nguzo Saba are a set of ideals created by Dr. Maulana Karenga. Each day of Kwanzaa emphasizes a different principle.
Unity: Umoja (oo–MO–jah)
To strive for and maintain unity in the family, community, nation, and race.
Self-determination: Kujichagulia (koo–gee–cha–goo–LEE–yah)
To define ourselves, name ourselves, create for ourselves, and speak for ourselves.
Collective Work and Responsibility: Ujima (oo–GEE–mah)
To build and maintain our community together and make our brother’s and sister’s problems our problems and to solve them together.
Cooperative Economics: Ujamaa (oo–JAH–mah)
To build and maintain our own stores, shops, and other businesses and to profit from them together.
Purpose: Nia (nee–YAH)
To make our collective vocation the building and developing of our community in order to restore our people to their traditional greatness.
Creativity: Kuumba (koo–OOM–bah)
To do always as much as we can, in the way we can, in order to leave our community more beautiful and beneficial than we inherited it.
Faith: Imani (ee–MAH–nee)
To believe with all our heart in our people, our parents, our teachers, our leaders, and the righteousness and victory of our struggle.
Mazao, the crops (fruits, nuts, and vegetables)
Symbolizes work and the basis of the holiday. It represents the historical foundation for Kwanzaa, the gathering of the people that is patterned after African harvest festivals in which joy, sharing, unity, and thanksgiving are the fruits of collective planning and work. Since the family is the basic social and economic center of every civilization, the celebration bonded family members, reaffirming their commitment and responsibility to each other. In Africa the family may have included several generations of two or more nuclear families, as well as distant relatives. Ancient Africans didn’t care how large the family was, but there was only one leader – the oldest male of the strongest group. For this reason, an entire village may have been composed of one family. The family was a limb of a tribe that shared common customs, cultural traditions, and political unity and were supposedly descended from common ancestors. The tribe lived by traditions that provided continuity and identity. Tribal laws often determined the value system, laws, and customs encompassing birth, adolescence, marriage, parenthood, maturity, and death. Through personal sacrifice and hard work, the farmers sowed seeds that brought forth new plant life to feed the people and other animals of the earth. To demonstrate their mazao, celebrants of Kwanzaa place nuts, fruit, and vegetables, representing work, on the mkeka.
Mkeka: Place Mat
The mkeka, made from straw or cloth, comes directly from Africa and expresses history, culture, and tradition. It symbolizes the historical and traditional foundation for us to stand on and build our lives because today stands on our yesterdays, just as the other symbols stand on the mkeka. In 1965, James Baldwin wrote: “For history is not merely something to be read. And it does not refer merely, or even principally, to the past. On the contrary, the great force of history comes from the facts that we carry it within us, are consciously controlled by it in many ways, and history is literally present in all that we do. It could scarcely be otherwise, since it is to history that we owe our frames of reference, our identities, and our aspirations.” During Kwanzaa, we study, recall, and reflect on our history and the role we are to play as a legacy to the future. Ancient societies made mats from straw, the dried seams of grains, sowed and reaped collectively. The weavers took the stalks and created household baskets and mats. Today, we buy mkeka that are made from Kente cloth, African mud cloth, and other textiles from various areas of the African continent. The mishumaa saba, the vibunzi, the mazao, the zawadi, the kikombe cha umoja, and the kinara are placed directly on the mkeka.
Vibunzi: Ear of Corn
The stalk of corn represents fertility and symbolizes that through the reproduction of children, the future hopes of the family are brought to life. One ear is called vibunzi, and two or more ears are called mihindi. Each ear symbolizes a child in the family, and thus one ear is placed on the mkeka for each child in the family. If there are no children in the home, two ears are still set on the mkeka because each person is responsible for the children of the community. During Kwanzaa, we take the love and nurturance that was heaped on us as children and selflessly return it to all children, especially the helpless, homeless, loveless ones in our community. Thus, the Nigerian proverb “It takes a whole village to raise a child” is realized in this symbol (vibunzi), since raising a child in Africa was a community affair, involving the tribal village, as well as the family. Good habits of respect for self and others, discipline, positive thinking, expectations, compassion, empathy, charity, and self-direction are learned in childhood from parents, from peers, and from experiences. Children are essential to Kwanzaa, for they are the future, the seed bearers that will carry cultural values and practices into the next generation. For this reason, children were cared for communally and individually within a tribal village. The biological family was ultimately responsible for raising its own children, but every person in the village was responsible for the safety and welfare of all the children.
Mishumaa Saba: The Seven Candles
Candles are ceremonial objects with two primary purposes: to re-create symbolically the sun’s power and to provide light. The celebration of fire through candle burning is not limited to one particular group or country; it occurs everywhere. Mishumaa saba are the seven candles: three red, three green, and one black. The back candle symbolizes Umoja (unity), the basis of success, and is lit on December 26. The three green candles, representing Nia, Ujima, and Imani, are placed to the right of the Umoja candle, while the three red candles, representing Kujichagulia, Ujamaa, and Kuumba, are placed to the left of it. During Kwanzaa, on candle, representing one principle, is lit each day. Then the other candles are relit to give off more light and vision. The number of candles burning also indicate the principle that is being celebrated. The illuminating fire of the candles is a basic element of the universe, and every celebration and festival includes fire in some form. Fire’s mystique, like the sun, is irresistible and can destroy or create with its mesmerizing, frightening, mystifying power.
Mishumaa saba’s symbolic colors are from the red, black, and green flag (bendara) created by Marcus Garvey. The colors also represent African gods. Red is the color of Shango, the Yoruba god of fire, thunder, and lightning, who lives in the clouds and sends down his thunderbolt whenever he is angry or offended. It also represents the struggle for self-determination and freedom by people of color. Black is the people, the earth, the source of life, representing hope, creativity, and faith and denoting messages and the opening and closing of doors. Green represents the earth that sustains our lives and provides hope, divination, employment, and the fruits of the harvest.
Kinara: The Candleholder
The kinara is the center of the Kwanzaa setting and represents the original stalk from which we came: our ancestry. The kinara can be shape – straight lines, semicircles, or spirals – as long as the seven candles are separate and distinct, like a candelabra. Kinaras are made from all kinds of materials, and many celebrants create their own from fallen branches, wood, or other natural materials. The kinara symbolizes the ancestors, who were once earth bound; understand the problems of human life; and are willing to protect their progeny from danger, evil, and mistakes. In African festivals the ancestors are remembered and honored. The mishumaa saba are placed in the kinara.
Kikombe Cha Umoja: The Unity Cup
The kikombe cha umoja is a special cup that is used to perform the libation (tambiko) ritual during the Karamu feast on the sixth day of Kwanzaa. In many African societies libation are poured for the living dead whose souls stay with the earth they tilled. The Ibo of Nigeria believe that to drink the last portion of a libation is to invite the wrath of the spirits and the ancestors; consequently, the last part of the libation belongs to the ancestors. During the Karamu feast, the kikombe cha umoja is passed to family member and guests, who drink from it to promote unity. Then, the eldest person present pours the libation (tambiko), usually water, juice, or wine, in the direction of the four winds – north, south, east, and west – to honor the ancestors. The eldest asks the gods and ancestors to share in the festivities and, in return, to bless all the people who are not at the gathering. After asking for this blessing, the elder pours the libation on the ground and the group says “Amen.” Large Kwanzaa gatherings may operate just as communion services in most churches, for which it is common for celebrants to have individual cups and to drink the libation together as a sign of unity. Several families may have a cup that is specifically for the ancestors, and everyone else has his or her own. The last few ounces of the libation are poured into the cup of the host or hostess, who sips it and then hands it to the oldest person in the group, who asks for the blessing.
When we celebrate Imani on the seventh day of Kwanzaa, we give meaningful zawadi (gifts) to encourage growth, self-determination, achievement, and success. We exchange the gifts with members of our immediate family, especially the children, to promote or reward accomplishments and commitments kept, as well as with our guests. Handmade gifts are encouraged to promote self-determination, purpose, and creativity and to avoid the chaos of shopping and conspicuous consumption during the December holiday season. A family may spend the year making kinaras or may create cards, dolls, or mkekas to give to their guests. Accepting a gift implies a moral obligation to fulfill the promise of the gift; it obliges the recipient to follow the training of the host. The gift cements social relationships, allowing the receiver to share the duties and the rights of a family member. Accepting a gift makes the receiver part of the family and promotes Umoja.