A United Kingdom-Interracial propaganda Film

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Looks like Hollywood has the perfect film just in time for their Greco-Roman, pagan,orgy-inspired holiday known as Valentine’s Day.  The interracial propaganda is relentless.  When President Obama was in office there a big increase in interracial couples in television dramas,sitcoms and films.  By him being biracial,he was used as a symbol of some type of racial harmony. Of course we know this is nonsense. There can be no racial harmony when one racial group has more power than another group.  This is where the propaganda comes in. I   have covered  this subject many times in the past.  And it looks like I’ll have to continue to do as long as they keep putting these films out.  Now we have the film A United Kingdom. The basic synopsis :

“The film is based on a true story. Seretse Khama (David Oyelowo) is the Prince of Bechuanaland (now Botswana). In 1948 he meets and falls in love with London office worker Ruth Williams (Rosamund Pike). But their interracial relationship is not approved of by either of their families, nor by the British and South African governments. Seretse and Ruth must defy family, apartheid and the British empire to return from an imposed exile to their African kingdom, and assume power after independence.”

This trailer(above) is very hard to watch.  Here you have an African prince and he wants to marry a white woman??  This is total insanity.  This is self hatred to the fullest!  I don’t want to hear any crap about color blind love.  This is nothing but propaganda to make us love our oppressors.  A white woman as a queen in an African nation is blasphemous! This is a slap in the face to black love.   Seretse Khama is a disgrace to African people. Khama sold out his nation.  He is no prince!  Isn’t it interesting that Hollywood can find money to make this film but not about real African heroes.  There were African men and women that did great things in the past.  What about a film about Thomas Sankara?  Patrice Lumumba? Yaa Asantewaa? Queen Tiye? Marcus Garvey? Haitian revolution?  Queen Nzinga? Nope!  Instead they give a stupid ass love story between a brain dead Negro who gives his fortune away to a common white woman.  This film is stupid  and insulting on so many levels.

This is a very interesting interview with the stars David Oyelowo and Rosamund Pike. Pike says that the film tackles racial prejudice from both sides.  She says that it’s about two people that are color blind.  Give me a break!  This white woman is lying through her teeth.  She knows damn well no one is color blind.  And our society is nowhere near that.  The world is comprised of racial groups.  Color blindness is a myth. Then Oyewolo goes on to say that the way to “unite a kingdom” is through love. And that Botswana has control of “most” of it’s resources.  How did they lose some of their resources?  How took them? I think you know the answer. And he says that Botswana sees itself has post-racial.  This is man is insane! How can Africa be post-racial when you got Europeans trying to steal land and resources?  He also says that his white wife has a small part in the film.  She plays a…..racist!  How fitting is that.  You can’t make this stuff up. Black love and black unity is the way to fight white racism.  The answer is not marrying and making babies with your oppressor.  This film is designed to confuse black people about racism.

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This picture(above) is  of Amma Asante and her husband.  She is a screenwriter and director. She is the director of A United Kingdom. Why would a black woman do an interracial love story?   Well that’s an easy answer.  Just look  at her husband and  it’s easy to see why this so-called universal love story is close to her heart.

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Amma Asante is a very sick woman!  This black woman has lost her damn mind.You don’t think so?  Well check out the picture(above).  That is a photo of the upcoming film When Hands Touch.  It’s a World War 2 “love story”. It stars Amandla Stenberg who plays a biracial girl who falls in love with a Nazi youth.  What the hell??  Even though Stenberg is biracial in this racial context she will be seen as just a black girl.  I will cover the problem of biracial women representing black women in a later post.  But anyway this film has taken “love they enemy” to a whole different level!  They want us to love Nazi’s now???  What’s next?  A  love story with Adolf Hitler and Angela Bassett?   Or maybe Denzel Washington falling in love with a female skinhead?  I wouldn’t put it pass Hollywood at this point. Amma Asante has sold her sold for the chance to corrupt the minds of black people.  She is a female version of Lee Daniels.

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I understand better now why  David Oyelowo was chosen for the lead role.  In Hollywood he’s the go-to Negro at the moment.  He’s been in other anti-black propaganda films like The Butler,Red Tails and The Help.  And judging by the pic(above) of Oyelowo and his family,I think he was perfect for the role.  Oyelowo and Asante are one in the same.  They are both from the United Kingdom.  And neither one of them believes in  black love or black unity.  They believe the way to defeat racism,oppression, and colonization is to just love your oppressor.  Both of them are brain dead swirlers. But whatever you do,don’t support this film.  Save your money and stay far away from this garbage of a film.

White Egyptians (and other myths)

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Hollyweird sure does love fantasy. They love to push the idea that Egypt has always been full of European folks. They don’t want to admit that Egypt(Kemet) was started by African people. They had culture,language and civilization long before the Greeks……and later the Romans. This is why Hollywood keeps putting out these films that show white looking Egyptians so much. Of course this is understandable I a system of white supremacy. They have to show films that glorify white power and dominance. So that blacks and other minorities will continue to see whites as superior. And they will feel inferior because whites are in their proper position. There are tons of books by African authors that clearly show Kemet was occupied by Africans FIRST. Other invaders and colonizers came years later. Kemet has had civilizations for thousands of years. Even when invaders like Alexander the Great got there in 332 BC the pyramids were already ancient. When the Greeks got there Kemet was crumbling at that point. All these Hollywood films are designed to push white supremacy. Black people need to wake up and stop supporting these films that insult our intelligence. And is a slap in the face to our great ancestors. These racist bigots in Hollywood are rewriting his-story right in front of us.

The following is supporting evidence from The African Origin of Civilization:  by:  Cheikh Anta Diop

 

  1. Evidence from Physical Anthropology The skeletons and skulls of the Ancient Egyptians clearly reflect they were Negroid people with features very similar to those of modern Black Nubians and other people of the Upper Nile and of East Africa.
  2. Melanin Dosage Test Egyptologist Cheikh Anta Diop invented a method for determining the level of melanin in the skin of human beings. When conducted on Egyptian mummies in the Museum of Man in Paris, this test indicated these remains were of Black people.
  3. Osteological Evidence “Lepsius canon,” which distinguishes the bodily proportions of various racial groups categories the “ideal Egyptian” as “short-armed and of Negroid or Negrito physical type.”
  4. Evidence From Blood Types Diop notes that even after hundreds of years of inter-mixture with foreign invaders, the blood type of modern Egyptians is the “same group B as the populations of western Africa on the Atlantic seaboard and not the A2 Group characteristic of the white race prior to any crossbreeding.”
  5. The Egyptians as They Saw Themselves “The Egyptians had only one term to designate themselves =kmt= the Negroes (literally). This is the strongest term existing in the Pharaonic tongue to indicate blackness; it is accordingly written with a hieroglyph representing a length of wood charred at the end and not crocodile scales,” singular. ‘Kmt’ from the adjective =kmt= black; it therefore means strictly Negroes or at the very least black men. The term is a collective noun which thus described the whole people of Pharaonic Egypt as a black people.”
  6. Divine Epithets Diop demonstrates that “black or Negro” is the divine epithet invariably used for the chief beneficent Gods of Egypt, while the evil spirits were depicted as red.
  7. Evidence From the Bible

The Bible states”…[t]he sons of Ham [were] Cush and Mizraim [i.e. Egypt], and Phut, and Canaan. And the sons of Cush; Seba, and Havilah, and Sabtah, and Raamah and Sabtechah.” According to Biblical tradition, Ham, of course, was the father of the Black race. “Generally speaking all Semitic tradition (Jewish and Arab) class ancient Egypt with the countries of the Black.”

  1. Cultural unity of Egypt With The Rest of Africa Through a study of circumcision and totemism.  Diop gives detailed data showing cultural unity between Egypt and the rest of Africa.
  2. Linguistic Unity With Southern and Western Africa In a detailed study of languages, Diop clearly demonstrates that Ancient Egyptian, modern Coptic of Egypt and Walaf of West Africa are related, with the latter two having their origin in the former.
  3. Testimony of Classical Greek and Roman Authors Virtually all of the early Latin eyewitnesses described the Ancient Egyptians as Black skinned with wooly hair.

After the conquest of Egypt by Alexander, under the Ptolemies, crossbreeding between white Greeks and black Egyptians flourished.  “Nowhere was Dionysus more favored, nowhere was he worshiped more adoringly and more elaborately than by the Ptolemies, who recognized his cult as an especially effective means of promoting the assimilation of the conquering Greeks and their fusion with the native Egyptians.” {Endnote 15: J. J. Bachofen, Pages choisies par Adrien Turel, “Du Regne de la mere au patriarcat.” Paris: F. Alcan, 1938, p. 89.}

These facts prove that if the Egyptian people had originally been white, it might well have remained so. If Herodotus found it still black after so much crossbreeding, it must have been basic black at the start.

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Before examining the contradictions circulating in the modern era and resulting from attempts to prove at any price that the Egyptians were Whites, let us note the comments of Count Constantin de Volney (1757-1820). After being imbued with all the prejudices we have just mentioned with regard to the Negro, Volney had gone to Egypt between 1783 and 1785, he reported the Egyptian Race is the very race that had produced the Pharaohs: the Copts (p. 27).

“All have a bloated face, puffed up eyes, flat nose, and thick lips; in a word, the true face of the mulatto. I was tempted to attribute it to the climate, but when I visited the Sphinx; its appearance gave me the key to the riddle. On seeing that head, typically Negro in all its features, I remembered the remarkable passage where Herodotus says: “As for me, I judge the Colchians to be a colony of the Egyptians because, like them, they are black with woolly hair. …” We can see how their blood, mixed for several centuries with that of the Romans and Greeks, must have lost the intensity of its original color, while retaining nonetheless the imprint of its original mold. We can even state as a general principle that the face is a kind of monument able, in many cases, to attest or shed light on historical evidence on the origins of peoples. {End quote}

When Egypt was invaded by Arabs – Egypt suffered turbulent times when, in 609 AD, the country had sided with Nicetas, a lieutenant of Heraclius, in the rebellion against the emperor Phocas. Only shortly after Heraclius overthrew Phocas, the Byzantines were attacked by the Persians. The armies of the Sasanid King Khosrau II invaded Egypt, inflicting cruel suffering upon its some of its inhabitants. This Persian occupation lasted six years.

That’s just a small excerpt from Diop’s book. You need to buy his book and read it. He’s goes into even more detail. His points in the book are very hard to refute. Once you know the truth it’s hard to take Hollywood seriously. Films like Exodus: Gods and Kings are complete JOKES!! A spit in the face to our ancestors!

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As well as the piece of garbage Night at the Museum! just another attempt at brainwashing the masses!

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These guys look like complete fools in Egyptian garb! These people will stoop to anything to push an agenda. And they’ll keep doing it as long as you buy the tickets to this garbage. Speak with your wallets and purses. Don’t support Racist Hollywood anymore. Peace.